A Noite do Estrangulador

Part of the success of The Night Stalker and this its sequel has to be the ever-present humour created throughout the script in the character of Carl Kolchak. He is a character that is as stubborn as ever andone that despite his need/desire for a story shows more humanity and ethical standards than the system which continually steps on him. He is at one point a caricature...sneakers and the same suit and the same straw hat....and yet possesses common sense, intelligence and wit. These contradictions in character often provide a lot of comedic relief in the Night Stalker/Strangler movies and the television series as well. No one better understands this than Darren McGavin who essays the role of the obstinate reporter. Each of his performances is a real treat. And although I have been genuinely frightened by these films and the series...many of my fondest memories are about the funny things..the character traits(and outfit) of Kolchak, the discussions between Kolchak and super veteran character actor Simon Oakland(his boss), the situations Kolchak faces out of lack of care, and so on. In many ways The Night Strangler is a better film that the first one...perhaps not as scary..but better written and acted. Great character actors abound with the likes of Al Lewis, Margaret Hamilton, Wally Cox, and John Carradine. The story this time deals with the secret of a man who kills young women for their blood...a need he must satisfy every few years. He lives in a city below a city...and the shots of this subterranean polis are visually striking. Great story, great acting, wonderful sets, and lots of scary moments and funny ones make this a triumph of the small screen.

This was a second pilot for a television series that aired after this movie was shown. Another pilot, "The Night Stalker," a year earlier. This one actually kicked off the series, called "Kolchak: The Night Stalker," which ran only two years. It seemed to be popular so I don't know why it didn't last longer.

At 90 minutes, this was longer than the first pilot but very similar in plot. The only major change is in the cities. Here, our intrepid reporter-hero "Carl Kolchak" (Darren McGavin) is hunting down a serial-killer werewolf in Seattle instead of Las Vegas.

He has the same common opponents, meaning his newspaper boss "Tony Vincenzo (Simon Oakland) and a hostile police chief (played by Scott Brady). Along the way you get to see a bevy of beauties including Jo Ann Pflug and Nina Wayne. You also have brief appearances by somewhat-famous actors John Carradine, Margaret Hamilton, Al Lewis and Wally Cox.

The story will keep your interest and has good suspense at the end. The only annoying part - at least for me - is the overdone yelling between McGavin and Oakland, and McGavin and Brady. Every single time - every time - that pairing is on screen it is nothing but a shouting match. Can you say "abrasive?" It's just too much. Thankfully, on DVD, I can use the English subtitles and mute the sound button so I can turn off these screaming lunatics. Unfortunately, those shouting sessions take up a good chunk of the movie.

This is the sequel to the hugely successful "Night Stalker" and unlike most sequels this one was just as frightening and just as funny as the original. The story has just the right mix of horror and humor to have made it as successful as it was. The fact that it never took itself seriously and Darrin McGavin's performance helped to make this a very memorable film. After this the critically acclaimed, but short lived series was released the next year and it like this film and its predecessor are still great to watch.

The follow-up story to The Night Stalker once again finds wisecracking reporter Karl Kolchak investigating a string of bizarre murders that yet again points to an unnatural suspect. Deftly crafted and making fab use of its added runtime, The Night Strangler is just as impressive as its predecessor and is a sequel done right, for it takes what was good about the first film and builds on top of it.

Directed by Dan Curtis, the story follows almost the same route as before and retains all the fascinating aspects of the original. Additional runtime allows for more of Kolchak's ranting & friction with the powers that be. The plot is simple in structure but executed with finesse and the improved production value is evident in its elaborate set pieces. The antagonist however is less memorable in this one.

Just like the previous entry, the film comes equipped with a spooky atmosphere for the night scenes and the camera is skilfully utilised to heighten the build-up. Darren McGavin reprises his role as Kolchak and is even more abrasive, intruding & exasperating than last time which only works in the story's favour. The finale is a tad too expository and is amongst the weaker aspects but it still wraps the journey of a fine note.

Overall, The Night Strangler is slightly more polished in looks, more focused in content & more confident in executing the original formula and also improves upon the original in few aspects. Despite lacking a fearsome villain, the film makes up for it by creating an aura about him. The ride is almost as entertaining & satisfying if not more, the interest in the outcome is never lost, and McGavin's grating act comfortably steers the film past the finish line. A worthy sequel.

Relocated to Seattle, reporter Kolchak stumbles on yet another series of murders, a series which seems to be repeated every twenty-one years. Of the two movies, `The Night Strangler' has the slight edge. This is possibly down to its location, Seattle. Very unfamiliar to me, it adds certain freshness to the story, while the underground ‘old' Seattle is a fantastic location, macabre and memorable; it sticks in my mind long after watching the movie. The candle lit, cob-webbed corpses are perhaps one of the most vivid images in American genre television.

Also of note is Richard Anderson's villain, a crazed, immortality seeking Doctor, he is far more impressive than the original's vampire. A more assured script (which is genuinely funny in places), plus some enjoyable cameo's (Carradine, Hamilton), help make this a rare sequel which is better than the original.

Sadly, plans for a third movie were abandoned and instead a short-lived, inferior television series (without Matheson's involvement) resulted. A patchy effort, despite McGavin's best efforts it never attained the quality of the two movies.