AVALIAÇÃO DA IMDb
5,8/10
647
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn amnesiac gunfighter, aided by a sympathetic outlaw, tries to discover his own identity and past.An amnesiac gunfighter, aided by a sympathetic outlaw, tries to discover his own identity and past.An amnesiac gunfighter, aided by a sympathetic outlaw, tries to discover his own identity and past.
- Direção
- Roteiristas
- Artistas
Ángel del Pozo
- Ben Janish
- (as Angel del Pozo)
José Jaspe
- Henneker
- (as Jose Jaspe)
Charly Bravo
- Lang
- (as Charley Bravo)
José Canalejas
- Cherry
- (as Jose Canalejas)
Julián Ugarte
- Christobal
- (as Julian Ugarte)
César Burner
- Charlie
- (as Cesar Burner)
Bruce M. Fischer
- Ranch Hand
- (as Bruce Fischer)
Avaliações em destaque
Despite the fact that Stephen Boyd starred in a couple of the most famous films ever made, he really was a singularly mediocre actor and that is pretty clearly illustrated in this hotch-potch of a western. Here he ("Rimes") finds himself assisting the forgetful "Noon" (Richard Crenna) to track down who he is, where he is from and just how, exactly, he found himself in this amnesiac state. During moments of lucidity, "Noon" recalls a cache of gold - so the two, along with the feisty "Fan" (Rosanna Schiaffino) set off to find it before nasty "Judge Niland" (Farley Granger) and his slightly do-lally pal "Peg" (Patty Shepard) do them all in. Peter Collinson has done an OK job with this. These multi-national efforts were never as good on screen as they might have looked on paper. Crenna is efficient, though not spectacular and there is some nice cinematography to accompany a jaunty score from Luis Bacalov. Nothing new here and not a film I could say I shall ever watch again.
Have you ever awakened from a vivid dream that quickly fades? That is exactly how I would describe my viewing experience with " The Man Called Noon." The story of a gunslinger with amnesia is extremely vague. You know it all is leading somewhere, but you have too little information to care about the characters. What you do get is a showcase for stunt falls, some truly excellent photography and memorable locations. What you don't get is enough character development to comprehend the motive behind all the gunslinging chaos. Rosanna Schaffino's magnificent brown eyes are more interesting than most of the characters. Richard Crenna is no Clint Eastwood, and since the "Dollar Westerns" preceeded Noon, it is easy to see why "The Man Called Noon" is so obscure. I would describe this as difficult to sit through, difficult to understand, but worth seeing once for the unbelievably stunning photography. MERK.
reviewers on this page complain that this is just another ordinary western - that's the same as saying that the Taj Mahal is just another house - which it is - but what a house!
OK, this is not the Taj Mahal of anything but it is a western in which somebody took the time to find the right angles to shoot from and the right beautiful music to accompany everything with. This time and care put in, changes this film from being a trivial western into being a nicely mysterious experience with imagery that stick to the mind.
The mystery - it is true - is not so much in the dialogue as in the silence between the spoken words. The action is not as important as the scenery in which it takes place.
In the end you are left with a feeling of surprising satisfaction for something that on the surface seems trivial indeed.
OK, this is not the Taj Mahal of anything but it is a western in which somebody took the time to find the right angles to shoot from and the right beautiful music to accompany everything with. This time and care put in, changes this film from being a trivial western into being a nicely mysterious experience with imagery that stick to the mind.
The mystery - it is true - is not so much in the dialogue as in the silence between the spoken words. The action is not as important as the scenery in which it takes place.
In the end you are left with a feeling of surprising satisfaction for something that on the surface seems trivial indeed.
This is an average Spanish/British/Italian co-production filmed of course in Almeria , Spain . It deals with Robert Noon (Richard Crenna), a gunslinger who has turned amnesiac. Helped by Rimes (Stephen Boyd), another gunfighter who has befriended him, he attempts to figure out who he is actually. He gradually aware that his wife and child have been killed . Is he Noon ? . The duo goes to ranch Rafter where lives Fan Davidge (Rosanna Schiaffino) who will support them , there the foreman named Henekker (Jose Jaspe) gives him a letter signed by Noon and Dean Cullane . As they go to El Paso where lives the scheming sister (Patty Shepard) of the lawyer named Dean Cullane . As time goes by, Noon also recalls a lot of gold buried somewhere but he is double-crossed . Niland (Farley Granger), an ambitious judge and the outlaw Ben Janish (Angel Del Pozo) along with his hoodlums ( Aldo Sambrell, Jose Canalejas, Fernando Hilbeck, Julian Ugarte) will do everything to prevent Noon and Rimes from achieving their objective .
In the picture there're action western, shootouts, thrills, and a little bit of moderated violence . It follows American models more than Italian , displaying an intrigue about possible fake personality . The film is well starred by a fine star-cast though wasted as Stephen Boyd , Richard Crenna , Rosanna Schiaffino ; all of them early deceased , exception Farley Granger who passed away this same year . The starring Richard Crenna played another British Western titled ¨Catlow¨ that bears remarkable resemblance , as the same author Louis L'Amour , some actors and similar Almerian scenarios .The motion picture has been filmed on La Pedriza , Manzanares of Real , Madrid and Almeria(Spain), where during the 6os and early the 7os were shot several spaghetti western . The film well filmed in Tabernas and Texas Hollywood-Fort Bravo, Almeria, with a good production design including great a fortress , one of the best ever created , firstly used in ¨El condor¨ and where were posteriorly shot several Spaghetti as ¨ Blind man, Massacre at Fort Holman, ¨ and ¨Conan the Barbarian¨. Nevertheless, today the fort has been partially crumbled and only remain some ruins . There appears usual Spanish western secondary actors : Angel del Pozo, Julian Ugarte, Barta Barry , Ricardo Palacios, Jose Canalejas and of course Aldo Sambrell, among others. Atmospheric score by Luis Bacalov who subsequently won Oscar for ¨The postman and Pablo Neruda¨ and colorful cinematography by John Cabrera , though is necessary and urgent remastering .The movie is regularly directed by Peter Collinson. Collinson's directorial treatment provides it with action, gun-play, and suspense . He was an expert on thriller (Sell out, Target on assassin), intrigue (Spiral staircase, Ten little Indians, Open season), terror(Straight on till morning), Warlike-adventure(You can't win ém all), his biggest hit was ¨The Italian job¨ , until his early death by cancer at 41. Rating : Mediocre but entertaining .
In the picture there're action western, shootouts, thrills, and a little bit of moderated violence . It follows American models more than Italian , displaying an intrigue about possible fake personality . The film is well starred by a fine star-cast though wasted as Stephen Boyd , Richard Crenna , Rosanna Schiaffino ; all of them early deceased , exception Farley Granger who passed away this same year . The starring Richard Crenna played another British Western titled ¨Catlow¨ that bears remarkable resemblance , as the same author Louis L'Amour , some actors and similar Almerian scenarios .The motion picture has been filmed on La Pedriza , Manzanares of Real , Madrid and Almeria(Spain), where during the 6os and early the 7os were shot several spaghetti western . The film well filmed in Tabernas and Texas Hollywood-Fort Bravo, Almeria, with a good production design including great a fortress , one of the best ever created , firstly used in ¨El condor¨ and where were posteriorly shot several Spaghetti as ¨ Blind man, Massacre at Fort Holman, ¨ and ¨Conan the Barbarian¨. Nevertheless, today the fort has been partially crumbled and only remain some ruins . There appears usual Spanish western secondary actors : Angel del Pozo, Julian Ugarte, Barta Barry , Ricardo Palacios, Jose Canalejas and of course Aldo Sambrell, among others. Atmospheric score by Luis Bacalov who subsequently won Oscar for ¨The postman and Pablo Neruda¨ and colorful cinematography by John Cabrera , though is necessary and urgent remastering .The movie is regularly directed by Peter Collinson. Collinson's directorial treatment provides it with action, gun-play, and suspense . He was an expert on thriller (Sell out, Target on assassin), intrigue (Spiral staircase, Ten little Indians, Open season), terror(Straight on till morning), Warlike-adventure(You can't win ém all), his biggest hit was ¨The Italian job¨ , until his early death by cancer at 41. Rating : Mediocre but entertaining .
"The Man Called Noon" (1973) is a Spanish/Italian/English Western starring Richard Crenna as the eponymous character and Stephen Boyd as his pardner. After Noon suffers amnesia from being winged in the head and falling, he teams-up with Rimes (Boyd) and meets a woman named Fan (Rosanna Schiaffino), who takes a liking to him. Farley Granger and Patty Shepard are other characters in the story, which features a hidden cave and fortune.
Shot in Spain, the film has the cool style and music of Spaghetti Westerns of the time, but with an arguably better story and characters, likely because the script's based on a Louis L'Armour novel. Unfortunately, as the movie progresses its flaws surface, like an obvious smudge on the lens of one of the cameras, the inexplicable lights in the "bat cave" and an increasingly unbelievable vibe. Despite this, Crenna and Boyd are effective Western protagonists and Rosanna & Patty are agreeable female eye candy. Although mediocre overall, it's worth checking out if you like Westerns from the 60s/70s.
The film runs 98 minutes.
GRADE: C+
Shot in Spain, the film has the cool style and music of Spaghetti Westerns of the time, but with an arguably better story and characters, likely because the script's based on a Louis L'Armour novel. Unfortunately, as the movie progresses its flaws surface, like an obvious smudge on the lens of one of the cameras, the inexplicable lights in the "bat cave" and an increasingly unbelievable vibe. Despite this, Crenna and Boyd are effective Western protagonists and Rosanna & Patty are agreeable female eye candy. Although mediocre overall, it's worth checking out if you like Westerns from the 60s/70s.
The film runs 98 minutes.
GRADE: C+
Você sabia?
- CuriosidadesBoyd said the lead balls near the fireplace were Minnie balls used in muzzle loaders and were 16 to the pound. Minnie balls look like bullets not round balls. 16 to the pound indicates shotgun gauges. 16 to the pound means 16 gauge. Shotguns are designated in gauges not calibers like in rifles and pistols.
- Erros de gravaçãoThe couplings of the trains are European, not American, revealing where the film was shot.
- ConexõesFeatured in V.I.P.-Schaukel: Episode #3.3 (1973)
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- How long is The Man Called Noon?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- The Man Called Noon
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 38 minutos
- Mixagem de som
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By what name was Um Homem Chamado Noon (1973) officially released in India in English?
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