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I know very little about Billie Holiday; she was well before my time. After now watching her story it is such a tragic and familiar tale. Change her name to Whitney Houston and make her contemporary and little is different between the two. Little is different between her story and that of countless other entertainers.

Billie was immensely talented, but she had her demons. This is a recurring theme in the entertainment industry. Diana did an exceptional job playing Billie Holiday. Pryor and Billie Dee were good as well, but Diana shined. It's too bad she had to play such a tragic role.

Before watching this I knew that it wouldn't be factually correct. I knew that Diana Ross would sing in her own style without trying to imitate the real Billie Holiday. And I knew that this film was hated & protested by Billie's real life associates and family. I watched it anyway expecting to enjoy it the same way I enjoyed Amadeus even though it stepped all over the real Mozart. I mean, c'mon people, if we want history we should go to a library, not a movie theatre.

But with all that said I was still horribly put off by the lack of continuity with the spirit of Billie's life. For one thing, Diana's portrayal made Billie look like a blabbering halfwit. Even in the scenes where she's supposed to be stone cold sober she acts like a flake. If you've ever seen footage of the real Billie, you know that the real Lady was a tough, sharp, smart human being. You don't survive on the streets of New York by being an idiot the way she's shown to be in the film.

Next, the performances were shown totally out of context. For example, the song "My Man" is a chilling song about spousal abuse, but in the movie they gloss it up to be a feel-good homage to her guardian angel of a husband Louis McKay. In real life, Louis was as abusive as all of her husbands (hence the song "My Man"). This is just one example of the many incorrect interpretations this movie presents of Billie's music and her life.

OK, but like I said in my 1st paragraph, I can allow the director some poetic license if the movie is worthwhile. Unfortunately this movie didn't deliver. Instead of focusing on the true hardships and trials that plagued Ms. Holiday, we get a whole bunch of clichés about drug use, trying to make it in the business, and how you're supposed to be good to your friends. I'm not sure if this was supposed to be about Billie Holiday or if it was just an ABC afterschool special with clever packaging.

The acting was good (if you choose to accept the idea of Billie Holiday being a weak minded flake), and there were several dramatic moments that were well staged. But here's my biggest gripe: the musical score KILLED this movie! It's supposed to be a 1940s jazz biopic, so why are we getting 70s "star search" orchestrations? You know, like the cheezy swelling violins and pseudo-disco drums when Ed McMahon reads the winner of the competition. Talk about an anachronism, to say nothing of the way it cheapens some otherwise powerful moments.

Lastly, I have to say that fans of Billie's music will be pretty annoyed at Diana Ross's versions. They are two totally different singers. Billie sang in a lower register (except when hitting those high notes which she always did clean & clear WITHOUT vibrato) whereas Diana prefers theatrics in the upper register and doesn't go very low at all. This is really a movie for Diana Ross fans or for casual jazz listeners who have never heard of Billie Holiday. Like another reviewer suggested, if you're truly interested in Billie, you should buy some of her records or try to find some old films of her performances. Her music is the best biography you'll ever get.

Diana Ross is quite superb as jazz singer Billie Holiday, but even so this clichéd bio-drama of the drug-addicted torch diva from the 1930s is hardly convincing. After an enjoyably overwrought prologue (with Holiday brutally incarcerated like a gangster out of a Jimmy Cagney flick), the movie sputters along familiar territory, and the burnished, brackish look of the picture--probably meant for prestige--is a visual downer. The tone wavers at times (a comedic sequence with Scatman Crothers is either a distraction or a relief), and the film's flashback structure is a cheap gimmick (you know you're in for it when the filmmakers start super-imposing headlines across the screen--it's movie shorthand for "we're running out of time"). Ross is a spectacular drawing card, but this vehicle for her debuting acting talents leaves much to be desired. **1/2 from ****

First off this is NOT a factual biography of Billie Holiday...a lot of her dark side is ignored. That aside, this is a pretty good movie. It follows Holiday from a little girl all the way up to her debut at Carnegie Hall. Along the way she deals with drug addiction, rape, prostitution etc etc. That's the big problem with the movie--it's too depressing. Holiday is a victim again and again and again. It wears one down seeing this woman just torn apart over and over. Also, the movie is too long--2 1/2 hours. Still, it's worth seeing for Diana Ross performance (Oscar-nominated). She sings like Holiday and (sometimes) looks like her. She never strikes a wrong note is her acting--she's letter perfect in every scene. So watch it for her and the music. Otherwise, it's pretty depressing. Also, there's a good supporting performance by Richard Pryor.

There is no question that no matter how extreme in the past or future Miss. Ross has been or will be (tantrums, bad albums, phoniness, bad publicity, touch me, don't touch me), she will always have this performance to look back on as a moment where everything worked perfectly.

The film is imperfect. Flawed. It could have been more realistic, more harrowing, and less hollywood-fied. Had it been, and had Motown not been so intent on proving itself as a major film force, she would have won the Oscar without question. The rumor had always been that in terms of voting it was "this close" as they say.

Even though she did not win, we are still left with a performance of depth, passion and layers that could only be described as magnificent in an experienced actress. In a neophyte, as Miss. Ross was at the time, it is stunning.

As a singer, She never before or since has sounded as good. The voice, while not really like Billie Holiday, just glows. Her musicality, intonation and idiomatic phrasing indicated a whole type of music she could have sung had she chosen too.

Watch it for her. It will make you think more kindly towards her the next time she, well, acts like Miss. Ross!