Lobo Solitário - A Espada da Vingança

Like many fans, my first exposure to the world of badass warrior Ogami Itto (and son) was through Shogun Assassin, an infamous 'video nasty' that was compiled from the 'best bits' of the first two movies in the Baby Cart series, 'Sword Of Vengeance' & 'Baby Cart At The River Styx. A stylish blood-drenched epic, Shogun Assassin piqued my interest enough to make me seek out the entire Baby Cart series (comprising of six films, made between 1972 and 1974).

Sword of Vengeance introduces us to protagonist Itto (Tomisaburo Wakayama), whose job, as Second for the Shogunate, is to execute the enemies of the Shogun, should they fail to commit seppuku (ritual suicide). After his wife is murdered, Itto is framed for treason by the nasty Yagyu clan (who wish to take his coveted position as Second). Now a Ronin—a samurai without a master— he takes to the road working as an assassin for hire, accompanied by his young son Daigoro, who rides in a booby-trapped wooden cart. Together, they are known as Lone Wolf and Cub.

With superbly choreographed fight scenes, wonderful cinematography, a terrific soundtrack, and a great central performance from Wakayama, this is an unmissable piece of samurai cinema. Itto is the Japanese equivalent of Clint Eastwood's 'man with no name': a cool-headed, tough-as-nails, and honourable character who is sparing with his words, and who only acts with violence when necessary (but always with devastating results).

A lethal force with his sword (and also with the variety of weapons secreted about Daigoro's cart), Itto cuts a swathe through all who are stupid enough to challenge him. A quick flash of his blade, and his enemies are either minus a limb or two, or spouting a geyser of blood from a fatal wound.

Sword of Vengeance is a prime example of cool, gritty and stylish 70s cult cinema. Watch it, and be cool by association.

I hold true to my summary. Beautiful. I belive that the cinematography is excellent in perspective and atmosphere. Disturbing. There is a rape scene which is not gratuitous in its presentation but is nevertheless disturbing. Bloody. It is a samuri/swordplay film after all. Touching. There is a gruff honor about this film that I truly appreciated. The ideas of duty, honor, disgrace and vengence meet here. If you like the genre I think that you will like this movie.

Kozure Okami:Kowokashi Undekashi Tsukamatsuru/Lone Wolf & Cub:Sword of Vengeance(1972) is the story of an once distinguished samurai executioner who was framed for treason. Shows how the main character went into being an avenging assassin. After the death of his wife, Ogami Itto makes a vow of vengeance on the people responsible for the murder of his wife and his frame up. With his son Daigoro by his side, Itto tends towards the road of assassin as a way to get even with his arch enemy, the Yagyu Clan. His assignment in this story is to kill a few high officers of a samurai clan who plan on killing their future leader.

The action sequences are visually arresting and physically awesome. The sword play in these action scenes are fresh and imaginative. Many of these scenes are gory and violent but not as gory as in some of the later Lone Film & Cub films. Lone Wolf & Cub:Sword of Vengeance(1972) does an excellent job in being faithful to the visual style of the samurai sword fights from the graphic novels. The camera work on these action scenes are free flowing with style and booming with graceful movement.

The film combines the back story of volume one and volume six in the Lone Wolf & Cub comics. The prologue and the first flashback is from volume six. The second flashback later in the movie is from the first volume. These scenes for the most part are faithful to the original source. The dialogue, however is slightly different in the film from volumes one and six.

The first flashback that depicts Itto's frame up by the Yagyu fills the screen with a sea of human emotions. This scene shows the relationship between Ogami and his wife to be caring and tender. The moment when Azami touches her son's face and then dies is very sad. One of the few times in the film and the series that Ogami Itto is highly emotional. Scene depicts Ogami Itto as a man who is bound by the code of Bushido.

Lone Wolf & Cub:Sword of Vengeance(1972) is not as polish or technically slick as the samurai films of Akira Kurosawa. Does not share Kurosawa's eye for the spectacle touch of his samurai pictures. Also, not deep in depiction of human nature and human error like Akira Kurosawa's Samurai epics. The mindset and the beliefs of the samurai is better depicted here. More an authentic look at the period of the Shogun and the fatalistic nature of the samurai warrior.

The scene where Ogami Itto gives his son the choice of the ball or the sword is intense and suspenseful. Its in this scene that Itto and his son Daigoro become the Lone Wolf & Cub. The choice given to Daigoro is cruel yet compassionate. When Daigoro touches the sword his path is more fatalistic and worst than death. A very emotional moment for Ogami Itto because of his love for his son and the fact that their path together will be of loneiness and tragedy.

The love scene with the prostitute and Ogami Itto is erotic yet not overly explicit. Effective in the use of camera movement and dissolves. Scene is well edited. The only love scene that Ogami Itto is involved during the entire Lone Wolf & Cub movies. Shows that Itto will sacrifice the feeling of shame to save a girl who is an outcast like himself.

The revenge motif dominates the motives of Ogami Itto as well as the plot development of Lone Wolf & CUb:Sword of Vengeance(1972). This motif is done in the same manner as in many Italian Westerns. The theme of revenge makes the film pretty much a Japanese Spaghetti Western. Honor and revenge are the two most important things for Ogami Itto. The motif of revenge is a strong force in both the comic and film version of Lone Wolf and Cub.

The Climatic battle scene builds up with an incredible amount of suspense. Awesome depiction of sword play with some gory moments. The camera moves around in a smooth fashion and acts as another member of the cast. The director, Kenji Misumi does the battle scenes in the graphic novel series. Tomisaburo Wakayama is excellent in doing this scene.

Contains a disturbing and harrowing rape scene. The cinematography, editing, and art direction are first class. Tomisaburo Wakayama was the perfect actor to play Ogami Itto because of his physical similarites. Akihiro Tomikawa is cute as Ogami Daigoro. The Violence here is on the level of the blood letting from The Streetfighter movies.

Tomisaburo Wakayama is Lone Wolf and Akihiro Tomikawa is Cub, his three-year-old son. Together they wander around Japan, the youngster in a baby carriage with a sign noting that child and expertise are for hire. It turns out, via a long flashback, that he used to be the executioner for the Shogun. Then the evil Yagyu seized that office and he was supposed to kill himself. So he went rogue and is now wandering around Japan, dealing with prostitutes, madwomen, thieves and the occasional Yagyu ninja.

Anyway, in this one, he trundles Cub to a hot spring for a vacation. It's run by desperate criminals who try to intimidate him. They don't. Eventually, we can be assured, assassins will show up and there will be a colorful bloodbath.

For people who like lots of fake blood amidst some great cinematography, and Japanese acting stoically bizarre, it's just what the audience ordered.

My knowledge in Japanese samurai films is a bit narrow, but I'll take the chance to draw a parallelism between east and west cinema that could sound blasphemous or stupid to somebody who knows more about it. But I suppose, if westerns had John Ford as a traditionalist filmmaker and Sergio Leone as a revolutioner who shattered that sanitized and mythic image and made it dirty and unheroic, I could apply that same logic to samurai films of Akira Kurosawa and then to what Kenji Misumi accomplished in this first chapter. I guess that shallow explanation could serve a newcomer to picture what kind of brilliant and bloody action film they'll find here. also judging from the bloody fight scenes its clear where Tarantino got his influence for his Kill Bill films.