O Soro Maldito

This movie is a version of Dr Jekyll and Mr Hyde as done in a full-on horror treatment by Amicus, in a decade when other versions of the tale appeared (Dr Jekyll and Sister Hyde, Dr Heckyl and Mr Hype ...)

Christopher Lee plays the two-sided character with his usual manic energy, while Peter Cushing is his nemesis, sent to rid the world of the unwelcome evil spirit.

Set in dark corners and oppressive places, the story is given a welcome facelift with the new horror slant. The result is engrossing and enjoyable; this is a good film and a good version of a much-filmed piece.

This odd adaption of Dr Jekyll and Mr Hyde was originally shot in a rare form of 3-D which depends on a complicated camera move, much to the annoyance of star Christopher Lee. But it was all worth it, Mr. Lee, because it stands now as your only 3-D movie for us to enjoy today! The 3-D only works when the camera is moving left to right or right to left and you need special glasses (with the right lens slightly darkened) to enjoy it. But in 3-D, the creeping camera moves and slow editing all make sense because the scenes spring to life with deep focussed 3-dimensional action. Now you know why Christopher Lee is always walking up and down his laboratory behind all the chemical glassware!

Brilliant, clever, well-acted adaptation of Robert Louis Stevenson's great The Strange Case of Dr. Jekyll and Mr. Hyde. Dramatized by Amicus producer Milton Subotsky, I, Monster follows the original tale about as closely as any other with some major deviations. The characters in this film are Dr. Marlowe and Mr. Blake(?). Maybe they wanted to separate themselves from the original source material as much as possible or perhaps had a Rights issue. At any rate, I, Monster is a movie that builds and builds as Dr. Marlowe(Christopher Lee) tinkers with this new serum he has created that eliminates one part of the three parts of the brain(according to Freud). The reaction for each individual is different. For Lee, it sheds his formal, authoritative persona of its superego which then allows him to act any way he wants without any moral, ethical, or logical constraints. Lee's transformation is simple, effective, and strong. He goes from the stiff upper lip to the wicked, lecherous, carefree smile of a man of no moral code whatsoever. His eyes dance from one thing to another as the strangely effective music of Carl Davis plays a tune of light madness. Lee gives a great performance in this one and makes the film work. Without his skills, I, Monster would have little else going for it. Yes, Peter Cushing is in it. He plays Marlowe's attorney and is as always very solid in his otherwise mundane role. The rest of the cast is really nothing to speak of either. I have always liked Amicus and most of their horror entries from the late 60's and the 70's. They have the Hammer look about them without Hammer production values: translated that means that they look like Hammer imitations. Nonetheless, they usually have good stories and frequently paired Cushing and Lee together or singly. Subotsky's screenplay is laced with several philosophical layers. Director Stephen Weeks does a solid job behind the camera. For my money, I, Monster is definitely one of the best screen adaptations of Stevenson's work.

"I, Monster" is a respectable adaptation of the classic Robert Louis Stevenson tale of Jekyll & Hyde, albeit with some unconventional touches by screenwriter Milton Subotsky. Sir Christopher Lee stars as Dr. Marlowe, a psychiatrist / researcher who experiments with drugs, trying to get his patients to release their inhibitions. But when he tests his serum on himself, the results are predictable enough. He becomes an unhinged alter ego named Edward Blake, who indulges in debauched and nasty acts for their own sake. Meanwhile, Marlowes' lawyer Utterson (Peter Cushing) believes Marlowe and Blake to be two different people and thinks that the Blake character is blackmailing Marlowe.

While this slight film doesn't have quite enough style or gravitas to rate as anything more than routine entertainment, it's still reasonably well done. Produced by horror greats Amicus, its period recreation is decent, and its atmosphere likewise effective. Subotsky's touches include having Marlowe be a follower of Freud, so there are Freudian overtones, and the topic of the role that drugs play - or shouldn't play - in the treatment of patients. It does have the time honored appeal of any story with a Frankenstein type mad doctor twist. The makeup by Harry and Peter Frampton is pretty good, but the amount used on Lee is increased bit by bit on screen rather than utilized all at once. The music by Carl Davis is good. As directed by Stephen Weeks, a 22 year old budding filmmaker hired by Amicus at Lees' suggestion, it's actually not terribly violent - or as sexy as the stuff churned out by Hammer during this period. Much of the budget went towards an unusual 3D process exploiting the Pulfrich effect (which explains the camera movement), one that wasn't exactly pleasant to film for Lee.

As can be expected, the consistent professionalism and commitment to character by the two stars makes it all worthwhile. They're ably supported by exemplary actors such as Mike Raven, Richard Hurndall, George Merritt, and Kenneth J. Warren. That's a young Michael Des Barres as the youth who accosts Blake in the alley.

Agreeable entertainment, overall, although the ending is rather abrupt.

Six out of 10.

I, MONSTER is Amicus Studios' version of Robert Louis Stevenson's Dr. Jekyll And Mr. Hyde.

Dr. Marlowe (Christopher Lee) is working on a serum that will bring out the dark side of human nature. Using Freud as his guide, Marlowe uses his concoction on a female test subject, turning her from prim and proper to the exact opposite thereof. After another successful test on an ill-tempered man, Marlowe tries the serum out on himself.

Needless to say, the effects are dramatic, transforming the mild-mannered Marlowe into an id-driven maniac with only base desires on his mind. He heads for the seedier part of town where he can do as he pleases without regard or remorse.

As in the original tale, no good comes of this, as Marlowe slides ever deeper into the abyss. Not even children's lives are spared. A colleague (Peter Cushing) suspects Marlowe and sets out to stop him.

Lee and Cushing are always good together and this is no exception. This fairly faithful take on the source material highlights both men's strengths. Definitely one of Amicus' better movies...