A Maldição da Caveira

On paper, the 1965 Amicus production "The Skull" would seem to be a surefire winner. Based on a story by Robert "Psycho" Bloch, directed by horror veteran Freddie Francis, starring British horror icons Peter Cushing and Christopher Lee, and featuring such sterling character actors as Michael Gough, Nigel Green, Patrick Wymark and Jill Bennett, it would seem like a can't-miss proposition. While the film is undeniably fun, however, it somehow falls short of greatness. In it, Cushing plays an occult investigator who comes into possession of the 150-year-old, particularly nasty-looking skull of the notorious libertine the Marquis de Sade, and comes under the influence of its baleful and hypnotic powers. (Indeed, it's more like the skull has come into possession of him!) The film features strikingly handsome sets, a justly celebrated and Kafkaesque dream sequence, stylish direction from Francis (dig those skull's head POV shots!), and, near the picture's end, a very interesting and suspenseful 20-minute segment largely devoid of dialogue. While some viewers have complained of visible strings attached to the levitating skull, that really didn't bother me (a single wire is barely visible for perhaps two seconds); what did vex me is that we never learn of the skull's evil doings between the time of its disinterment and its modern-day shenanigans. It MUST have been up to something during those 150 years, right? The film also seems a bit tentative in that it never lets Cushing become truly possessed and crazed; how much better the picture would have been if ol' Pete really went on a tear! Still, watching Cushing and Lee together has long been one of the supreme pleasures of horror cinema, and this little movie does have its winning ways. It's no "Creeping Flesh" or "Horror Express," but still most enjoyable.

Peter Cushing plays a demonologist who collects any items pertaining to the occult, witchcraft, devil worship, etc... This desire for the bizarre leads to his encounter with the skull of none other than the Marquis de Sade himself. This film produced by Amicus has a lot going for it. It has a good story by Robert Bloch as the basis for the script, some fine acting from Peter Cushing in the lead and Patrick Wymark as a disreputable salesman, good character roles by George Coulouris, Patrick Magee, Nigel Green, Michael Gough, and particularly Christopher Lee, some imaginative direction from Freddie Francis, and some very stylish set pieces and costumes. Francis has limited special effects at his disposal, and this is a minor distraction as in one scene you can clearly see wires carrying the skull and a book in the air. Francis also gives in too long I think to some dream sequences and other "are they real or not real" happenings with his camera predominating over long periods of silence. It works well at first, but it does grow stale with repeated use. The story and acting, however, greatly enhance the film and make me give it an easy recommendation.

The Skull won't exactly knock you out of your seat with its brilliance, but despite that fact, it is still an enjoyable slice of British horror, with a number of things to recommend it for. Amicus may be better known for their omnibus films, and indeed this story does feel a little stretched over its 85 minute running time, but in spite of that; The Skull is undoubtedly one of the studio's better feature length efforts. The fact that Amicus have managed to get both Peter Cushing and Christopher Lee on board ensures interest from the beginning, and the plot isn't a let down. The Marquis de Sade isn't the most common horror figure, but nevertheless; this film focuses on his disembodied skull. Christopher Maitland is a collector of rare and occult items, and when his supplier; the dodgy Anthony Marco brings a skull to him one day; he is interested because it once belonged to the Marquis de Sade. When his friend, Sir Matthew Phillips, explains that the skull is dangerous, Maitland only becomes more intrigued. But he finds to his peril that skull is dangerous, as it leads its owner to kill...

Freddie Francis directed a number of films for both the big British studios, Hammer and Amicus, and it's not hard to see why he often gets hired as the quality of his direction is not too far behind heavyweights Terence Fisher and Roy Ward Baker. He's got a good creative partner in novelist Robert Bloch, who wrote the story 'The Skull of the Marquis de Sade', upon which this film is based - as well as the far better known novel 'Psycho'. This film doesn't feature a career best performance from either horror heavyweight, but Peter Cushing fits his role as the occult collector brilliantly, while Christopher Lee delivers his usual forceful, scene-stealing, method of acting. Patrick Wymark is also worth a mention, as he is given the most intriguing role in the piece as the slightly sleazy dealer. It has to be said that the first two thirds of the film are more interesting than the third one, which is a shame as the film seems to run out of steam before the end. However, The Skull is still an interesting little film, and I'm sure that fans of classic horror will find lots to like about it.

The Skull is probably the best film Amicus produced,based on a chilling short story by Robert Bloch and directed with visual flair by Freddie Francis it tells the story of a writer on Demonology ; Christopher Maitland(Peter Cushing excellent as usual) who is offered a skull and a fleshbound book originally belonging to none other than the Marquis de Sade for a mere £500,at first he is skeptical of its provenance but finally agrees to buy it from Marco a shifty character(memorably played by Patrick Wymark)who previously stole the skull and book from Sir Matthew Phillips(Christopher Lee)who had fallen under it's sinister spell in the past and was glad the skull and book had been stolen,Matthew tries to convince Christopher of its evil power and advises him to get rid of it as soon as possible,but to no avail,Christopher keeps the skull and begins to come unstuck, he starts hallucinating and having bizarre dreams. All the performances are first rate,but this is Peter Cushings film,he is literally in every scene and gives a convincing performance of a man falling pray to evil. I can't help thinking this could have been a true classic if it had had a bigger budget. The whole cast and crew have worked wonders with what little money and resources they must have had,it also remains(in my opinion) Freddie Francis best film as a director....a must for a cold winters night.

Plays on the imagination of the viewer with some psychological suspense and terror. Peter Cushing is good in the role of Dr. Maitland. Its too bad that Christopher Lee does not have a much more substantial role in The Skull(1965). The Skull(1965) is a chilling feature that is based on the Robert Bloch short story, THE SKULL OF THE MARQUIS DE SADE. The direction by Freddie Francis is one of his most skillful in a non Hammer motion picture. Nigel Green and Patrick Magee do a fine job in their supporting roles.