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IMDbPro

The Hot Box

  • 1972
  • R
  • 1 h 28 min
AVALIAÇÃO DA IMDb
4,7/10
441
SUA AVALIAÇÃO
The Hot Box (1972)
Jungle AdventureActionAdventureDramaWar

Adicionar um enredo no seu idiomaHot action and lust in the steamy tropical jungle, as heroines break out of a women's prison and start a local revolution.Hot action and lust in the steamy tropical jungle, as heroines break out of a women's prison and start a local revolution.Hot action and lust in the steamy tropical jungle, as heroines break out of a women's prison and start a local revolution.

  • Direção
    • Joe Viola
  • Roteiristas
    • Jonathan Demme
    • Joe Viola
  • Artistas
    • Carmen Argenziano
    • Andrea Cagan
    • Margaret Markov
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    4,7/10
    441
    SUA AVALIAÇÃO
    • Direção
      • Joe Viola
    • Roteiristas
      • Jonathan Demme
      • Joe Viola
    • Artistas
      • Carmen Argenziano
      • Andrea Cagan
      • Margaret Markov
    • 8Avaliações de usuários
    • 10Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:45
    Official Trailer

    Fotos30

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    + 25
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    Elenco principal57

    Editar
    Carmen Argenziano
    Carmen Argenziano
    • Flavio - the Guerrilla
    Andrea Cagan
    • Bunny Kincaid
    Margaret Markov
    Margaret Markov
    • Lynn Forrest
    Rickey Richardson
    • Ellie St. George
    Laurie Rose
    Laurie Rose
    • Sue Pennwright
    Zaldy Zshornack
    Zaldy Zshornack
    • Ronaldo
    Jose Romulo
    • Crao
    Rocco Montalban
    • Carragiero
    Charles Dierkop
    Charles Dierkop
    • Journalist Garcia…
    Gina Laforteza
    • Florida
    Ruben Ramos
    • Mimmo
    Ruben Rustia
    Carmen Barredo
    • Tomasa
    • (as Carmen Baredo)
    Roy Alvarez
    Roy Alvarez
    • Leyo
    Pmp Commandos
      SOS Daredevils
      Robert Rivera
      • Pedro
      Greg Lozano
      • Perde
      • (as Greg Luzano)
      • Direção
        • Joe Viola
      • Roteiristas
        • Jonathan Demme
        • Joe Viola
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários8

      4,7441
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      Avaliações em destaque

      Jens-28

      Sold as a Women-In-Prison movie but the title should've been "Bimbos Can Be Revolutionaires Too"!

      If you expect sweaty chicks behind bars you're in for a major dissapointment.

      The gals spend like one minute in the "hot box". Some third world rebels kipnap 4 American nurses to help their revolution. At first they protest but later they "wake up" and start diggin' the rebels' political aim. Jonathan Demme, who scripted this, has made some fun Women-In-Prison flicks for Roger Corman like "Caged Heat" and "Black Mama, White Mama" but this halfbaked "Exploitation With A Cause" is pretty boring despite massive doses of nudity and decent acting.

      People who saw this at a drive-in in the early 70's must've been a bit confused.
      El-Stumpo

      Continues the Jungle Sleaze tradition!

      Hellcats (aka The Hot Box, 1972) continues the jungle sleaze tradition, co-written by the future director of Silence Of The Lambs, Jonathan Demme. Director Joe Viola and Demme had already worked for Corman on the low-budget biker flick Angels Hard As They Come. They now headed to the Philippines to film the story of four deliberately vacant nurses (including its token black actress) kidnapped by the 'Peoples Army', a ragtag bundle of greasy drunks and lechers, and forced to spend most of their incarceration topless. Despite their hysterical over-acting, they slowly become politicized gun-toting radicals, once they are shown parallels between the corrupt local government and the Nixon administration. It's a real pre-Watergate oddity, doling out its heartwarming liberal sentiments while blatantly exploiting its female flesh.
      lost-in-limbo

      Here's your chance to save the revolutionary, girls!

      In the jungles of South America. Lynn, Bunny, Ellie and Sue are American nurses working at a hospital clinic in the Latin-American republic of San Rosario. They are kidnapped by some bandits, who were hired by Flavio the leader of 'Peoples Army' to bring back to them. Were they would help their poorly treated civilians back to health and teach them of important medical practices. The girls are forced into it, despite attempts of escaping. Lynn after a while sees their reasoning, but the others just want to escape and they do. However they come to be captured by a brutal Army officer who abuses them, but they manage to flee back to Flavio.

      Executive producer Roger Corman is at it again, with another mildly entertaining low-budget trashy exploitation fare made in the Banana Republic with some beautiful actresses to burn up the screen. The tone has a minor comic book feel to it, but the mechanical plot (co-scripted / produced by "Silence of the Lambs" director Jonathan Demme. Who he would also go onto pen the Corman films "Caged Heat" and "Black Mamma, White Mamma) is politically hounded with manipulative propaganda and heavy on the moral card. It's straining for depth and meaning as it tries to over-explain points in the surprisingly capable script, which in spurts it manages to capture some meaty moments and the few token unpleasant details (rape, beatings, torture, groping and violence) never takes over the show. It actually quite grounded in its low-brow elements, which might disappoint people looking for something sleazy. However plenty of nude topless scenes involving Margaret Markov, Andrea Cagan, Ricky Richardson and Laurie Rose make there way in. The acting from the sultry four, comes off as too strong and dramatised, but this vibrant quality gives the film some edge and personality. Markov ( The Arena, "Black Mama, White Mama") gives it a sensitive touch, Cagan playfully turns it up, Richardson goes at it in a collect manner and Rose (The Woman Hunt, The Abductors) keeps it wilful. Carmen Argenziano (Grave of the Vampire, Caged Heat, Crazy Mama) potently dons the role as Flavio and Charles Dierkop snarls it up perfectly as the brute of a Army officer. Workmanlike direction by Joe Viola is solid, without going out big. He churns out one effective surprise. It can meander and certain scenes are awkwardly forced, but it packs enough heat when it counts. Like two drawn-out, crackerjack combat onslaughts involving everyone going gung-ho with bullets, arrows and explosions. Gotta love the over-use of the sound when people die. It becomes funny, as you constantly listen to their painful expressions when they croak it. Leering camera-work gets up close, by suffocating you with the muggy air of the vividly exotic locations. The spotty music score gets into the right groove and flavour of the setting. Let those beating jungle drums go! A waring though, this is a cheap revolutionary action story than say a Women-In-Prison yarn.

      Somehow it manages to feel fresh with its familiar ingredients, mainly due to the fact it's not just another WIP film and it wants to tell an actual story with a purpose than just to exploit. Entertaining low-end kitsch that's evidently more competent than most of its field.
      5Tweetienator

      Fun 70s B-Movie Style

      The Hot Box provides almost everything the true connoisseur of sleazy trash B-movies of the 70s craves for - some hot girls, some nudity, some solid gunpowder smoke, and a production that is not too cheap for that kind of movie. The story revolves around some American nurses who get involved in revolutionary activities, leading to a real battle in the end. Additionally, we are treated to the beautiful Margaret Markov in her prime. It's astonishing that she did not receive more major roles considering her talent and charisma. The Hot Box only touches on the sexploitation business in a few scenes, with nudity portrayed in some scenes to spice things a little up. Torture is only briefly explored - so. If you're looking for movies like Black Mama, White Mama or Ilsa: She Wolf of the SS, this may not be the right choice. However, I found The Hot Box entertaining enough to pass the time, although it may not be essential for hardcore sleazehounds.
      5Uriah43

      A Slightly Different Type of Women-in-Prison Film

      While serving at a hospital in a small South American country four American nurses are kidnapped by a group of bandits and then sold to some revolutionaries who insist that they train them in first aid and other necessary health skills. At first the women are very reluctant to help out and look for a means to escape. Over time however one or two of the women begin to take a more positive approach but in any case still don't like being held as prisoners against their will. Now rather than reveal any more of this movie and risk spoiling it I will just say that this was a slightly different type of "Women-in-Prison" film in that it didn't have a warden and vicious inmates clawing at each other. But there are some characters in this movie who manage to fill in all the same. Likewise, as the movie continues things change for the women-and not for the better. Anyway, while all of the females were rather pretty I kind of liked "Bunny Kincaid" (Andrea Cagan) the most. Obviously, others may disagree. Be that as it may I rate this movie as about average.

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      Você sabia?

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      • Curiosidades
        Made under the title "Prescription Revolution."
      • Erros de gravação
        Sue tells Dubay that ever since she arrived in San Rosario, someone's always been holding her against her will, but in the beginning she was, of her own volition, a guest nurse at the medical center, from which she was kidnapped.
      • Citações

        Sue Pennwright: [to Dubay] Look, I don't know if it's part of your national character here or what, but ever since I've arrived in this country I've been held by people against my will.

      • Conexões
        Featured in Blue Vanities 67 (1988)

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      Perguntas frequentes15

      • How long is The Hot Box?Fornecido pela Alexa

      Detalhes

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      • Data de lançamento
        • 21 de abril de 1972 (Estados Unidos da América)
      • Países de origem
        • Filipinas
        • Estados Unidos da América
      • Idioma
        • Inglês
      • Também conhecido como
        • Hell Cats
      • Locações de filme
        • Dumaguete, Negros Island, Filipinas
      • Empresa de produção
        • New World Pictures
      • Consulte mais créditos da empresa na IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        1 hora 28 minutos
      • Mixagem de som
        • Mono
      • Proporção
        • 1.85 : 1

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