Adicionar um enredo no seu idiomaA Los Angeles dock worker becomes a boxer but his crooked manager is involved in various rackets and he's working for the mob.A Los Angeles dock worker becomes a boxer but his crooked manager is involved in various rackets and he's working for the mob.A Los Angeles dock worker becomes a boxer but his crooked manager is involved in various rackets and he's working for the mob.
- Direção
- Roteirista
- Artistas
- Bruiser
- (as Juan De Carlos)
- Medina
- (as George Cervera Jr.)
- Bobby Williams
- (as Leon Issac)
- Landlord
- (as Phillip Jackson)
Avaliações em destaque
All in all, "Hammer" shows its audience a pretty good time. The director is Bruce D. Clark ("The Ski Bum", "Galaxy of Terror"), who utilizes some good camera angles and some quick cutting. The action scenes are fine, and there are effective doses of sex and violence to please an exploitation loving crowd. The story by Charles Eric Johnson is straightforward, and uses weary detective Davis (Bernie Hamilton ('Starsky and Hutch')), and the love interest Lois, to function as moral centres for our hero.
The violence may be somewhat hard to take for some viewers, but it's hard to be that upset when that typically bright red movie blood just looks so fake. An undeniable highlight is in seeing foxy exploitation starlet Marilyn Joi (in her film debut) do an incredibly erotic dance.
Fred brings all his athleticism and charisma to the starring role, and receives strong support from Hamilton, Lampkin, McGee, the eternally bad ass William Smith as an incredibly rotten thug, Mel Stewart as a trainer, D'Urville Martin as a pool hall regular, Stack Pierce as a guy named "Roughhouse", and John Quade as a goon. Leon Isaac Kennedy (the "Penitentiary" series) also makes his film debut as a kid named Bobby.
Set to a pulsing soul score by Solomon Burke, "Hammer" is decent (if predictable) fun that does leave you with a smile on your face.
Seven out of 10.
Good action, excitement, nudity, a funky soundtrack and cool dialogs,
the fans of Blaxploitation will enjoy it.
Fred Williamson does a fine job,
he's one bad dude.
Its Hammer time.
7/10
My Grade:C-
Where I saw it: Showtime Extreme
Eye Candy: Nawana Davis (Mary/Breasts), Elizabeth Harding (Rhonda/full frontal), Marilyn Joi ("black magic" woman/breasts), Vonetta McGee (Lois/buns)
But Hammer, adroitly played by Fred Williamson, transcends to boxing genre to make this film worth watching again and again. Forget Rocky I through XVII. Stick with Hammer. He kicks the snot out of the competition.
You like Detectives? Well, you got plenty detectives and cops walking around this film. They offer advice to Hammer. He takes it. Look, pal, when detectives see fit to convey to you advice based upon their decades of experience, knowledge, and instinct forged in the crucible of streetwork, you graciously accept it and comply. Right? Am I right. You know I'm right. So quit contradicting me, already.
Now, a visual treat. The late Vonetta McGee in an early role. Yeah, you remember her as the mysterious repo secretary and double agent for the sinister Hermanos Rodriguez in 1984's 'repo man'. But here, she plays a great role as loyal mate to the protagonist, and a real beauty at that.
Saw "Hammer" over the weekend on THIS TV, so it likely will be airing again shortly.
Don't miss it, or else the detectives will have some questions to ask you. And you don't answer them right, Hammer might just wail the snot out of you.
So get straight. B.J. Hammer is the man.
Paul Vincent Zecchino Manasota Key, Florida 11 October, 2010
Williamson plays Hammer a decent guy, a dock worker in LA who gets into boxing but the promoter is crooked and wants him to take a dive or else there would be consequences for his girlfriend. People who cross the local Mr Big be it former boxers or trainers get to feel the full force of his henchman Brenner (William Smith) and he likes to dish out pain.
Unusually for a blaxploitation film the lead detective is played by a black man (Bernie Hamilton of Starsky & Hutch fame) who advises and helps out Hammer. The lack of antagonistic relationship between our hero and the police is refreshing.
Hammer is not a great film, rather formulaic but it is a well made film with good production values. It has its share of violence, nudity and sex. Williamson tones it down here, more of an ordinary Joe swiftly rising to the top.
Smith as the slimy, sleazy, racist villain steals the show. He was one of the best villains in the 1970s, the guy audiences loved to hate.
Você sabia?
- CuriosidadesFilm debut of Marilyn Joi.
- Erros de gravaçãoThe police cars that chase Brady into the train yard are Dodge Coronets, but when Davis shows up, the police cars change to Plymouth Satellites.
- Citações
Roughhouse: You gettin' out! I'm gettin' out, man. You cats are comin' down too hard.
Big Sid: Calm yourself, Rough', baby. You gonna work yourself up to an ulcer, old man. Just tell old Sid what's got your jaws uptight.
Roughhouse: Look, man, I done paid you back ten times over them IOUs. And now I wanna make a clean break.
Big Sid: Alright... takes a lotta money to live the good life on your pay. Man, you still got champagne and caviar runnin' though your veins from the old days.
Roughhouse: No. Get yourself a new boy. I don't mind turning my head every now and then on a rip-off. But bustin' up people just ain't my bag, man.
Big Sid: Well whatever you decide, my man. I'm a reasonable cat. But, why don't you think it over tonight, huh? I'll do the same and we'll talk about it tomorrow.
Roughhouse: But I an't gonna change my mind.
Big Sid: Well, if it comes down to that, I'll understand. Cos' I'm your partner, come hell or high water.
- ConexõesFeatured in A História do Cinema Negro nos EUA (2022)
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- How long is Hammer?Fornecido pela Alexa