Hannie Caulder - Desejo de Vingança

The main virtue is more the acting than the story. The smart use of the mix of tension and humor. The presence of Christopher Lee in an atypical role for his career and the most than decent result , Raquel Welch demonstrating more than you expect and Robert Culp giving all the flavors of the lonely stranger from westerns. And, not the last, off course, a great dirty, vulgar, cruel, defining the term family in admirable way , trio gived by Ernest Borgnine, Jack Elam and Strother Martin. So, just impressive.

A good solid 70's western of the revenge formula with one vital refreshing story point, a woman pursuing those who did her wrong. And she's not just any old cowgirl, as you may have noticed from the cast list. If the plot as a whole is not one of the most original, the great cast does give a good reason to see this movie. Raquel Welch does what she can in the bit limited role and she does it fine. Three western icons of Elam, Borgnine and Martin make a bunch of villains that is at the same time one of the most revolting and tracelessly funny. If you have liked them in earlier westerns of Peckinpah and Kennedy you get mostly the same great treatment here. Martin especially always ends up stealing the show as the most dangerous idiot in the west ever. Robert Culp gives a good performance as a bounty hunter and killer with a piece of heart still left and a sensible head. And for Christopher Lee fans like me, here he is noteworthy as always and apparently in his only western role of all the countless movie roles he has made. A pretty small role actually but it can't keep a great actor down.

The strong influences of Peckinpah and spaghetti westerns are pretty obvious and mix together surprisingly well. The plot could have deserved a bit more development but it gives fairly good enjoyment as it is, if you enjoy westerns in general. I consider this one of the better films from director Kennedy.

I first saw this film on TV in early August,1977,and laughed all the way through it.This trio of pathologically stupid villains is first rate,and they obviously had a lot of fun doing their parts.If you can imagine the Three Stooges as homicidal maniacs,you've got a good idea of what to expect.Perhaps it was best to play them that way.If you recall times when these three guys played villains in a realistic fashion,to do otherwise than they did in "Hannie Caulder"would have been much too gross and brutal.Yet,with increasing time and sensitivity,my outlook has changed.Rape and murder are NOT funny.Ask anyone who has been sexually or physically abused,and you'll get the answer.Welch looks good(when has she not?),and as usual does the minimal amount of acting.Culp's portrayal is interesting,being more world-weary,and cynically good-natured than the bloodthirsty,or quietly vindicative characters we've seen in other films(i.e.Nevada Smith).Lee is quite amiable and enjoyable,but I didn't think that he was quite realistic,given the physical location.(He would have been more believable in a British colony or Europe.)So,watch this film,enjoy the antics of the Clemmons Brothers,but remember that rape is an act of power over another human being.

Hannie Coulder (Raquel Welch) is living along with her hubby when three nasty brothers (Ernest Borgnine , Jack Elam , Strother Martin) kill her husband and she is raped . She is healed by a bounty hunter (Robert Culp) who teaches her how to be an expert gunwoman . Later on , a gunsmith (Christopher Lee cameo) builds Hannie a specialized revolver for her journey ahead . The revenge starts and early she is ready for it .

The picture contains action , gun-play , humor and a little bit of violence when the violation and murders are happening . The film follows Spaghetti Western rules , thus gets violent feuds , greedy and extreme baddies , spectacular shot'em up , rapid showdowns, and habitual plot : the vengeance ; besides , being shot in Almeria (Spain) where during 1960s-1970s years had been filmed several Italian/Spanish Western . Quentin Tarantino later said the film was one of his inspirations for "Kill Bill . Raquel Welch is enjoyable and enticing , though wooden , Robert Culp as the veteran gunfighter is top-notch . Special mention for the humorous and ironical trio of brothers , they are amused parodying the Western killer gang . The usually villain Christopher Lee makes a brief intervention as good guy at a cameo , in his seven decade career , this is Christopher Lee's only Western . It appears Stephen Boyd as a ghostly gunman , he is uncredited at a brief appearance as the gunfighter simply known as "The Preacher" .

Lively and catching music by Ken Thorne . Glimmer and colorful cinematography by Edward Scaife . The film is produced by Tigon ,a known British production habitual in Horror films . The motion picture was directed by Burt Kennedy , a specialist in Western genre , he also rewrote the screenplay but was not credited . The film will appeal to Raquel Welch fans and Spaghetti Western enthusiasts .

Burt Kennedy who up to this point on the big and small screens worked with established Hollywood legends and in America, goes to Europe for a dish of pasta. A tasty dish at that in the form of Raquel Welch in the title role of Hannie Caulder.

Three fleeing Clemons brothers having just robbed a bank stop at a ranch to water and maybe steal some fresh horses. They shoot the owner and then ravish his wife who is Raquel Welch.

Imagine Nevada Smith where the mother doesn't die but seeks the three men out herself to even the score and you have Hannie Caulder. As Steve McQueen had a mentor in gunsmith Brian Keith she gets a good one in bounty hunter Robert Culp.

Her quarry as the notorious and probably inbred Clemons brothers are Ernest Borgnine, Jack Elam and Strother Martin. They are as nasty as the three who ravaged Nevada Smith's mother and they all come from the same parents. You could also compare them to the Clegg family of outlaws in the John Ford classic Wagonmaster.

Raquel Welch and Robert Culp make a fine pair of heroes, if they're not clean cut like Roy Rogers and Dale Evans they sure do look tall in the saddle.

By 1971 rape and other sexual issues could and were discussed in westerns. Westerns were more adult at that point though fewer were being made. Burt Kennedy whose films lean to the comic like The Rounders, The War Wagon, The Good Guys And The Bad Guys gets quite serious here. He also for the first time uses a woman protagonist.

It's a good film, but Burt Kennedy cheats a bit to give the film an artificial happy ending. But for that it could have been great.