Um cientista da era vitoriana retorna a Londres com sua descoberta de um saco de ossos de Papua-Nova Guiné. Infelizmente, quando exposta à água, a carne volta aos ossos e desencadeia um ser ... Ler tudoUm cientista da era vitoriana retorna a Londres com sua descoberta de um saco de ossos de Papua-Nova Guiné. Infelizmente, quando exposta à água, a carne volta aos ossos e desencadeia um ser malévolo na família e amigos do cientista.Um cientista da era vitoriana retorna a Londres com sua descoberta de um saco de ossos de Papua-Nova Guiné. Infelizmente, quando exposta à água, a carne volta aos ossos e desencadeia um ser malévolo na família e amigos do cientista.
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Pretty good Tigon terror film with the two greatest horror stars : Peter Cushing and Christopher Lee
Some truly eerie and chilling moments will get you flesh creeping. As a palentologist bag of bones from a Papua New Guinea giant, which develops new flesh when water drops on him , unleashing a string of distresses and terror when he is brought to life, adding an inevitable and surprising final denouement. Well paced film including a complicated storyline , never flashy , its true secret lies in the peculiar style, knitting together with considerable skill . It has enough flair play to keep us pondering its latent inconveniences and absurdities. Stars two great myths of terror cinema, Peter Cushing who gives his customary cultured acting looks even better in an interesting screenplay and, of course, Christopher Lee , though the latter has a secondary performance as an Asylum director. And Lona Heilbron is nice as the repressive daughter to whom Cushing administers an anti-evil serum with amazing consequences . Support cast is acceptable such as the regular Duncan Lamont as a Police Inspector, George Benson, Kenneth J Warren and brief cameo by Michael Ripper, as usual .
Well financed by Michael Redbourn and Tigon production that very much attempts to return in style and class to the early Hammer movies .The motion picture was professionally directed by Freddie Francis. He was a Horror expert making a lot of titles, such as The doctor and the devils, The ghoul, Legend of the werewolf, Dark Tower, Craze, Tales that witness madness, Tales from the crypt, The vampire happening, Dracula has rising from the grave, They came from beyond space, Torture garden, Dr Terror's house of horrors, The skull, The evil of Frankenstein , Hysteria, Day of the Triffids, The brain, and Paranoic. Besides, he was a prestigious cameraman , such as The straight story , Princess Caraboo, Cape fear, Glory, Her alibi, Dune, The elephant man, The innocents , The French lieutenant's woman , Brenda Starr , Saturday night and Sunday morning, Room at the top, The battle of the sexes, Time without pity, among others. Rating : acceptable and passable 6/10.
The Victorian age set pieces were fantastic. The subject matter of the story (though not scientifically accurate) was interesting. The acting was great. The atmosphere was pretty good. It was the lack of the horror element that I was expecting and it just didn't seem to show up until the final 15 minutes or so of the film. When it did show up it was great. I just wish the movie would have used it sooner.
I also disagree with the many people who feel THE CREEPING FLESH is Freddie Francis' best film. TORTURE GARDEN, TALES FROM THE CRYPT, LEGEND OF THE WEREWOLF and maybe even THE DAY OF THE TRIFFIDS and THE SKULL were all better in my opinion. I especially loved LEGEND OF THE WEREWOLF...but I am partial to werewolves.
All in all, THE CREEPING FLESH is a good movie worth watching, especially if you are a Christopher Lee or Peter Cushing fan (or a fan of Hammer films even though this is not a Hammer production). It's a good, solid 6 out of 10.
But then other story appears about Cushing's insane wife's death and their daughter's obsession with her mother that turns into a parallel plot. And that's when "The Creeping Flesh" looses quality and sense -in its genre of course- and things start to mix up badly; there is also a mad killer at large (not frightening at all). What I mean is that so many different topics -unrelated between them- is too much for just one film, and the final outcome is not a good product. Besides, the special effects of the Papuan monster came to life are poor, even for 1973.
Perhaps a better product would have come out if the film had stayed with just the archaelogical evil creature, but it seems the writers couldn't find a way to develop the subject and make a full script out of it.
The picture has some good moments, but in my opinion it is just for Cushing and Lee's fans and no more than that.
Você sabia?
- CuriosidadesLike certain films from other producers, this is often mistaken for a "Hammer" production. This was caused by the participation of "Hammer" veteran lead actors Christopher Lee and Peter Cushing, supporting players Duncan Lamont and Michael Ripper, make-up artist Roy Ashton, and cinematographer turned director Freddie Francis.
- Erros de gravaçãoWhen the creature appears alive, there is no explanation for where its clothing came from.
- Citações
James Hildern: I've got to get hold of that skeleton somehow.
Doctor Perry: Oh I don't know... There is the question of professional ethics.
James Hildern: Oh indeed, indeed... that is why I shall have to employ someone for whom ethics have no significance.
- Versões alternativasEarly UK cinema versions were cut by the BBFC to remove a shot of a sailor's slashed throat. All later releases were uncut.
- ConexõesFeatured in Cinemacabre TV Trailers (1993)
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- How long is The Creeping Flesh?Fornecido pela Alexa
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- Também conhecido como
- The Creeping Flesh
- Locações de filme
- Thorpe House, Coldharbour Lane, Thorpe, Egham, Surrey, Inglaterra, Reino Unido(Emmanuel Hildern's house)
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- Tempo de duração1 hora 32 minutos
- Mixagem de som
- Proporção
- 1.85 : 1