Carry on Matron

A gang of thieves plan to make their fortune by stealing a shipment of contraceptive pills from Finisham maternity hospital and make one of them disguised and infiltrated the hospital.

The last excursion into the often-used hospital territory, and one with bright moments and performances, though it goes over the top in a very laborious way.

CARRY ON MATRON is the fourth and last of the hospital-themed CARRY ON films. It's a must for fans as it assembles a huge number of the series regulars although the sheer quantity of talent involved invariably means that some of the performers only get to shine in a scene or two (I mean you, Charles Hawtrey). The plot is an odd mix of gentle comedy and knockabout crime story, involving a gang of robbers who somewhat unbelievably decide to steal a huge quantity of pills from a maternity ward. Sid James takes a backseat here with an old-fashioned turn as the head of the criminal gang, although his 'Dr Zhivago' gag is a highlight.

Elsewhere, the emphasis is on staff rather than patients for a change, although there are some nice roles for the female talent as you'd expect: Joan Sims, Valerie Leon, Madeline Smith, and Margaret Nolan all contribute efficient minor turns. Less impressive is Kenneth Cope in thankfully what was to be his last role in the series; his out of place pratfalls just serve to remind you how classy Jim Dale was in comparison. It's also disappointing that the likes of Kenneth Williams, Patsy Rowlands, and Hattie Jacques have to contend with broader (read: more lowbrow) humour than before, but the quantity of gags and fast pacing means that this is hard to dislike. Kenneth Connor is a real plus.

The 23rd film in the Carry On series and the fourth (and last) of the medical themed adventures. Sid Carter (Sid James) leads a gang of thieves who plan to break into Finisham Hospital and steal a load of contraceptive pills to sell abroad. But where are they kept? Sid decides to send his son Cyril (Kenneth Cope) in undercover disguised as a nurse...

They probably seem like cheap gags now, but much mirth is mined from the scenarios set up by a man undercover as a female nurse. Cue him having to share a room with a foxy babe (Babs Windsor), having to fight off the attentions of the randy Doctor Prodd (a brilliant film stealing Terry Scott) and him getting involved with medical issues he has no idea about (yikes this is a maternity hospital!). Elsewhere Joan Simms portrays a human eating machine that is three weeks over due, while her poor railway worker husband (Kenneth Connor great as always) goes insane in the waiting room. Kenneth Williams is the hypochondriac hospital manager and the wonderful Hattie Jacques gets great scenes in a film thats title and script acknowledges her work in the medical Carry On films.

Briskly paced by the ever reliable Gerald Thomas, "Matron" is one of the more likable and funny Carry On entries of the 70s. 7.5/10

This is another madcap comedy from the Carry On group, this time set in a maternity hospital. The whole group is here and its a fun film. Kenneth Williams deftly plays the hospital administrator Sir Bernard Cutting, who is obsessed with his manliness, Kenneth Cope plays Cyril, who dresses as a nurse to try to find out where "the pill" is stored, while Sid James plays his father, who is the mastermind of the group looking to steal the pills to sell them on the black market. There are sight gags, mistaken notions etc, just what you would expect. Hattie Jacques deftly plays the matron of the title. Its a fun comedy, at a time when the Carry On films were hitting their stride. You should check it out.

I love most of the Carry on films, especially Cleo, Up the Khyber and my favourite Screaming. And I do admit I prefer in general the earlier entries, which had more fun and charm in alternative to the later entries some of which had an over-reliance on smut.

Carry on Matron may have some slow-moving scenes and a thin and predictable plot, with some odd moments of overly-smutty innuendos and crude slapstick. But thanks to the witty gags, sharp script and fun performances, even with its shortcomings it still manages to be one of the better and funnier later entries of the series.

The production values are pleasant, the music is suitably quirky and the direction is solid. What really drives the film are the performances. Hattie Jacques does a fine job in the title role and Charles Hawtrey is as good as ever. The wonderful Kenneth Williams is hilarious and has some of the best lines and scenes, and Sid James plays it straight in a somewhat atypical role. And I mustn't forget the lovely cameos of Kenneth Connor as the nervous dad-to-be and Joan Sims as the overdue mum either.

All in all, an entertaining film. 7/10 Bethany Cox