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Black Girl

  • 1972
  • PG
  • 1 h 37 min
AVALIAÇÃO DA IMDb
6,8/10
636
SUA AVALIAÇÃO
Black Girl (1972)
An aspiring dancer and her wicked sisters resent their mother's love for a foster daughter.
Reproduzir trailer2:00
1 vídeo
23 fotos
Drama

Uma dançarina em ascensão e suas irmãs cruéis ressentem-se do amor de sua mãe por uma filha adotiva.Uma dançarina em ascensão e suas irmãs cruéis ressentem-se do amor de sua mãe por uma filha adotiva.Uma dançarina em ascensão e suas irmãs cruéis ressentem-se do amor de sua mãe por uma filha adotiva.

  • Direção
    • Ossie Davis
  • Roteirista
    • J.E. Franklin
  • Artistas
    • Brock Peters
    • Claudia McNeil
    • Leslie Uggams
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    636
    SUA AVALIAÇÃO
    • Direção
      • Ossie Davis
    • Roteirista
      • J.E. Franklin
    • Artistas
      • Brock Peters
      • Claudia McNeil
      • Leslie Uggams
    • 16Avaliações de usuários
    • 9Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 2:00
    Trailer

    Fotos23

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    + 19
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    Elenco principal30

    Editar
    Brock Peters
    Brock Peters
    • Earl
    Claudia McNeil
    Claudia McNeil
    • Mu' Dear
    Leslie Uggams
    Leslie Uggams
    • Netta
    Louise Stubbs
    • Mama Rose
    Peggy Pettit
    • Billie Jean
    Gloria Edwards
    • Norma
    Rhetta Greene
    • Ruth Ann
    • (as Loretta Greene)
    Ruby Dee
    Ruby Dee
    • Netta's Mother
    Kent Martin
    • Herbert
    Gertrude Jeannette
    • Sister Jenkins
    Carl Byrd
    Damu King
    Erik Kilpatrick
    Erik Kilpatrick
    Morris Buchanan
    Morris Buchanan
    Bob Harris
    • Ernie
    Brunetta Barnett
    • Supporting Players
    Gina Beharry
    • Supporting Players
    Cason Cunningham
    • Supporting Players
    • Direção
      • Ossie Davis
    • Roteirista
      • J.E. Franklin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários16

    6,8636
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    10

    Avaliações em destaque

    6Uriah43

    When Misery Loves Company

    This film essentially revolves around a woman by the name of "Mama Rose" (Louise Stubbs) who has three teenage daughters named "Norma" (Gloria Edwards), "Ruth Ann" (Rhetta Greene), "Billie Jean" (Peggy Pettit). The first two were fathered by a man named "Earl" (Brock Peters) who Mama Rose kicked out of the house because he cheated on her. Billie Jean, on the other hand, had a different father who apparently ran off when she was younger and as a result Mama Rose has had to raise all of her children with her own mother who everyone calls "Mu' Dear" (Claudia McNeil). Also living in this small house is Mu' Dear's elderly male companion by the name of "Herbert" (Kent Martin) who pays half the rent. It should also be noted that Mama Rose also has a foster daughter named "Netta" (Leslie Uggams) who she took in when she was quite young and who is currently in college trying to become a teacher. In that regard, both Norma and Ruth Ann have acquired a great dislike for her because she is trying to make something of herself. Likewise, neither of these two young women like their half-sister Billie Jean either because she is trying to pursue her own dream of becoming a dancer--while they feel destined for a life of poverty and hopelessness. As a result, both Norma and Ruth Ann do everything they can to make life miserable for Billie Jean and diminish Mama Rose's love for Netta. Now, rather than reveal any more, I will just say that this turned out to be a deep and interesting film which sheds a glimmer of light upon the struggles of ordinary people within the black community trying to make it in urban America in the early 70's. Admittedly, there were some scenes which seemed a bit too gloomy at times and the film is rather dated as well. Even so, I thought it was worth the time spent and I have rated it accordingly. Slightly above average.
    8yophiyo

    Black Girl

    Just as other writers on this page, I saw this movie on TV One. I caught it in the middle and watched it repeatedly as often as I could. I even would scan through the menu on cable to see when it would come again. But there is a GOD and I have it on DVD!!!! If you email me, I can let you know where I got it. The story is one of the greatest I've ever seen in depicting the human experience, especially in the black community. Whether or not I like the way the characters were depicted at the time, it is/was true of families today. I love this movie!!!!!! I remember seeing the eldest daughter, Norma, in "Which Way is Up?" as Richard Pryor's father's wife (if that makes sense). But I haven't seen any other actors (except Brock Peters) in other films. This movie is truly one of the best and should be discovered by all.
    8mojo2004

    This film should be remade

    This is a very interesting movie to me.I don't remember seeing it back when it came out and I would have.Claudia McNeil(Mu'Dear) is a favorite of mine ever since I saw her in the movie version of "A Raisin in the Sun."With all the shouting and bickering through this film it was nice to have her calm everything down at the end.I couldn't figure out where al the anger came from in the household.It seemed like the movie started in the middle of the story being told.The youngest daughter has quit school and is dancing in a bar,the mother(Mama Rose) is working as a maid to support the household yet everybody is grown.The two oldest daughters don't live at home,the grandmother has a man living with her and btw that seemed very out of character like something the mother would be doing instead.Also for all the preaching Mama Rose did when the father(a pimp?) of the two oldest comes back for a visit he makes a vulgar comment about the youngest(Billie Jean)saying he'd take her to Detroit and turn her out. She isn't his child and everybody except the boarder thinks it's funny.Billie Jean wants to study dance and buy her mother a house while the two oldest are the meanest and most hateful characters and both got on my nerves throughout the whole film.Neither were doing anything but having children and talking about their husbands yet both were very jealous of Billie Jean and Netta(college student) who their mother had taken in.They seem to exist to spew poison about both girls and use Netta to drag Billie Jean down to their hateful level which happens.A basic cable channel that features African-Americans shows this movie regularly and I'm sad to find out after he passed this week that Ossie Davis directed it.His wife Ruby Dee plays Netta disturbed mother that couldn't care for her.Netta comes into the movie so late you almost forget she's involved.The plot is Mama Rose can only talk about how proud she is of her daughter Netta and with mother's day coming up she's looking forward to her coming home.Her three daughters are sick of their mother praising a stranger while having nothing good to say about her blood children.All three hide Netta's letters to Mama Rose and she has no idea about it.Norma and Ruth Ann tell Billie Jean their mother is giving Netta her room and that she'll probably have to move out.Turns out Billie Jean had already been hiding Netta's letters to her mother and all three hide the last one annoucing Netta's homecoming.From then on it's a lot of bickering between them all and Earl(father) when he gets there that really about how all of them did nothing with their lives like Netta did.Earl throws money around and even asks Rose to take him back but she's too proud and he leaves.Netta comes home and finds out she needs her real mother after all and helps Billie Jean find get on the path to an education and dance career.The movie showed mainly what was the normal acting style in the 70's for blacks.Eyes popping,pronoucing every syllable,shouting and glaring at the other actor.This movie should be viewed by students that want to be actors to see how far we've come.Or have we? I said it was interesting because in the 70's every black movie was a drug/prostitute/pimp/police/detective plot movie. mojo2004
    prose20770

    Awesome

    This was the first time I realized Ossie Davis had directed movies!! This is one of the best, angst-filled, coming of age stories I have ever seen. It should rank right up there with "A Member of the Wedding" and "To Kill A Mockingbird" as far as young girls seeking answers to life and trying to find their way. I miss Ossie Davis. He was an amazing talent to have been able to coalesce the right mood and tone for this movie from the perspective of a young girl. The cast was one of the most perfect I've seen since "A Raisin in the Sun" (Sidney Poitier version) and definitely, each actor seemed to squeeze the blood out of their respective roles. What perfection!
    5cdbruce224

    You have to live it to understand

    This movie is one in which deserves a 2nd look (maybe a 3rd). You have to REALLY know what it's like to grow up black back in the 70's in a house w/ siblings who's father is different than your own and a mother who just does not get it until you are out the door (if then). The portrayal of many of the characters was REAL. While not in the brightest of light, they all have quite a bit of growing to do. At least a some growth was accomplished in this movie. The treatment of the child with a different father was very common. The mother's ignorance and anger at how her life turned out was truthful in every way. The father who pops in town flashing a new car and very new money was common. The siblings running to him to get what little he would provide was also common. Nowadays, children could very much care less. I doubt if he'd get the same reception in 2006. I too don't understand while Brock received headline status, other than his name. Peggy Pettit was the real star in this movie. I am proud to have found that she is doing wonderful work with her talent these days!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This is Leslie Uggams's first feature film.
    • Erros de gravação
      When Netta is talking to Ruth Ann about "white boys at college", she crosses her arms. The camera angle shifts to the opposite side of her and she crosses them again although she had not previously uncrossed them.
    • Citações

      Mama Rose: [Billie Jean is sulking in her bedroom. There is a bump at the door] Open this door, girl!

      [Billie Jean opens the door to see Mama Rose carrying groceries across the room to the kitchen]

      Mama Rose: Billie Jean, ain't I tell you to keep this door open? Now open that other door!

      Billie Jean: [opening Kitchen door to let Mama Rose through to set bags on the counter] Oh Mama, sometimes I be in here undressing and Mr. Herbert just walk in here without even knocking.

      Mama Rose: [putting groceries away throughout] You don't be undressing all the time. You keep these doors locked, Billie Jean. And who you think you're talking to? Besides, Mr. Herbert done seen plenty kinds of whatever you trying to hide.

      Billie Jean: If Mr. Herbert was married to Ma Dear, that would be different, Mama. But he ain't no kin to nobody in this house.

      Mama Rose: Now that ain't none of your business, Billie Jean. As far as you concerned, Mr. Herbert pay half the rent on this house and he's a roomer here.

      Billie Jean: If he a roomer, how come he ain't got no room to himself?

      Mama Rose: Now that ain't none of your business, Billie Jean, who my mama has in her room. You keep your trap shut about it, or get out and get a place of your own.

      Billie Jean: You're mighty funny when Netta's momma went crazy and she ain't have no place to stay, you opened your big heart and welcomed her in this house. How come I got to get out...

      Mama Rose: [Facing her] BECAUSE Netta's got sense enough to stay in school and get something in her head instead of her tail.

      Billie Jean: [At this, Billie Jean walks back into her room where she sees two kids at the door sticking their tongues at her] You ugly bastards!

      [She chases them out and slams the door]

      Mama Rose: [Running in the room and grabbing Billie Jean] Girl, do you want me to get a stick and beat all the black off of you? Now you must have forgotten what a good beating feel like. Now you better snap out of whatever it is that's on your mind, you hear me?

      [Billie looks away for a second, then Mama Rose drags her to the bed and sits her down]

      Mama Rose: Don't you roll your eyes at me. This ain't Dear you playing with, you understand me?

      Billie Jean: Yes ma'am Momma, I wasn't rolling my eyes at you.

      Mama Rose: And Dear better not come to me no more and tell me you sassed her or Herbert or it's gonna be woe be onto you.

      Ruth Ann: [coming in mad] Billie Jean, what did you call my baby?

      Billie Jean: He was sticking his tongue out at me.

      Ruth Ann: That don't give you no right to call him no bastard! A bastard is a child that ain't got no daddy and my child got a daddy!

      [she walks away]

      Mama Rose: She's just smelling her piss, that's all. Now you're getting your tail out of here tomorrow and finding yourself a job.

      [Rose starts to go back to the kitchen]

      Norma: [Standing at the door] She already got a job, Mama.

      Mama Rose: Already got one? Where?

      Norma: At the Groovy Bar and Grill down on Second and Ward.

      Mama Rose: At the Groovy Bar and Grill? Doing what?

      Billie Jean: Doing that ballet dancing

      Billie Jean: It ain't no ballet dancing.

      Norma: P-A-L-L-E-T is pallet, ain't it? Well, B-A-L-L-E-T gots to be ballet.

      Billie Jean: It ain't even that kind of dancing.

    • Conexões
      Featured in Afro Promo (1997)
    • Trilhas sonoras
      Black Girl
      Sung by Betty Everett

      Performed by Sonny Stitt (uncredited)

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    Perguntas frequentes16

    • How long is Black Girl?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 9 de novembro de 1972 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Locações de filme
      • San Juan Ave, Venice, Los Angeles, Califórnia, EUA(Neighborhood scenes, specifically between between 6th Ave and 7th Ave.)
    • Empresa de produção
      • Marconlee
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 414.862
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 37 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono

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