1776

Sherman Edwards was a modest teacher of history when he got the idea of creating a musical telling of the tale of the birth of the United States. As it turned out, even though the story of the Declaration of Independence was one most every American schoolchild knew, there was a lot more to it than the signing of a paper and the ringing of a bell.

The Broadway version of "1776" became a sensation with audiences and went on to win the Tony Award for Best Musical of 1969.

During this era of film-making, the musical was still considered to be a draw for audiences, so it was natural to take this show and bring it to the big screen. And best of all, John Warner brought the bulk of the cast from the show to the film. William Daniels IS John Adams to a lot of people, and his portrayal of the feisty proponent for independence is one of the great performances of any "real life" character. Daniels is equaled by his fellow Congressional cohorts, Ken Howard as the author of the document, Thomas Jefferson, and the amazing Howard Da Silva as the good doctor, Benjamin Franklin.

To me, the most remarkable element is the facts of the story are pretty much accurate, the timing of the events, measured with a wall calendar, keeps the tension going as we count down to that particular date... July 1st, 2nd, 3rd...

But it's more than just the story of the founding of the country, it's a love story, or really two, with the Jeffersons Martha, played by Blythe Danner and the Adams pair, with the incredible Virginia Vestoff as John's Abigail who interacts with her husband only in his mind.

For a musical, it is something of a "warts and all" examination of the process, as the south refuses to sign a declaration that freed their slaves, as Jefferson had intended in the original draft. John Cullum brilliantly voices this discussion as the genteel South Carolinian, Edward Rutledge, in the hypnotic and haunting "Molasses to Rum." In fact, every song in the score is well thought out, clever, truthful and very entertaining!

Maybe this isn't *exactly* how the USA began, but, at least once a year, let's say it is.

1776 is a masterful representation of the emotion, logic and debate, leading to the critical creation and signing of the Declaration of Independence. It captures, beautifully and subtly, the moment the colonies crossed the line, one by one, to leave England's rule.

The writing is superb, and the direction is perfection itself. The music and lyrics add a bold exclamation point, for they range from funny to serious, simple to complex, in the richness of sound and appropriateness of placement.

Leading the charge is the cantankerous character of John Adams (William Daniels). It is nothing less than a remarkable and brilliant portrayal, probably one of the most difficult, and yet one of the best ever played. Daniels walks a very fine line, depicting the essence of a man who grates on his friends and foes, yet quickly pulls the audience to his side. You can't help but feel the desperation, frustration and passion of Adams, as he tries to persuade and pull reluctant and loyalist colonial representatives to his cause.

Frank Da Silva's Ben Franklin is equal to the challenge of the quality performance given by Daniels. Franklin is certainly the more popular figure among the characters, but nevertheless has many complexities, expertly brought out by the quality writing and Da Silva's fine skill as an actor of high caliber.

It is hard to write a review of such a fine film, without mentioning all the magnificent performances by a remarkably talented cast. It is far easier, and much more pleasurable, to simply view the film. Pay attention to the lighting and choreography. Watch the meeting room transform from a rather plain space, to one of intensity, as the room goes from static and flat, to lively and dramatic. It follows the mood of the film, as the issue of independence is moved from a side issue, to weave its way to the forefront. The oversized calendar reminds one of the ticking of a clock, as the days move inevitably to July 4th. And while we know the outcome of the events, it is too easy to be drawn into the process, and become captured by the suspense of those last six weeks leading to the formation of a new nation. The tally board, which records the votes of the colonies, also looms large on the wall. The movement from left to right, for and against independence, also adds to the suspense and drama of the film.

There are lighthearted moments, and witty banter, among the characters, as one would expect. But there are surprises too. And the viewer gets to see an amazing transformation of the irritable Adams to a much softer person, when he corresponds with Abigail. Please add 1776, with confidence, to your list of must-see movies. I think it is as fresh today as it was 30-years ago. It is time for a film re-release, or at least a revival on Broadway, but since such things rarely happen, do yourself a favor and rent or buy the movie. Personally, I think it was the finest of its kind. Can one rate it higher than a ten? Would that I could, for it deserves it. Kudos to the writer, director, and amazing cast. It was, for many, their very best performances, both behind the scenes and in front of the camera.

One of the challenges in studying history is being able to identify with it. When reading a history book, you are presented with a sanitized version, a catalog of events that clinically detail the moments. But people respond to personal stories. That is why documentaries and memoir reading will always resonate with us far more. They attempt to help us get to know the people in history, why they did what they did. 1776 is a very good film despite its average and somewhat unmemorable music. It wisely plays the drama at center stage and relegates the musical numbers to the fringes. At its centerpiece are the debates over independence, debate over slavery, and especially the final vote and signing. You feel like you are in the presence of great and flawed men, understanding their minds in the midst of this tense period of history. That our founding fathers are also portrayed as tired and horny men pining to get back to make love to their wives who they haven't seen in months, just adds to the humor and I dare say realism. I could soooo see them behaving that way, guffawing and rowdy. And yet despite their carnal nature, their brilliance and cleverness shines through, particularly in Jefferson, Adams, and Franklin, who steal the show. If this could have been a straight up drama without the musical numbers, it could only have made a better film. Some of the songs are so unmemorable that they kill the film's pacing in parts. A real pity. That's why this gets a 7 instead of a higher rating.

As a person who has gained a college degree in History, I first fell in love with this movie when I saw it as the stage play with the Broadway cast in my junior year in high school, in 1976. The movie is surprisingly accurate with direct quotations from key congressional members, such as Adams, Franklin and Jefferson as borne out in David McCullough's "John Adams." Yes, there were a few licenses taken with history such as the dramatic scene with Wilson,Dickinson, and Franklin when Wilson is forced to decide the entire question of independence on his vote. But it is these few licenses that bring out the true seriousness of the founding of our nation. One particular scene that I am glad was restored from Jack L. Warner's shameful caving in to Richard Nixon is the piece "Cool, Cool, Considerate Men." That piece clearly fleshed out the Conservative's viewpoint in Congress. William Daniels is perfect for the part of John Adams. His Boston twang (even though he was born in New York) is excellent. One cast change that I am glad they made is putting Blythe Danner in the role of Martha Jefferson in the movie version, in place of Betty Buckley. No offense to Ms. Buckley, I love her as an actress in her roles, but her voice comes across too nasal and strident in her singing of Tom's qualities. (I own the stage play LP to make this comparison) The rest of the cast is perfect. Donald Madden was excellent as John Dickinson, even if you can forgive his singing voice in "Cool, Considerate Men." I will always think of Howard Da Silva and Ken Howard as Ben Franklin and Thomas Jefferson, respectively. All in all, it is a movie that should be seen by everyone in their High School History or Civics class.

I promised my mother that I would once again put this wonderful movie on the video player this week end. There is a wonderful comment in the book "Lets put on a musical" about the fact that half way through the story you wonder if you really do know how it is going to end!

William Daniels,is of course spectacular as John Adams,the linchpin of the show. Howard DaSilva and Franklin is just jaded enough(read dirty old man), and Ken Howard is delightful as Jeffrson. One person who was not in the stage production but is a definite asset to the movie is John Cullum as Rutledge.especially in his big solo number,Molasses to Rum.

A real treat for eyes and ears ,and a history lesson to boot.