O Vilão

Perhaps a poor relation to "Get Carter," (they were made around the same time as each other), this is nonetheless an underrated, interesting gangster film. Richard Burton is strangely cast as the violent East End villain, Vic Dakin. You can see that his character is obviously based on Ronnie Kray, and Burton has difficulty pulling off a cockney accent. He is often seen fumbling through his lines. With lots of London location filming and cockney banter, Americans will love this film. There is even a brilliant car chase during the violent wages snatch. Donald Sinden is brilliant as the sleazy, blackmailed MP who frequents high society sex parties. In this respect, the film is very satirical, the characters are stereotypical of an era where scandal amongst the English establishment and local "businessmen" was (and still is) rife.

The Leonard Maltin movie guide described this movie as being "nasty" and "stomach-churning". Actually, by today's standards, the level of violence on display here you could probably easily get away with on prime time network television. Anyway, the tame by today's standards violence wasn't an issue with me. The main problem is with the script. The movie starts off fairly well, but quickly becomes very slow and talky, and the dialogue isn't particularly colorful or interesting to grab the viewer. (This problem can be found with a lot of other British movies this age or older.) As for Richard Burton, while his performance here is not one of his worst, it's also not one of his better ones. One problem for him might have been the fact that his character's appearances are somewhat less in number than you might think. This is not an awful movie, but for the most part it's kind of bland and forgettable. If you want to see an early 1970s British crime drama, I would suggest you watch the 1971 Michael Caine movie "Get Carter" instead.

This film may not be a classic but it is one of my favourite films of the early 1970s and is worth watching if only for the great cast. Richard Burton's portrayal as a vicious, homosexual mother-fixated, career-criminal psychopath is superb (the Kray twins had only recently been sentenced and comparisons can be drawn). It would have been easy to portray Vic Dakin-great villain name- as an American-style, one dimensional cardboard villain. Instead it is a study of intelligent evil. His character carries an air of menace made all the more frightening by his eloquence and intellect. The film has a good British cast (watch out for a scene-stealing Nigel Davenport as the police officer in charge), gritty 1970s locations and all the usual formula: the planning and execution of a robbery, torture scene, blackmail and even a hospital kidnap! What more could you ask from an old potboiler gangster film? Go on, watch the

film and make up your own mind. A strong British film and a must for fans of Richard Burton.

You have to live Burton camping it up as a psychotic mum loving gangster. It's all a bit small budget but if you stumble upon it you will enjoy it. It's quite violent in places as Burton is proper psych!!

I've watched 'Villain' innumerable times since I taped it off a late night Channel 4 screening in 1999. Why? Because it's truly excellent.

Atmosphere, plot, quirky characterisations, violent action, dialogue, squalid sex - brother, it's got the lot. A far, far more interesting film than the same period's 'Get Carter'.

Scripted by venerable British comedy maestros Clement and Le Frenais from an initial novel adaptation by the simian faced American character actor Al Lettieri (and I'm sure there's an interesting story behind that process), 'Villain' is remarkably modern in its tone. We aren't presented with goodies or baddies, simply players of the never-ending game:

Vic Dakin (a darkly humorous Richard Burton) is the good old traditional mother-loving gay psychopath who enjoys slicing up informers with a cut-throat razor;

Wolfie Lissner (a superb Ian McShane, playing probably the most interesting character in the piece) is a survivor who'll do what ever it takes to survive, be it pimping unsuspecting lovelies to the elite, selling pills to late night ravers or taking the brunt of Dakin's sadisitic sexual urges;

Bob Matthews (a wry Nigel Davenport) is the disillusioned copper dedicated purely to bringing Daykin down - "I don't want a fertile imagination, I don't want to know if society's to blame, I just want to catch criminals".

And Gerald Draycott (an eternally eyebrow-cocking, seedily lecherous Donald Sinden) is a charmingly corrupt politician with a weakness for the kind of nubile young girls Wolfie supplies.

The script traces the intertwining fates of these characters after a bungled wages heist with terse, witty precision. Oddball subsidiary figures like Joss Ackland's ulcer-ridden crook (who gobbles pain-relieving hard boiled eggs during a getaway) and James Cossins' bitter, wife-hating clerk garnish the proceedings like tangily flavorous seasoning. The backdrop of grubby and grim seventies Britain is so well sketched that you can almost smell it. Jonathan Hodge's musical score is both percussively minimalist and hauntingly lyrical - very powerful. And its a rare triumph for the otherwise hack-like Michael Tuchner, who directs superlatively here with vigorous assurance.

Look out for stalwarts like Tony Selby, Tim Barlow and an uncredited Johnny Shannon ('Performance's Harry Flowers) as a copper coshing con.

"Got a hard-oh, have ya? DRIVE!!"