W.R. - Mistérios do Organismo

Silly me I suppose. I had no idea what I was in for. I knew nothing about the movie and it caught me off guard.

At first I though this was being one of those artistic documentary like movies, in which a whole bunch of people are having deep thoughts about life and happiness. It took me a while to realize that it were all characters in this movie and it wasn't being a documentary at all. It's more a sort of satire and if you take it that way this movie is being pretty bearable and good enough for what it is.

Not that this movie is just for everybody though. It's the sort of cheaply made artistic movie, that's filled with metaphors and doesn't necessarily following a main plot line in it. Some people will hate it, while others shall absolutely love it. I was stuck in the middle somewhere.

Thing I liked about this movie is that it's also being the sort of movie that makes you think. It makes you think about what you're seeing and what the characters in it are trying to tell you with their actions and pieces of dialog. It's probably true that you could keep watching this movie over and over again and get more- or completely different things out of it, each time you watch it.

But it's still not my cup of tea. It's being a bit too vague and odd all at times and most of its themes don't even feel all that relevant anywhere in today's world and present morals and standards. Perhaps you should look at it more as a period piece, from a time when there still was sexual repression and communism and capitalism still seemed like a real threat to the world.

Still a great watch for some people. Just not for me.

6/10

http://bobafett1138.blogspot.com/

WR: Mysteries of the Organism, is one unique if not messed up viewing experience. Part documentary and part fictional surrealist philosophical sex comedy, Serbo-Croatian director Dusan Makavejev assaults the viewers senses with imagery, music, politics and satire. "Mysteries of the Organism" is on many top 1000 film lists, but for some odd reason it is nearly impossible to track down. Just like Makavejev's other film "Sweet Movie", I was put on a several month waiting list on Amazon. Thank god for ebay! This is a film that screams for a DVD release, but I don't think many distributors want to touch it due to it's explicit sexuality and subversive elements. The film starts off as a documentary on Wilhelm Reich, a scientist who studied the orgon and used the human orgasm as a method for healing. Of course, similar to the scientist Tesla; his books were seized and burned by the U.S. government and FDA. Then the second part of the film deals with Milena, a sexually liberated Yugoslavian girl who makes revolutionary speeches on her apartment balcony. She says "The October Revolution failed by not excepting free love". Later she falls in love with a Soviet figure skater who's afraid to express his sexual feelings. So this film is a comedy, based on the politics of human sexuality. It mocks capitalism and communism for suppressing people's sexual desires. Now if only I could find the soundtrack. My rating is 10/10, which means I'll watch it again!

I completely disagree with the comments of the previous reviewer. Personally knowing very little about the Orgone or Wilhelm Reich, I derived great enjoyment from this film. In fact, I popped in on the TV just to get an idea of its style and structure (without planning to watch it right then) and ended up getting sucked in and watched it all the way through. Makavejev's filmmaking (that I've seen) is quite different from the norm, but not in an overly self-conscious or self-serving way, like Hal Hartley's efforts. "WR" is egoless, simply using film to draw parallels and make observations that are done quite effectively in Makavejev's unique style. It reminded me of the "I am Curious" films, but those are also a bit too self-conscious for me. I also highly recommend Sweet Movie, a later film of his. I only wanted to post these comments in light of the previous user's comments, as we should all remain aware of how subjective one's tastes are from another's. I didn't like the previous user making such blanket statements like "I suppose it might be watchable enough for people who are familiar with Reich, but if you aren't, then I strongly urge you to avoid this film at all costs." when tastes are obviously so variant - remember, I knew barely anything about WR or the Orgone, and enjoyed the film tremendously. Thanks for your time.

The film for which director Dusan Makavejev is best known. It's similar to his later Sweet Movie, which I watched last week, in that it's made up of a bunch of disparate parts edited together. The most prominent thread is a documentary about sexual psychiatrist and (pseudo-)scientist Wilhelm Reich, a refugee from Nazi Germany who fled to the United States, where he was ironically persecuted and imprisoned when the government became suspicious of his work. A second thread is fictional, set in Eastern Europe, and is about a sexually liberated woman (Milena Dravic) promoting sexual freedom in Communistic language. There are other smaller threads about Andy Warhol's transsexual protégé Jackie Curtis, a hippie with a gun who runs around New York City, a woman who makes dildos and probably a couple of other ones I'm not remembering. The film covers some interesting areas, but it's too loose and not interested enough in any of these things to engage in them. The separate bits began to fall apart, for me at least. Sweet Movie was kind of a mess, but it was a well-structured masterpiece in comparison to WR. I liked Sweet Movie a whole lot more.

Makavejev was always one of the clowns of the Third Cinema, and WR, his masterpiece, is no exception. Makavejev interweaves fiction, documentary, and found audio and video clips (a Stalinist propaganda film, electro-shock treatment footage) to create a fantastically bizarre but intelligent discussion of both the orgone energy theory of Wilhelm Reich and the relationship between Yugoslavia and the USSR in a post-Stalinist era.

I know. It sounds tedious, but it isn't. In fact, it's really fascinating. Among the clips Makavejev (a film theoretician in his own right, WR harkens back to the pre-Stalinist era of Soviet Montage) assembles are footage of performance art by the Yippie poet/singer Tuli Kapferberg and documentary clips of Jim Buckley, an editor for Screw Magazine, getting a mold of his penis made.

WR is bizarre, dogmatic, and at times, hard to watch, but having seen it twice now, I've come to appreciate its ways. By the time Vladimir breaks into song at the film's end, you'll be smiling too.