O Hotel das Ilusões

Not very funny or interesting. All three of the skits are pretty boring. I could hardly keep myself awake during the second one, I only watched the third one because i heard it was the best of the three, It was just as bad as the first two. Walter Matthau is a fine actor but not in here.

3 wonderful short stories are fused together in this 1971 film.

The first story, which is the best, stars Walter Matthau and Maureen Stapleton as a couple whose marriage is failing and is spending their 23rd or 24th wedding anniversary there. Stapleton is terrific here as always. She shows great depth in going from a ditsy housewife to a woman hurt by the affair her husband has been having with his secretary.

In the typical tradition of Simon, Stapleton wonders why her husband couldn't be more original since all men have affairs with their secretaries.

Matthau stars in the second story as well but this time with Barbara Harris. As a Hollywood producer, he has come to N.Y. on business but has other things on his mind such as the seduction of Harris, a housewife from N.J. that he knew years ago when he lived in Tenafly. Matthau is quite funny here with his attempt to be suave and slick. While constantly changing her times of departure, Harris is hilarious while becoming quite inebriated from the liquor that Matthau serves up. Yet, this is the weakest of the 3 stories since you can't await for that bedroom scene that invariably takes place. Guess that Harris' marriage to Larry isn't as great as she made it out to be after all.

In the 3rd segment, Matthau and Lee Grant star as a couple whose daughter is about to be married at the hotel. Trouble is she has wedding jitters so she locks herself in the bathroom. A very funny routine is establish by Matthau and Grant attempting to get her to come out and get married. It is only when her husband-to-be is summoned, he solves everything by telling her to "cool it." So, here we see the generation gap is action.

The common link in the film is room 719 where the 3 stories take place. If only the walls could talk, they'd tell you not to miss this film.

I just watched this movie for the first time. And I have re-watched the first "act" a number of times now. I never gave Maureen Stapleton much of a thought, frankly. Until I watched this movie. I like this movie very much. It will be one of my "go-to's,"- those pictures that I can always watch and always enjoy. Matthau is effective throughout. Act 2 is played quite broadly, and it's a fun segment, but the weakest. Act 3 is (because I can't think of a better descriptor) conventionally funny - it follows the familiar pattern, and it's very good. But the best is the first act where the real focus is Stapleton. From the moment we first see her, she looks real. I wager that most people who watch this movie knows someone that is her character. Watch her closely, as she puts nuance into every scene - the expressions on her face, the gestures. There's a scene where she sits down on a bed, back to the camera as Matthau leaves the room. It's followed by her talking to herself. It's a brilliant bit of acting, that feels so real, and struck an emotional chord in me. I gave this an "8." If I had to grade each act separately, it would be: Act 1 - 10; Act 2 - 7; Act 3 - 8 Watch and enjoy.

Neil Simon's three playlet show Plaza Suite turns into a tour de force for Walter Matthau as he stars in all three which become funnier as the film progresses.

The first one pairs Matthau with Maureen Stapleton, the two have rented a suite at the Plaza for their 23rd or is it their 24th anniversary. They have differing views on that and more than they realize. Matthau's such a romantic he's brought some of his work with him. When Louise Sorel from the office brings him some revisions it's apparent it's not just his work that needs revising. This one had some laughs, but strictly of the ironic nature.

Matthau is opposite Barbara Harris in the next one. He plays a man from Tenafly, New Jersey who has sought fame and fortune in the west as Horace Greeley advised. West in the 20th century meant Hollywood and now he's a hot producer with all the perogatives of that breed.

Harris is a girl he left behind and one gets the impression back in the day she would not have given him the time of day. But now Matthau has mastered the skill of the casting couch and he lays out a campaign to win this now married New Jersey housewife. As for Harris it's amazing when you attach a celebrity status to someone how your view might change.

Best of the three by far is the last with Matthau and Lee Grant as the parents of a girl having her wedding at the Plaza Hotel. The bride to be their daughter Mimsy is having wedding jitters and locks herself in the bathroom. Grant tries and fails to talk her out and then sends for daddy.

Matthau is gradually seeing bankruptcy as the bills for a wedding at the Plaza pile up and things don't go quite according to plan. But when this crisis occurs Matthau pulls all the stops out with one of the funniest performances in his career. He does one of the greatest bits of overacting in a role that had to have it. With all he tries and all the indignities he suffers in his attempts to get Mimsy out from the john you have to see what does it in the end.

On stage Plaza Suite had Don Porter and Maureen Stapleton playing all of the main roles in the three playlets. This film is a must for Walter Matthau fans. You will never see him funnier, not in The Odd Couple, not in The Fortune Cookie, not in anything.

Walter Matthau plays 3 different characters,each convincing it's a different person. My favorite segment is the one with Barbara Harris though. Great chemistry those two had in that scene! Maureen Stapleton was kinda funny too,but by the third act I got bored and turned it off. Maybe I'll finish it soon.