Um dentista finge ser casado para evitar compromissos, mas quando ele se apaixona por uma mulher, ele deve recrutar sua amada enfermeira para se fazer passar por sua esposa.Um dentista finge ser casado para evitar compromissos, mas quando ele se apaixona por uma mulher, ele deve recrutar sua amada enfermeira para se fazer passar por sua esposa.Um dentista finge ser casado para evitar compromissos, mas quando ele se apaixona por uma mulher, ele deve recrutar sua amada enfermeira para se fazer passar por sua esposa.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 3 vitórias e 6 indicações no total
- Bar Patron
- (não creditado)
- Club Patron
- (não creditado)
- Waitress
- (não creditado)
- First Waiter
- (não creditado)
- Club Patron
- (não creditado)
- Man Dancing in Club
- (não creditado)
- Restaurant Patron
- (não creditado)
- Parcel Post Man
- (não creditado)
Avaliações em destaque
This is a film which may appear dated at first, but it actually made me wish I was around during the swingin' 'sixties. Hawn's fashions are as tacky as Bergman's are chic. (That's one minor flaw--isn't her character a little too soignée for a gal who still lives with her sister? But then again, would we have Ingrid any other way?) And who wouldn't want to hang out at a nightclub called The Slipped Disc?
The best compliments I can pay to this film is that it somehow made me nostalgic for a decade that I never saw, and that it left me wanting more. Speaking of wanting more, I wonder what ever became of sexy supporting actor Rick Lenz? (He resembles Griffin Dunne in this film.) This was his film debut, and I don't see any other major roles in his filmography. As for Goldie Hawn, she's done so much since then it's easy to not be impressed, but I can't imagine any other actor in the role, either.
Since the movie is based on a play, the line delivery may seem a bit stage-y, but it did not inhibit my enjoyment at all. In fact, I am amazed at how funny it still is after over thirty-five years. Because this film represents a bygone era, it has unjustly slipped from the consciousness of film buffs. It is more linked to the era films that came before it than the ones that followed. But don't let that stop you from savoring the delights it has to offer. Grade: A
It's a story played for laughs from beginning to end, good-humored stuff that never runs out of dry humor and wit throughout its running time. There are plenty of one-liners or gags that are way above the usual situation comedy stuff one hears on TV--the lines ring true because they blend so well with the characters and their motives.
As the daffy girl who contemplates (in the beginning) committing suicide over her unhappy affair with Matthau, GOLDIE HAWN (fresh from her days as a star on TV's "Laugh In") does a dumb blonde role to perfection. Easy to see why she won that Supporting Actress Oscar.
Ingrid is surprisingly fetching in a rare comedy role, although there are times when she seems just a bit too matronly for the part. At any rate, she's a surprising choice to play the nurse who puts on a freeze act at the office but is considerably warmer off duty.
As Goldie's next door neighbor, Igor, Rick Lenz acquits himself admirably, and makes a suitable match for her in that final scene.
Matthau plays the kind of character that became his stock in trade in all those Neil Simon roles he had--a lovable cad who gets caught up in his own messes when he tells lie after lie.
It's the kind of rib-tickling comedy that'll have you laughing out loud at some of the amusing lines that Abe Burrows and I.A.L. Diamond have managed to scrap together, based on a French farce.
It's quick, witty, well paced, clever and most importantly funny.
It's worth watching the film for the dancing scene alone: Seeing Ingrid Bergman doing "the dentist" was hilarious.
She really shows she has a flair for comedy.
The entire cast is brilliant. Special mention goes to a very young Goldie Hawn who looks (and sounds) like a different person! This is a classic. Highly recommended
Você sabia?
- CuriosidadesMaking this movie was the first time Ingrid Bergman had been on a Hollywood sound stage since the 1940s--all her subsequent films up to that point had been made in Europe, even those for American studios.
- Erros de gravaçãoWhen Julian is driving Stephanie home, the shot from the driver's side of the car reveals the shadow of the car against the traffic on the movie screen behind them.
- Citações
Dr. Julian Winston: I must say, it's grotesque. A woman your age, throwing yourself at a kid like that!
Stephanie: And what about that eh, father-daughter thing of yours, if you don't think that's ridiculous...
Dr. Julian Winston: Well, it's different for a man. If a man is with a younger woman it looks entirely appropriate, but when it's the other way around, it's disg...
Stephanie: Well, you go to your church and I'll go to mine.
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Flor de Cactus
- Locações de filme
- 252 W. 11th Street, Manhattan, Nova Iorque, Nova Iorque, EUA(Toni's apartment building)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Tempo de duração
- 1 h 44 min(104 min)
- Mixagem de som
- Proporção
- 1.85 : 1