Pânico e Morte na Cidade

This is one of my all-time favorite movies. It had a great plot, good characters ... a reluctant hero and one of the best TV movie villains ever. Of course, you have to have a good villain to make a story work and Janos Skorzeny certainly fits the bill. And Barry Atwater plays Skorzeny with the perfect amount of venom and snarl, not going way over the top, which would have been easy to do.

Darren McGavin as Carl Kolchak was also a role he was born to play. The rumpled suit, the trademark straw hat (which he incidentally wore along with a tuxedo to a Dean Martin celebrity roast!), the almost Columbo-like dogged questioning and pursuit. His "High Noon" showdown with Skorzeny was as good as it gets .... no one else was willing or able to take down the bad guy so the character least likely to do it reluctantly decides to save the city from a maniac.

The characters who worked for Las Vegas law enforcement were more interested in protecting their backsides and practicing CYA after being made to look foolish and incompetent by a reporter willing to consider something beyond their imagination. By sending the only people who knew the truth - Kolchak, his girlfriend and his editor, Tony Vincenzo - either out of town or threatening them into silence, the cover-up of the truth was completed.

Persistent rumors exist that there are plans to remake this into a big screen movie .... I hope not, I am having problems imagining contemporary actors who could play these roles better than the original cast.

Good stuff here as modern-day vampirism gets a respectable TV-movie treatment that managed to bring something original to the mixture by having the story told from the point of view of a weary reporter.

Darren McGavin is unforgettable in a telefilm that set the record for ratings shares in its day. His reporter, Carl Kolchak, becomes a believer in the supernatual when he investigates a series of murders where the (female) victims are drained of blood. Kolchak uncovers the truth--the murders are the work of a "real live vampire"--and the truth is quickly covered up again by the Las Vegas police department, who don't want the news of a vampire to interfere with business (one is forced to consider that the ultimate proof of bonafide supernatural goings-on would ultimately be of more importance, but that would spoil the fun).

The film is delightfully dated in its fashions and styling, but otherwise the treatment of the material is surprisingly contemporary, which goes to show just how far ahead of its time "The Night Stalker" really was. 70s genre buffs will be thrilled to see plenty of familiar faces among the cast, including Carol Lynley and Elisha Cook, Jr. The finale, where Kolchak makes the classic spooky-movie mistake of confronting the monster in his own lair, manages to be both tongue-in-cheek and hair raising at the same time. A real example of how storytelling and creativity can render a big budget unnecessary.

At one point in the 1970's ABC movie of the week was the king of television movies. The Night Stalker was one of those reason why movie of the week reigned supreme. This along with movies like Duel and Don't Be Afraid of the Dark and others I can't think of off hand were the reason. The Night Stalker is probably the best of these movies. It was a good story, with a very good and experienced cast of actors. While many were character actors and second bananas, they played their roles well.All of the actors were believable in their roles.The movie was believable and the vampire element was kept simple with little or no special effects.It was not needed. I will grant some of the criticisms about how a middle-aged reporter like Kolchak was able to battle the vampire whereas the police had trouble have merit.However, this doesn't take away from the story. Remember, Kolchak was the only one armed to fight a vampire in the first place.Also, remember it was a made for t.v. movie and plus do you really think Peter Cushing could match Christopher Lee evenly in all of the Hammer Dracula movies, I mean there was a size and strength difference there too. Suspend your belief just a little.The movie was perfect for the times, towards the end of Vietnam and right before Watergate when we were skeptical of everything. This is one of the very few movies from the 70's that I remember fondly.The ending was perfect for the times as well. The Night Stalker as both a story and a movie has to rank in the top ten vampire movies bar none. This is a vampire classic that you can sink your teeth into with great satisfaction!

And it took a TV movie to achieve this feat. But there's no denying the powerful intersection of screen writer Richard Matheson, producer Dan Curtis, and Darren McGavin in perhaps his best role (after A Christmas Story). Ably assisted by Jeff Rice's original novel, Night Stalker works on every level. The humor is there, but a bit subdued. The vampire is a feral beast who is strong, invulnerable, and drinks blood...and that's it. No lame transformations into a bat: The script's portrayal of Skorzeny the Vampire echoes that of Christopher Lee (Hammer also resisted displaying much of Dracula's superhuman abilities).

Skorzeny has none of the sexuality or personality of Dracula, but in a sense the movie isn't about him even if he's the "Stalker" of the title. It's a movie about Carl Kolchak, reporter and undeterred seeker of truth. He could be stalking a story about corrupt politicians, or mobsters, or whatever. The only difference is here, he's after a vampire. This extra supernatural element rises it above what few dramatic reporter-featured movies there are out there.

THE NIGHT STALKER, the telefilm adapted from the then unpublished novel THE KOLCHAK TAPES by Jeff Rice, presents viewers with a most frightening and utterly BELIEVABLE vampire, Janos Skorzeny (Barry Atwater), a creature who resembles a tormented heroin addict more so than the glamorized, two-dimensional vampire fare of Anne Rice and Buffyland. Darren McGavin's gritty portrayal of Carl Kolchak, the intrepid newshound on the vampire's trail, is certainly the most inspired role of his career. Of all the horror films in existence, THE NIGHT STALKER is certainly at the top of this genre's list for its surrealistic, cinema verite photography, first-rate acting, top-notch directing (John Llewelyn Moxey) and for its "The Front Page Meets Dracula" screenplay by fantasy veteran Richard Matheson. This is a telefilm that chills as well as offers a parable about political corruption and deceit. Now how timely is that?