O Soldado que Declarou a Paz

As an ex-Marine, I was keenly interested in seeing this movie of the week rerun when it aired, I think at 2 am, but what the heck I was on night shift anyway.

First off, I liked it, I really liked it and not because it "took sides" because frankly I don't think it did. A VERY young Jan-Michael Vincent played the part of a spacy draftee quite well and Darren McGavin was his usual excellent self. Parts of the film were filmed at MCRD (Marine Corps Recruit Depot) in San Diego, with real recruits going through drill training on the grinder. Even though it was filmed at the height of the Vietnam war, politics was left out of the film, but they did manage to show the conflict between the hippie and the more conventional recruits.

The best performance though was from Earl Holliman in my opinion. He played the hard-ass DI to the hilt and provided the strongest contrast to the hippie's live-and-let-live anarchy, even stronger than McGavin's character.

The movie didn't offer answers, nor did it preach about who was right and who wasn't (maybe that was the point anyway, nobody is really 100% "right" in any conflict).

I saw this movie when it came out 35 years ago (has it really been that long?). Most memorable scene was the one in which free spirit hippie Jan-Michael Vincent was forced to hold up two full buckets of water (one in each hand) shoulder high as punishment by taskmaster Darrin McGavin. Vincent turned the tables by meditating on a carefree afternoon spent frolicking on a sun-dappled hillside with a comely young miss. His blissed-out state enabled him to maintain the buckets aloft indefinitely. This naturally drove the by-the-book McGavin to distraction. Enjoyed the culture clash theme. Exemplary writing, directing, and especially acting (McGavin superb as the grizzled DI, and Vincent at his charismatic best).

I haven't seen this since my first viewing in 1970 but I remember the reactions of my peers ( I was 16) very well. We thought it was great! It was wonderful to see "one of our own" succeed against the military that threatened all of us at that time. It may be hard to understand today, but in those times of the draft, the Kent State shootings, and the war in Viet Nam, those of us with long hair or alternative views took pleasure in seeing those reflected in the popular media of the day which was anything but "alternative".

I am usually not a fan of war films or war-themed films, but this one was reely (I meant the spelling) good. It was a fine character study of opposites, with Darren McGavin and Jan-Michael Vincent in stand-out performances. One day I have to try the meditation tricks that Vincent's character uses to mentally take himself away from the unpleasantries he had to deal with at the boot camp.

On the note of the cast, can someone tell me where is Bud Cort in this film? He's listed as a 'draftee nerd,' but I don't see him. I am wondering if he has been mistaken for Danny Goldman, who was in a lot of Bud's early films ("M*A*S*H" and "The Strawberry Statement" come to mind), and if you didn't look well enough, could have been mistaken for him. (I made that mistake regarding one dramatic scene that takes place in the men's room at the barracks. I had to watch it twice to correct myself that it wasn't Bud Cort).

I gave it a 10, not because it's perfect, but I'm pretty prejudiced about it. "Tribes" is really part of a long tradition in the movies (the misfit becomes a model soldier because of the tough but decent sergeant), but of course it plays around with all the rules - in the first place, you're practically certain that the misfit WON'T be influenced all that much (or that he SHOULD BE), and in the second place, HE begins to influence the SERGEANT! Against his will, of course ("It's not my drawing!"). In spite of being made in 1970, it's far from being strictly a Vietnam-oriented movie. And it's even more than a "hippie vs. the Establishment" movie (though those are fine with me), but a lot more general (I've heard that it was endorsed by the Marine Corps, I guess because it they considered it pretty "balanced".) I don't know much about meditation, but one of the best scenes in this film has Private Adrian describing it to the other recruits, while they listen with "rapt attention", including Scrunch Gordon, the "jock" who hated him at first. Which is another thing - it does without genuine stereotypes, except for Earl Holliman's DePayster, who's nice enough in other scenes, but becomes an over-the-top redneck at the sight of Adrian. (And Holliman is completely entertaining doing those scenes.) Of course, it does have "stock characters", ones that work - like John Gruber as the tragic character, Danny Goldman as the completely comical one. (According to this listing, Bud Cort was in it, though I've never recognized him.) As far as the completely funny scenes, Darrin McGavin is really great in them, giving almost an Oliver Hardy kind of look sometimes (a little like his wonderful character in "A Christmas Story"). And he's never less than great in the other scenes (he and Vincent seemed to work perfectly together). And Jan-Michael Vincent is completely believable as Adrian (because of that, I've always "typecast" him as that kind of character, even though I've hardly ever SEEN him play a similar one).