Assim Nascem os Heróis

In the spring of 1942, in Southwest Pacific, Captain John G. Nolan (Henry Fonda) postpones the leave of the volunteer Lieutenant Sam Lawson (Cliff Robertson) and gives an assignment in New Hebrides Island with the British troops based on the required profile – fluency in Japanese and good shape. When Lt. Lawson arrives in the base, the commander explains that the island is divided in the British and Japanese sectors and he should go with a group of soldiers behind the Japanese lines to destroy their radio and transmit a false message to the Japanese forces. Captain Hornsby (Denholm Elliott) is assigned to lead the group, but during the tense mission, he has friction with Private Tosh Hearne (Michael Caine). When things go wrong, the soldiers have to fight to survive while exposing their weakness in character.

"Too Late the Hero" is a realistic and original war movie with human and cynical characters in the jungle of an island in Pacific. Michael Caine plays a rude and insubordinate cockney soldier that is only interested in surviving. Most of the soldiers are cowards that fight only to save their lives and not for patriotism or idealism. The hero of the title is actually an anti-hero that redeems himself in the end. The dialogs are cynical and Tosh has the best lines, like for example, when he proposes to Lawson to go North; or when he talks about the hole where he lives in his hometown in a total lack of perspective. My only remark is the long running time that could be a little shorter. My vote is seven.

Title (Brazil): "Assim Nascem os Heróis" ("This Way the Heroes Are Born")

"Too Late the Hero" is an excellent WWII piece whose plot served as the basis for "Aliens" and "Southern Comfort" and is just as good as those other excellent movies: reluctant hero Cliff Robertson joins a motley group of soldiers (here British troops, including loud-mouthed Michael Caine and mad Ian Bannen) led by an incompetent officer, Denholm Elliot, and an experienced sergeant, Percy Herbert, who dies early on. Soon they are being stalked by a very ruthless enemy (Japanese troops led by Ken Takakura, whose role is, refreshingly, not a stereotype - coming across as a rather efficient officer) and shifty Ronald Fraser attempts to save his skin at the expense of the others. As this is Robert Aldrich there is a lot of brutal action, the characters have very few redeeming features but are excellently portrayed by Robertson and the excellent selection of British character actors, and are very anti-military! The climactic scene where the survivors race across open ground under fire from the Japanese is one of the best climaxes ever!

TLTH is a solid war movie made in a time devoid of Tom Cruises, Di Crapios and other mattodamonic Bennaffleckians. Caine and Robertson look like men, not wimpy little effeminate preppies which we're served and rammed down our throats en masse nowadays. Michael Caine participated in the Korean war as a soldier, while Denholm Elliot spent several years as a Japanese P.O.W. in WW II; what's the toughest ordeal Casey Affleck ever had to go through? A broken nail? And it partially shows on screen, of course.

The main drawback is the length; I saw no reason for this plot to use up over 2 hours of screen time. A minor problem was the occasional mumbling.

One of the things I liked here is that there was a more realistic way of looking at World War II. In recent decades we've had U.S. liberals and other clueless Leftists tell us how "valid" and "noble" that war was, as opposed to other wars that came later, that were supposedly totally immoral, unclean, nasty and vile. However, there is no such thing as a "pure" or "sanitized" war. The lack of discipline, morality and even courage among some of the British troops in this film is a refreshing break from the kind of silly over-glorification of WW II - especially the way this stands in contrast to the over-vilification of wars fought by America in the decades after that.

Judging by Caine's memories (from his autobiography) related to filming TLTH, a documentary on the making of the film would have been fascinating to watch.

TOO LATE THE HERO is a top notch war film about a british unit plus one american who must destroy a japanese communications station on a island. The mission for all purposes is impossible. TOO LATE THE HERO is long in a few spots, yet the film overcomes this flaw and the pace flows smoothly again. The film has a gritty realism to it which is aided by the deep jungle locations the film was shot at. Fans of FARWELL TO THE KING will enjoy this film as well, as it is up the same alley as that Nick Nolte film. OOne thing I enjoyed about this film were the casualty levels on the japanese and allied sides; these were were very realistic.

Film Makers in Hollywood weren`t allowed to make anti-vietnam war films in the late 60`s , early 70`s so they decided to make allegories instead. Famous examples are MASH and SOLDIER BLUE. What strikes me is that no one ever refers to this great war film as the definitive Hollywood proxy Nam statement.

The story is simple : Soldiers carry out dangerous mission. But these soldiers are badly led and totally reluctant to carry out their duty. They`d rather " frag " their commander and go home than earn medals . And war isn`t shown as a glorious thing , it`s brutal , dehumanising and most of all terrifying. Also watch out for the very humane portrayal of the enemy officer. Is it sympathy for the Japanese or the Vietnamese that he`s shown this way ?

I could point out all the things I love about this film but it`d take too long. The only two things I disliked about TOO LATE THE HERO was a couple of plot holes. First one`s the fact that the Japanese are good at stopping the enemy from escaping the jungle but are totally hopeless at letting them enter it in the first place ! A major strategic mistake I`d have thought. Secondly Lawson decides he wants to carry out his mission after all which turns him into a bit of a cliche. But don`t let that put you off. TOO LATE THE HERO is compelling , bloody and intelligent.