AVALIAÇÃO DA IMDb
6,8/10
5,5 mil
SUA AVALIAÇÃO
Um criminoso encantador, mas totalmente cruel, é enviado para uma prisão remota do Arizona. Ele pede a ajuda de seus colegas de célula em uma tentativa de fuga com a promessa de compartilhar... Ler tudoUm criminoso encantador, mas totalmente cruel, é enviado para uma prisão remota do Arizona. Ele pede a ajuda de seus colegas de célula em uma tentativa de fuga com a promessa de compartilhar seu tesouro escondido.Um criminoso encantador, mas totalmente cruel, é enviado para uma prisão remota do Arizona. Ele pede a ajuda de seus colegas de célula em uma tentativa de fuga com a promessa de compartilhar seu tesouro escondido.
Alan Hale Jr.
- Tobaccy
- (as Alan Hale)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliação em destaque
There is so much to like and appreciate about this film that while it's an enjoyable experience, it isn't the great film it should have been.
Firstly, the script is largely excellent. It has a good plot and characters backed up by interesting dialogue. It has a top-notch cast delivering almost universally quality performances. As well, it has some interesting themes and issues to explore, especially in the central battle between Fonda's warden and Douglas' prisoner. The scene where Douglas confronts Fonda in the just built eating hall and exposes his self-serving interests and hypocrisy, is a great example of top-class screen writing.
All the elements are there for a classic (or at least semi-classic) Western, but it doesn't quite reach that. Why? I think a big problem for this is Joseph L. Mankiewicz's direction. As other users have commented, the tone of the film is jerky and erratic and he has to take prime blame for that. But even in pure cinematic terms, it isn't well directed. Scenes that should have been highlights (such as the robbery that opens the film) lack punch because they're ineptly handled.
I think another major problem is the cinematography. The glossy, bright and flashy look of TWACM seems more in tune for a jovial, knockabout, straightforward Western. For a film full of cynicism, complexity (as well as its share of humour) and some rather depressing elements, it's a distracting and misjudged look. The much more realistic style that was to become much more common in films as the 1970s progressed (e.g. 'McCabe and Mrs. Miller') would have been much more apt.
Overall, an under-appreciated and underrated film worth seeking out. But also a bit of a missed opportunity.
Firstly, the script is largely excellent. It has a good plot and characters backed up by interesting dialogue. It has a top-notch cast delivering almost universally quality performances. As well, it has some interesting themes and issues to explore, especially in the central battle between Fonda's warden and Douglas' prisoner. The scene where Douglas confronts Fonda in the just built eating hall and exposes his self-serving interests and hypocrisy, is a great example of top-class screen writing.
All the elements are there for a classic (or at least semi-classic) Western, but it doesn't quite reach that. Why? I think a big problem for this is Joseph L. Mankiewicz's direction. As other users have commented, the tone of the film is jerky and erratic and he has to take prime blame for that. But even in pure cinematic terms, it isn't well directed. Scenes that should have been highlights (such as the robbery that opens the film) lack punch because they're ineptly handled.
I think another major problem is the cinematography. The glossy, bright and flashy look of TWACM seems more in tune for a jovial, knockabout, straightforward Western. For a film full of cynicism, complexity (as well as its share of humour) and some rather depressing elements, it's a distracting and misjudged look. The much more realistic style that was to become much more common in films as the 1970s progressed (e.g. 'McCabe and Mrs. Miller') would have been much more apt.
Overall, an under-appreciated and underrated film worth seeking out. But also a bit of a missed opportunity.
- Marco_Trevisiol
- 16 de jan. de 2011
- Link permanente
Enredo
Você sabia?
- CuriosidadesThe prison set took seven weeks to build. When construction began, it was snowing. When it ended, the temperature was 100 degrees. Upon completion of filming, the entire set had to be removed and the area it occupied restored to its original pristine state so that no trace would be left.
- Erros de gravaçãoWhen Pitman is getting beaten up by three men in the prison yard during a heavy rainstorm, there is bright sunshine casting distinct shadows behind them.
- Citações
Woodward Lopeman: Don't tell me you can't make speeches. You could talk a coyote out of a chicken!
- Versões alternativasA scene was shot where Miss Jessie Brundidge runs away from the prison completely naked, after having had her clothes torn off piece by piece over the course of the prison riot. Although two images from the shooting of this scene exist, proving that it was indeed shot, it was never a part of the final, finished film for U.S. release, and nor was it ever reinstated for either the VHS or, later, DVD release of the film. Whether the scene was ever added to any of the international releases of the film, however, is unknown.
- ConexõesEdited into On location with There Was a Crooked Man. (1970)
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 15.160
- Tempo de duração2 horas 6 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was Ninho de Cobras (1970) officially released in India in English?
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