Norwood

Glen Campbell and Joe Nameth, both in their career primes, give surprisingly creditable acting performances about two Marines just back from the Viet-Nam War finding their places back in society. The theme of this film is somewhat out-dated, yet with the current war in Iraq raging on, maybe it's not as out-dated as I think. Campbell is Norwood and has the major role, while Joe Nameth has more like a guest staring part. Campbell embarks on a road trip and meets a host of different people. Trish Sterling looks beautiful, but is really wasted here. Coogan's Bluff still rates as her best on-screen role. I saw this film as a young teenager at the Cinema Theater on Miami Beach. I remember liking it a lot and sort of wondering if I would one day be living this type of experience myself. With the draft and the war, this film was very realistic for the times, now not so much. Yet, it's an enjoyable film on the same take as Bus Riley's Back in Town.

Some of the people from in front of and behind the camera of True Grit bring us this easy going country story starring Glen Campbell and Kim Darby. It's not quite in the same caliber as True Grit however.

Glen Campbell is returning from Vietnam to his home in the metropolis of Ralph, Texas which is a stone's throw from the Arkansas border. He goes his separate ways from Joe Namath a fellow Marine and returns home to his sister Leigh French and drip of a brother-in-law Dom DeLuise. Glen is never without his guitar and never turns down a song request. However he'd like to make a living at it and hopes to get a big break on the Louisiana Hayride country radio show, a rival of sorts to the Grand Ole Opry.

After that it's an episodic adventure with him delivering a stolen car from conman Pat Hingle to New York, of course Glen doesn't find out it's stolen until he's on the road. During the course of the film he gets involved with would be actress Carol Lynley, hippie chick Tisha Sterling, and eager young bride Kim Darby. Guess whom he winds up with.

Glen's singing of several country/western ballads makes the film easy to take and glosses over a lot of his lack of acting ability. Had he come along thirty years earlier Campbell might have been a good singing cowboy star, but those days have passed. No real plot in Norwood just a series of incidents on his journey to New York and back.

Whatever else it is Norwood is not True Grit, but Glen Campbell fans might like it.

Glenn Campbell returns from Louisiana with a single ambition: to appear on the Louisiana Hayride radio show. Before that happens, he goes through several low-key and episodic adventures with sketchy characters, from hot-car smuggler Pat Hingle, to his sister Leigh French and her husband Dom Deluise, to several pretty ladies.

For his follow-up to TRUE GRIT, Campbell sings half a dozen songs. He played it safe, going with a novel by Charles Portis, screenwriter Marguerite Roberts, and co-star Kim Darby. It's a pleasant little bit of fluff, with Jack Haley Jr. As director; Jack Haley Sr. Has a role.

I suspect it was modernized slightly. The Louisiana Hayride ceased broadcasting in 1960.

Glen Campbell once said that he was so bad as an actor that he made John Wayne's performance in True Grit seem Oscar worthy (Wayne's only Best Actor award). In Norwood, Glen Campbell does not have any real talent around him to overcome his weaknesses. Lets face it, the chicken that is carried around provided the most credible performance in the movie.

While there is some talent in the movie, none if it surfaces. Some reviewers suggest that simply buying the Norwood soundtrack would be better for those who like Glen Campbell's music. I would point out that there may be a reason that the Norwood soundtrack tanked on the charts while almost all of Campbell's records were selling at the time. There may be a reason. (If you do want the Norwood soundtrack, try to find the "I'll Paint You A Song" album, which has the Norwood soundtrack as well as the Theme from True Grit).

So, why 8 stars? First, Glen Campbell gets 8 stars as a starting point because he was a true icon at the time. Second, the movie is really so bad that it becomes good. The jokes fall flat, but the serious parts are hilarious. It is worth watching when you just want some mindless humor and mind-numbing music.

Having previously done True Grit, star Glen Campbell had something of a reunion with some of that movie's people: screenwriter Marguerite Roberts with her once again adapting from Charles Portis' novel, producer Hal Wallis, and co-star Kim Darby. Since neither of them have John Wayne around this time, Ms. Darby acquits herself quite nicely as the romantic lead while Campbell at least sings some good songs and puts more of his personality around to make up for his lacking acting skills. Making his debut here is Joe Namath-a hot football star at the time-who also uses his persona to mask his lesser thespian talents. Much of the supporting cast, like Tisha Sterling, Meredith MacRae, Leigh French, Pat Hingle, and Billy Curtis provide welcome turns. Dom DeLuise is especially hilarious as Glen's brother-in-law. Only real irritating presence was Carol Lynley as Laverne...actually, Yvonne-a real stick-in-the-mud complainer and I really hated it when she mentioned New Orleans, which is a two-hour drive from where I live, as her home. In summary, Norwood is an amiable pleaser of a comedy. Directed by Jack Haley Jr. whose father Jack Haley Sr. has a nice cameo. P.S. Sorry to hear of Mr. Campbell's recent revelation of Alzheimer's. Hope he doesn't suffer too much from it.