Um menino e uma menina de diferentes origens se apaixonam, independentemente de sua educação e depois uma tragédia acontece.Um menino e uma menina de diferentes origens se apaixonam, independentemente de sua educação e depois uma tragédia acontece.Um menino e uma menina de diferentes origens se apaixonam, independentemente de sua educação e depois uma tragédia acontece.
- Direção
- Roteirista
- Artistas
- Ganhou 1 Oscar
- 10 vitórias e 17 indicações no total
Katharine Balfour
- Mrs. Barrett
- (as Katherine Balfour)
Tommy Lee Jones
- Hank - Oliver's Roommate
- (as Tom Lee Jones)
Stephen Dowling
- Cornell Hockey Player
- (não creditado)
Resumo
Reviewers say 'Love Story' evokes polarized reactions, with many praising its iconic status, memorable music, and the chemistry between Ali MacGraw and Ryan O'Neal. The film is lauded for its emotional impact and poignant message. However, it faces criticism for its clichéd plot, dated dialogue, and perceived lack of depth in character development. Some find the sentimentality and melodrama overdone, while others appreciate its nostalgic value and portrayal of young love. The performances, especially of the leads, are contentious, with mixed opinions on their effectiveness. Overall, 'Love Story' is a cultural phenomenon with both admirers and detractors.
Avaliações em destaque
Oliver is a Havard law student Jock type who's father is a millionaire and Jennifer is a poor Radcliffe student working her way through college. When they meet they develop a relationship that eventually turns to love. When they decide to marry, Oliver is cut off by his father and the two are forced to become poor as they try to study and work at the same time. The two find that their love is strong enough to stand even the biggest tests of life.
A massive hit and Oscar winner in the 70's it is easy to forget this film now, simply because it is so dated, flawed and unrelatable that I found it amusing but never emotional or moving. The plot is a straightforward and goes just where you expect it to. However that is not a major problem if the film had managed to be emotionally involving and powerful neither of which I found it to do.
The biggest reason for this is the characters and the actors. Oliver is a spoilt rich kid who has `issues' with his multimillion father only wanting the best for him. It doesn't help that O'Neal can't act and delivers even the most touching scene like he was made of wood. Meanwhile Jenny is rude and pretentious and quite an unpleasant person. McGraw is pretty but I couldn't have cared less if a bus had hit her character in the first 10 minutes, such was the empathy that she made me feel with her.
The music is awful it is shamelessly tearing jerking and written to create emotion where none is forthcoming from the action onscreen. It runs constantly and got to the point where it grated on me. The film is not without merit though, bits of it are funny and the basic love story had potential to be a professional weepy.
Instead it is flat and uninvolving and is simply a Hollywood bit of fluff that left me cold despite a few chuckles or smiles. It may have done good box office but if recent summers have taught us anything, it's that that is not an indication of a good film.
A massive hit and Oscar winner in the 70's it is easy to forget this film now, simply because it is so dated, flawed and unrelatable that I found it amusing but never emotional or moving. The plot is a straightforward and goes just where you expect it to. However that is not a major problem if the film had managed to be emotionally involving and powerful neither of which I found it to do.
The biggest reason for this is the characters and the actors. Oliver is a spoilt rich kid who has `issues' with his multimillion father only wanting the best for him. It doesn't help that O'Neal can't act and delivers even the most touching scene like he was made of wood. Meanwhile Jenny is rude and pretentious and quite an unpleasant person. McGraw is pretty but I couldn't have cared less if a bus had hit her character in the first 10 minutes, such was the empathy that she made me feel with her.
The music is awful it is shamelessly tearing jerking and written to create emotion where none is forthcoming from the action onscreen. It runs constantly and got to the point where it grated on me. The film is not without merit though, bits of it are funny and the basic love story had potential to be a professional weepy.
Instead it is flat and uninvolving and is simply a Hollywood bit of fluff that left me cold despite a few chuckles or smiles. It may have done good box office but if recent summers have taught us anything, it's that that is not an indication of a good film.
I somehow saw this in the theater during it's initial release as it must have been the allure of Ali McGraw and I've seen it probably three times since over the years to make sure I didn't miss something about this film but I don't think I did. How could this small film have been nominated for eight Academy Awards? It was nominated for most of the biggest awards in Best Picture, Best Director for Arthur Hiller, Best Actor in Ryan O'Neal, Best Actress for Ali McGraw, Best Supporting Actor for John Marley and Best Screenplay for author Eric Segal as well as Best Score and Best song for Francis Lai. Well, Lai was a deserved nomination and in fact won those two Oscars but the rest of the nominations were a cinematic joke. The novella story by Segal never had enough material to be a full length feature film. He could have at least added a mindless car chase or a flying saucer scene to the screenplay to give the film some depth. This was McGraw's only third film and her follow up role in The Getaway with husband Steve McQueen was a far better performance. After that her career stalled and she never made of film of note again. Ryan O'Neal had made a couple of minor films before and was most noted for his television roles and he like McGraw turned in a stiff, wooden performance here and there was no on screen chemistry between them. John Marley and Ray Milland were good in supporting roles. Director Arthur Hiller had made the leap from television to feature films with a string of mediocre movies until moderate success with the Out of Towners before Love Story and after would see more moderate success in comedies in The Hospital, The In-Laws and Silver Streak but any success he ever had were in comedies. This as a serious film tries to be so serious it goes overboard. I would give this a 6.0 for good music and set direction and for sentimental reasons for once having had a teen aged crush on Ali McGraw.
Very pleasant surprised by this wonderful and brilliantly acted "Love Story". Owkay, the title captures everything of the movie. You instantly know what it is about. But that doesn't bother. This movie is almost twice my age and before I started watching this movie, I wasn't sure if I would like it. After all, I want a movie to be recognizable (at least with a movie about a love story, I'm not talking about movies in general. You can't expect a movie like "The Godfather" to be recognizable) and the acting has to be real. With certain movies from a couple of decennia ago, I sometimes have the feeling the acting isn't real, you're all the time aware of the fact that they are acting, and I think a movie can't have that.
The acting here was amazing. Ali MacGraw as well as Ryan O'Neal were both excellent in their roles as Jenny and Oliver. I thought both fathers were quite good as well, specially Jenny's father Phil, performed by John Marley, who surely deserved his Academy Award Nomination. The music was also terrific in this movie. I think it's, beside the acting, one of the most important points to make this movie timeless.
Unfortunately, this movie became the only success of the leading actors. It could have been the beginning of a brilliant acting career, but "Love Story" became the highlight of their career. To conclude I can only repeat that "Love Story" is a brilliant and timeless romantic classic!
Watch this movie! 9/10
The acting here was amazing. Ali MacGraw as well as Ryan O'Neal were both excellent in their roles as Jenny and Oliver. I thought both fathers were quite good as well, specially Jenny's father Phil, performed by John Marley, who surely deserved his Academy Award Nomination. The music was also terrific in this movie. I think it's, beside the acting, one of the most important points to make this movie timeless.
Unfortunately, this movie became the only success of the leading actors. It could have been the beginning of a brilliant acting career, but "Love Story" became the highlight of their career. To conclude I can only repeat that "Love Story" is a brilliant and timeless romantic classic!
Watch this movie! 9/10
'Love Story' is not your typical romance film, although it is a story about a boy and girl from different backgrounds who fall in love. Jenny is an intellectual music major with a passion to travel, and Oliver's parents are well-to-do, and he enjoys sports. It seems like an unlikely match, but the two of them hit it off and travel through the perils of relationships. It is a touching story, and the direction and coordination of some of the scenes is amazing. (Particularly the scene with Oliver sitting outside in the playing field and narrating the story is a classic moment in this film, and it is possibly one of the most memorable scenes in film history.) If you have never seen this film, you should. Anyone who has ever been in a relationship can relate to it, but if you are a sensitive person and cry in nearly every film you have ever been to, keep a full box of tissues handy.
To be honest I was quite surprised as the low rating the movie gets her, since I've always been under the assumption that this movie is widely regarded to be the best and ultimate romantic movie ever made.
The movie has all the ingredients a romantic movie needs, even the most formulaic ones. Two totally different boy and girl from different social levels fall in love with each other and of course not everyone in the environment (mainly the parents of course) are happy with this. Their love life has a couple of ups and downs in which they have to weight some choices for themselves against choices for their love together. Further more the movie also features an unavoidable dramatic twist in which one of the characters get seriously sick (Don't worry, this is not really a spoiler since this is mentioned right in the beginning of the movie already). In other words this movie has all of the formulaic sappy sounding ingredients to make this a sappy formulaic romantic movie. Yet "Love Story" is not. Why? It's hard to put your finger on why "Love Story" is so much more and so much better than your average love story but I guess that you can still answer this question, once you start analyzing the movie. Although the story and all of its elements are sappy and formulaic the movie itself doesn't try to be sappy or dramatic. The movie doesn't attempt to make you cry, by putting in over-the-top dramatic filmed moments with dramatic loud music and all that sort of stuff. Instead the movie chooses to take a realistic approach, no real surprise, considering that this is a '70's movie. The decade in which the most realistic (and best) movies were made. It has as a result that the movie never feels forced or overdone. It even makes the most formulaic and predictable elements of the movie work out, as strange and unbelievable as it might sound. You also have to keep in mind that at the time it was released, this movie was not formulaic at all. It was a fresh approach on the genre and inspired many later movies. In a way "Love Story" was bare raising and set the standards for many later romantic movies. The movie was nominated for 7 Oscar (of which it won 1 in the end) not just for no reason.
The movie is obviously made on a low budget but it makes the end result look all the more creative. It's effectively directed by Arthur Hiller, who later went on directing lame comedies. A real waste of talent. The musical score by Francis Lai is a classic and the simple effective cinematography from Richard C. Kratina makes the movie feel all the more realistic.
The movie made Ali MacGraw and Ryan O'Neal big stars for the moment and they were both even nominated for an Oscar. To be frank I didn't even always liked their characters in the movie and I've never been to fond of Ryan O'Neal as an actor. In that regard I liked the supporting cast way better with John Marley, Ray Milland and Tommy Lee Jones in his very first (and very small) screen appearance. He looked so amazingly young, that he was hard to recognize.
Although the movie takes some formulaic and obvious dramatic turns, the movie still always remain perfectly watchable, just not always emotionally involving enough. So I'm not to sure about it if this is a movie that can (still) make people cry. Nevertheless the movie still has its powerful moments, mostly due to the realism of it all. Everybody should be able to recognize the situations- and put themselves in the place of the characters of the movie. Everybody have been through similar events in their life at one point, in one way or another.
Now days lots of people actually complain about the tag-line and famous quote from the movie; 'Love means never having to say you're sorry'. People find this a stupid and illogical line. To those people I would like to say; Wait until you've truly falling in love once. If you've REALLY been in love, you'll understand what is the meaning of that line. Love is about mutual respect and also accepting each others less pleasantries and still love each other for it. This also means never having to apologies to each other. Actually when I was in love once and the girl felt the same way about me (Yes amazing, I know. It seems like ages ago now), whenever one of us said 'sorry' for something the other always said; 'You never have to apologize for anything to me'. None of us had ever seen the movie or heard of its famous line before, so I think that really says something about the line and the truth that is in it.
It in my opinion certainly is one the best and perhaps most influential romantic movie ever made. A must-see that deserves more objective respect and higher rating on here.
8/10
http://bobafett1138.blogspot.com/
The movie has all the ingredients a romantic movie needs, even the most formulaic ones. Two totally different boy and girl from different social levels fall in love with each other and of course not everyone in the environment (mainly the parents of course) are happy with this. Their love life has a couple of ups and downs in which they have to weight some choices for themselves against choices for their love together. Further more the movie also features an unavoidable dramatic twist in which one of the characters get seriously sick (Don't worry, this is not really a spoiler since this is mentioned right in the beginning of the movie already). In other words this movie has all of the formulaic sappy sounding ingredients to make this a sappy formulaic romantic movie. Yet "Love Story" is not. Why? It's hard to put your finger on why "Love Story" is so much more and so much better than your average love story but I guess that you can still answer this question, once you start analyzing the movie. Although the story and all of its elements are sappy and formulaic the movie itself doesn't try to be sappy or dramatic. The movie doesn't attempt to make you cry, by putting in over-the-top dramatic filmed moments with dramatic loud music and all that sort of stuff. Instead the movie chooses to take a realistic approach, no real surprise, considering that this is a '70's movie. The decade in which the most realistic (and best) movies were made. It has as a result that the movie never feels forced or overdone. It even makes the most formulaic and predictable elements of the movie work out, as strange and unbelievable as it might sound. You also have to keep in mind that at the time it was released, this movie was not formulaic at all. It was a fresh approach on the genre and inspired many later movies. In a way "Love Story" was bare raising and set the standards for many later romantic movies. The movie was nominated for 7 Oscar (of which it won 1 in the end) not just for no reason.
The movie is obviously made on a low budget but it makes the end result look all the more creative. It's effectively directed by Arthur Hiller, who later went on directing lame comedies. A real waste of talent. The musical score by Francis Lai is a classic and the simple effective cinematography from Richard C. Kratina makes the movie feel all the more realistic.
The movie made Ali MacGraw and Ryan O'Neal big stars for the moment and they were both even nominated for an Oscar. To be frank I didn't even always liked their characters in the movie and I've never been to fond of Ryan O'Neal as an actor. In that regard I liked the supporting cast way better with John Marley, Ray Milland and Tommy Lee Jones in his very first (and very small) screen appearance. He looked so amazingly young, that he was hard to recognize.
Although the movie takes some formulaic and obvious dramatic turns, the movie still always remain perfectly watchable, just not always emotionally involving enough. So I'm not to sure about it if this is a movie that can (still) make people cry. Nevertheless the movie still has its powerful moments, mostly due to the realism of it all. Everybody should be able to recognize the situations- and put themselves in the place of the characters of the movie. Everybody have been through similar events in their life at one point, in one way or another.
Now days lots of people actually complain about the tag-line and famous quote from the movie; 'Love means never having to say you're sorry'. People find this a stupid and illogical line. To those people I would like to say; Wait until you've truly falling in love once. If you've REALLY been in love, you'll understand what is the meaning of that line. Love is about mutual respect and also accepting each others less pleasantries and still love each other for it. This also means never having to apologies to each other. Actually when I was in love once and the girl felt the same way about me (Yes amazing, I know. It seems like ages ago now), whenever one of us said 'sorry' for something the other always said; 'You never have to apologize for anything to me'. None of us had ever seen the movie or heard of its famous line before, so I think that really says something about the line and the truth that is in it.
It in my opinion certainly is one the best and perhaps most influential romantic movie ever made. A must-see that deserves more objective respect and higher rating on here.
8/10
http://bobafett1138.blogspot.com/
Você sabia?
- CuriosidadesThe scenes with Oliver Barrett walking alone through a snowy New York were added after principal photography was completed. The production was almost out of money and did not have the necessary funds for permits to shoot in New York City again - so all the shots were grabbed illegally using a skeleton film crew and Ryan O'Neal.
- Erros de gravaçãoDuring the Harvard-Dartmouth hockey match, Oliver is wearing #7 jersey for Harvard. In the penalty box, he tells Jenny that he is concentrating on how he is going to total the Dartmouth player who had him sent to the box. He points to the Dartmouth player, who at this point has just taken down another Harvard player who is clearly wearing #7.
- Citações
[first lines]
Oliver Barrett IV: What can you say about a twenty-five-year-old girl who died? That she was beautiful and brilliant? That she loved Mozart and Bach, the Beatles, and me?
- Cenas durante ou pós-créditosUnusually, for a movie released in the early 1970s, there are no opening credits after the title has been shown.
- ConexõesEdited into O Show Não Pode Parar (2002)
- Trilhas sonorasConcerto No. 3 in D Major
Written by Johann Sebastian Bach (as J.S. Bach)
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Historia de amor
- Locações de filme
- 119 Oxford Street, Cambridge, Massachusetts, EUA(Oliver and Jenny's rented apartment)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 106.550.690
- Fim de semana de estreia nos EUA e Canadá
- US$ 87.198
- 9 de fev. de 2020
- Faturamento bruto mundial
- US$ 106.550.690
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What is the streaming release date of Love Story: Uma História de Amor (1970) in Australia?
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