AVALIAÇÃO DA IMDb
5,9/10
1,6 mil
SUA AVALIAÇÃO
Uma história de dois motociclistas, o Little Fauss, inepto e desavisado, e o mulherengo Halsey Knox.Uma história de dois motociclistas, o Little Fauss, inepto e desavisado, e o mulherengo Halsey Knox.Uma história de dois motociclistas, o Little Fauss, inepto e desavisado, e o mulherengo Halsey Knox.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 indicações no total
Noah Beery Jr.
- Seally Fauss
- (as Noah Beery)
Ben Archibek
- Rick Nifty
- (as Benjamin Archibek)
Sharmagne Leland-St. John
- Marcy
- (não creditado)
Erick Vinther
- Motorcycle rider #1
- (não creditado)
Beverly Yissar
- Short Spectator
- (não creditado)
Avaliações em destaque
I just got this movie on Blu ray from Blu ray.com/amazon and it looks fantastic! For a low budget movie in 1970, the transfer is amazing, crystal clear and the audio is great. It's funny because Redford wears sun glasses in about 60% of the film and you can see the reflection of the movie lights and even film crew in a number of scenes. You'd think they would have noticed this when filming. The movie isn't the greatest, but it is a cult classic. It's weird seeing Redford playing such a jerk of a character. He was actually really good at it in this movie. I found it interesting that Redford and Michael Pollard couldn't stand each other while filming this movie. I wonder what caused it?
This was a great movie if you were a kid growing up around motorcycle racing. I was just 14 when this movie came out. I went to the theater to see it because I had heard it was about motorcycle racing. It was great! It captured the eccentric attitude of racers in general and was really very accurate as to the characters one could find in AMA racing. "On Any Sunday"! We would trailer our bikes all over the northeast to any race we could find. Enduros, motocross, flat-track, scrambles... whatever was going on, we'd go! Change tires, fenders, or what ever we needed to do to the bikes and take off. Great movie and great times! when you were involved with the racing scene, you got to know the other regulars that would show up at the various races and there were the personalities found in the movie. Every one knew a Halsey! Most of us were more Fauss, however. we were more interested in riding and tuning than partying and chasing skirts! This movie is one of the only movies I actually searched for and purchased just so I would have it as the years go by.
Saw this in the drive-in back in '71 and thought it was pretty good! Saw it again on Speedvisions "Lost Drive-in" some time ago but some of the scenes were "edited for TV". I don't believe it was ever released on video...too bad!
ROBERT REDFORD plays 'hunk' Halsy Knox, who demands and receives everything he desires except his self-respect. A God-given talent at motocross racing becomes his albatross in his quest to achieve what he believes is his destiny. Along the way are numerous characters of this hobby/religion's entourage including a gear-head named 'Little' (MICHAEL J. POLLARD). They all accommodate his every whim based on his good looks, charm and 'somewhat winning' first impression. It's not until later that an observant witness realizes that he has been duped by a 'con-man without a con' in Halsy's mission to nowhere.
Lots of motorcycle racing action and 60's introspective brings this one up to cult status. Redford is absolutely gorgeous in his appearance/role as a cad. Seems one-half the film has him bare chested! A goodly amount of nudity abounds (full-frontal LAUREN HUTTON, etc.) and if '70's film-liberalism disturbs you then I recommend Olsen twins films.
A GREAT soundtrack with songs by JOHNNY CASH and the TENNESSEE THREE, & CARL PERKINS! Some of the music was written by BOB Dylan.
Filmed on location in Antelope Valley, Ca, Sonoma County, Ca and Sears Point Raceway in San Francisco.
Postscript: "I have seen this film about ten times now and it ALWAYS leaves me thinking about it for days. RR chews up the scenery and gives a bravura performance as Halsy as he stretches his interpretation of the cad to subtle brilliance!"
Lots of motorcycle racing action and 60's introspective brings this one up to cult status. Redford is absolutely gorgeous in his appearance/role as a cad. Seems one-half the film has him bare chested! A goodly amount of nudity abounds (full-frontal LAUREN HUTTON, etc.) and if '70's film-liberalism disturbs you then I recommend Olsen twins films.
A GREAT soundtrack with songs by JOHNNY CASH and the TENNESSEE THREE, & CARL PERKINS! Some of the music was written by BOB Dylan.
Filmed on location in Antelope Valley, Ca, Sonoma County, Ca and Sears Point Raceway in San Francisco.
Postscript: "I have seen this film about ten times now and it ALWAYS leaves me thinking about it for days. RR chews up the scenery and gives a bravura performance as Halsy as he stretches his interpretation of the cad to subtle brilliance!"
When Alex Cox used to present the BBC's cult film strand Moviedrome. He boasted that you will not find films from the likes of Robert Redford here.
Little Fauss and Big Halsy would had been tailor made for Moviedrome. It is a cult obscure film. It was made just as Redford was on the cusp of superstardom.
Redford plays Halsy Knox a braggart. A small time womanising motorbike racer and petty crook always looking for his next buck. Halsy can race but he does not have temperament or the mechanical knowledge to be a winner.
Halsy meets Little Fauss (Michael J Pollard) a mechanic who wants to be a racer. He just cannot stay on his bike when he goes fast. His parents are oafs and Fauss is shy with a child like innocence. He has no friends.
Fauss hooks up with Halsy, he tunes his bikes and Halsy races, they even make some money. Fauss soon sees through Halsy's tall tales and his womanising. Halsy always hooks up with a floozy who hangs around the races.
Fauss is upset when Rita Nebraska (Lauren Hutton) who came across them running totally naked before a race, falls for Halsy even though she is aware that he is shallow and unreliable.
There is an element of the counterculture in this movie. There are several songs from Johnny Cash. There is full frontal nudity. It is an atypical Redford film, he is a chancer with no redeeming features. He appears half naked for most of the movie, shirtless and showing a long scar on his back.
There are hints of homoeroticism. One male photographer at the beginning of the movie is more interested in photographing Halsy's bronzed torso.
Fauss grows up as a person with his time with Halsy. He becomes a better racer and he also gets to have sex with one of Halsy's cast offs. He also tries to leave them in the same way as Halsy by sneaking away early in the morning.
The main difference is Fauss still remains a better person. This comes up when he talks about being drafted to the army, Halsy then reveals how he got his scar on his back.
Little Fauss and Big Halsy is a small scale character piece and part road movie. Robert Redford was interested in flawed people. A year before this he played an Olympic skier in Downhill Racer. His character was selfish who was only interested in winning gold.
In The Great Waldo Pepper made in 1975, Redford played a stunt pilot who told tall tales of his exploits in World War One. The box office failure of that film meant that Redford stuck with mainly heroic parts. Only as director would he examine the darker side of the American dream.
Director Sidney J Furie has made an offbeat and meandering look at Americana. The script is too thin and also predictable. Furie pumps it up with the race scenes.
Little Fauss and Big Halsy would had been tailor made for Moviedrome. It is a cult obscure film. It was made just as Redford was on the cusp of superstardom.
Redford plays Halsy Knox a braggart. A small time womanising motorbike racer and petty crook always looking for his next buck. Halsy can race but he does not have temperament or the mechanical knowledge to be a winner.
Halsy meets Little Fauss (Michael J Pollard) a mechanic who wants to be a racer. He just cannot stay on his bike when he goes fast. His parents are oafs and Fauss is shy with a child like innocence. He has no friends.
Fauss hooks up with Halsy, he tunes his bikes and Halsy races, they even make some money. Fauss soon sees through Halsy's tall tales and his womanising. Halsy always hooks up with a floozy who hangs around the races.
Fauss is upset when Rita Nebraska (Lauren Hutton) who came across them running totally naked before a race, falls for Halsy even though she is aware that he is shallow and unreliable.
There is an element of the counterculture in this movie. There are several songs from Johnny Cash. There is full frontal nudity. It is an atypical Redford film, he is a chancer with no redeeming features. He appears half naked for most of the movie, shirtless and showing a long scar on his back.
There are hints of homoeroticism. One male photographer at the beginning of the movie is more interested in photographing Halsy's bronzed torso.
Fauss grows up as a person with his time with Halsy. He becomes a better racer and he also gets to have sex with one of Halsy's cast offs. He also tries to leave them in the same way as Halsy by sneaking away early in the morning.
The main difference is Fauss still remains a better person. This comes up when he talks about being drafted to the army, Halsy then reveals how he got his scar on his back.
Little Fauss and Big Halsy is a small scale character piece and part road movie. Robert Redford was interested in flawed people. A year before this he played an Olympic skier in Downhill Racer. His character was selfish who was only interested in winning gold.
In The Great Waldo Pepper made in 1975, Redford played a stunt pilot who told tall tales of his exploits in World War One. The box office failure of that film meant that Redford stuck with mainly heroic parts. Only as director would he examine the darker side of the American dream.
Director Sidney J Furie has made an offbeat and meandering look at Americana. The script is too thin and also predictable. Furie pumps it up with the race scenes.
Você sabia?
- CuriosidadesIn Robert Redford's biography, he called Little Fauss and Big Halsy "the best script of any film I've ever done." He was, however, somewhat less than thrilled with the film when it did not live up to its expectations at the box-office. However, when the film premiered on television around the time Redford was shooting Todos os Homens do Presidente (1976), he confided in Alan J. Pakula that he resented its television broadcast because, after years of successful films, he was less than enthusiastic about Little Fauss and Big Halsy, which he considered a stain on his filmography. Pakula told Redford that the film showcases one of the best performances the star had ever given, stating that his performance in it was "the last unself-conscious revelation of the actor's real-life edge." The film is also Redford's son Jamie's favorite of all his father's films.
- Erros de gravaçãoWhen they are broken down and they are chatting at the back of the pickup, they are shown in profile with Halsey in the background. Past Halsey, deeper in the background, there is a constant stream of vehicles on what is obviously a major thoroughfare. Then the camera pans to a long shot showing them sitting in the rain. This long shot also shows the surrounding countryside and they are on an isolated dirt road with no major thoroughfare around.
- Citações
Little Fauss: I was going faster than I ever went in my whole life, then I fell off.
- Trilhas sonorasRollin' Free
Composed and Sung by Johnny Cash
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