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6,8/10
1,3 mil
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Adicionar um enredo no seu idiomaA successful African American businessman has a quarrel with a white policeman, suspecting that he is having an affair with his wife. The policeman's colleagues are seeking to avoid publicit... Ler tudoA successful African American businessman has a quarrel with a white policeman, suspecting that he is having an affair with his wife. The policeman's colleagues are seeking to avoid publicity.A successful African American businessman has a quarrel with a white policeman, suspecting that he is having an affair with his wife. The policeman's colleagues are seeking to avoid publicity.
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Joseph Attles
- Henry
- (as Joe Attles)
Avaliações em destaque
"The Liberation of L. B. Jones" is a feel-bad movie that is worth seeing...provided you aren't already seriously depressed. If you are, try watching something fun, as "The Liberation" is where fun goes to die!
The story is set in Tennessee and racism in this county is rampant. You will probably never find a movie that uses the 'n' word more...which I appreciate because it just shows how ugly racism is. The cops are evil perverters of women and justice and the place is NOT a place any black person would enjoy visiting...as they certainly would not have been welcome.
L. B. Jones happens to be the richest black man in the county and he is having problems with his wife. She's carrying on an affair with one of the cops and he's sick of it and wants a divorce. He seeks the help of a local lawyer (Lee J. Cobb) who at first refuses to take the case. But when his idealistic son-in-law shames him into taking it, he agrees...and spends much of the rest of the film perpetrating evil along with the local police department. What exactly did they do? See the film...but it certainly ain't nice!
The film came out after quite a few other race films had debuted and just before the big blacksploitation craze...so the timing was excellent. The film is brutal in the way it shows racism, as it's unflinching and will make you sick as you watch. This is a good thing...but a painful thing to see and hear. Well worth your time.
The story is set in Tennessee and racism in this county is rampant. You will probably never find a movie that uses the 'n' word more...which I appreciate because it just shows how ugly racism is. The cops are evil perverters of women and justice and the place is NOT a place any black person would enjoy visiting...as they certainly would not have been welcome.
L. B. Jones happens to be the richest black man in the county and he is having problems with his wife. She's carrying on an affair with one of the cops and he's sick of it and wants a divorce. He seeks the help of a local lawyer (Lee J. Cobb) who at first refuses to take the case. But when his idealistic son-in-law shames him into taking it, he agrees...and spends much of the rest of the film perpetrating evil along with the local police department. What exactly did they do? See the film...but it certainly ain't nice!
The film came out after quite a few other race films had debuted and just before the big blacksploitation craze...so the timing was excellent. The film is brutal in the way it shows racism, as it's unflinching and will make you sick as you watch. This is a good thing...but a painful thing to see and hear. Well worth your time.
The Liberation of L. B. Jones (1970) is currently available on Tubi. The storyline involves a black couple going through a divorce when the man discovers his wife is cheating on him with a local white police officer. When the woman hires a lawyer and threatens to fight the divorce, the police officer is informed the nature of their relationship may become public. Since white and black people sleeping together is heavily frowned upon the police officer could lose his job. He quickly goes on a rampage beating his lover and trying to hide the nature of their relationship by any means necessary. This movie is directed by William Wyler (Ben-Hur) and stars Lee J. Cobb (12 Angry Men), Lola Falana (The Klansman), Lee Majors (The Six Million Dollar Man), Roscoe Lee Browne (Logan's Run) and Yaphet Kotto (Alien). The storyline for this is very well told and portrayed. The ex-husband's patience was absolutely unbelievable, but so was his wife's ruthlesness. This movie in some ways gave me divorce PTSD. I loved the character interactions across the board and the set-up by the ruthless and dirty police officers was good, which makes the ending even more enjoyable. Overall this is a smart movie with a well told storyline I would strongly recommend seeing. I'd score this a solid 7.5/10.
This is a sad film about personal weaknesses. The storyline has several weak points too, but on the whole I should think the movie does a great director like William Wyler justice and is still watchable today. There is a certain similarity with the Oscar winning In the Heat of the Night. The screenplay is by the same author, Stirling Silliphant.
The Liberation of L. B. Jones really belongs to the African American cast, the whites' performances do pale in comparison. Roscoe Lee Browne plays the well-to-do undertaker who is cheated by his wife with a white policeman. He gives his character a quiet dignity that lasts throughout the story, up to the bitter and sad end. Yaphet Kotto's portrayal of an angry young man who comes to town with a score to settle is equally intense and convincing. Both Browne and Kotto have a few very good scenes in which they act by themselves. They both seize the chance to give their characters real depth. Lola Falana is convincing as the amoral undertaker's wife and there is a good supporting cast. I fondly remember a small, well acted scene at the beginning with an elderly lady who regularly visits the undertaker's show room to have a look at the coffin for which she pays instalments.
The white population is, it seems to me, much more stereotypical. The only really interesting figure here is the town's most important lawyer, played somewhat stiffly by Lee J. Cobb. He is a racist against his better judgment. His unlawful actions to protect white criminals seem like a reflex, not coming from the brain but rather from the spinal cord.
The Liberation of L. B. Jones really belongs to the African American cast, the whites' performances do pale in comparison. Roscoe Lee Browne plays the well-to-do undertaker who is cheated by his wife with a white policeman. He gives his character a quiet dignity that lasts throughout the story, up to the bitter and sad end. Yaphet Kotto's portrayal of an angry young man who comes to town with a score to settle is equally intense and convincing. Both Browne and Kotto have a few very good scenes in which they act by themselves. They both seize the chance to give their characters real depth. Lola Falana is convincing as the amoral undertaker's wife and there is a good supporting cast. I fondly remember a small, well acted scene at the beginning with an elderly lady who regularly visits the undertaker's show room to have a look at the coffin for which she pays instalments.
The white population is, it seems to me, much more stereotypical. The only really interesting figure here is the town's most important lawyer, played somewhat stiffly by Lee J. Cobb. He is a racist against his better judgment. His unlawful actions to protect white criminals seem like a reflex, not coming from the brain but rather from the spinal cord.
I've read the book liberties & omissions were taken, overall this movie is a true gem no sugar coating here I recommend you watch it & read the book you'll come full circle I guarantee it. I would also add a remake of this wouldn't hurt just too put more flesh on the characters & script it.
In small town Tennessee, Sonny Boy Mosby (Yaphet Kotto) jumps off the train with a pistol. Rich businessman L. B. Jones (Roscoe Lee Browne) is desperate to divorce his wife Emma who is having an affair with white police officer Willie Joe Worth. Emma intends to hold L. B. to ransom before giving him a divorce. Officer Worth wants him to drop the matter entirely. Lawyers Oman Hedgepath (Lee J. Cobb) and his nephew Steve Mundine (Lee Majors) also advise him to let it go. Officers Worth and Bumpas like to brutalize the black community.
This definitely has a feel of "In the Heat of the Night" except the story is messier and less iconic. A bit of simplification would make this more compelling. I know it's based on a book, but most of time, long books need to be chopped down in order to fit into a movie. It also pales in comparison with others of its genre.
This definitely has a feel of "In the Heat of the Night" except the story is messier and less iconic. A bit of simplification would make this more compelling. I know it's based on a book, but most of time, long books need to be chopped down in order to fit into a movie. It also pales in comparison with others of its genre.
Você sabia?
- CuriosidadesFinal film of director William Wyler.
- Citações
Emma Jones: It going be something. I can't let nobody rob my baby and I can't let my baby enter this world without a dime!
- ConexõesFeatured in Classified X (2007)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Liberation of L.B. Jones
- Locações de filme
- Humboldt, Tennessee, EUA(location shooting - used for Somerton, Tenn.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.500.000 (estimativa)
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By what name was A Libertação de L. B. Jones (1970) officially released in India in English?
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