O Joelho de Claire

In "les Liaisons Dangereuses", Isabelle de Merteuil defies Sebastien de Valmont to deflower Cécile de Volanges, a young girl, then to seduce and to reject Marie de Tourvel, a married woman. If he succeeds in accomplishing it, the bounty will be Isabelle herself.

Nothing as harsh in "Le genou de Claire", but there is the similar thematic about a gamble. Jérome (Jean Claude Brialy) meets Aurora (Aurora Cornu), an old friend (lover?). Aurora, a writer, is in search of a new story for a possible novel. She offers Jérome a gamble in the form of a love game ("marivaudage" as we say in French) involving Laura (Beatrice Romand), his neighbors daughter, who is obviously attracted by him, and, later, the Laura's sister Claire (Laurence de Monaghan) whose knee fascinates Jérome.

Unlike "The Dangerous Liaisons", not a single ounce of violence or dramatic events, everything will be just metaphorical: a half-stolen kiss and a stroked knee (and no excessive promised reward from Aurora). "Le Genou de Claire" is a filmed essay about friendship, love, sensuality, desire, fantasies and their incoherences.

As usual with Eric Rohmer, thoughts and emotions have to be said and not just shown, therefore everything is explicitly said by the characters. This is the reason why the Rohmer's movies seem unrealistic and talkative to the unprepared audiences. Some say that Rohmer is a writer who uses a camera instead a pen, but that primacy of the dialog doesn't prevent Rohmer to use the actor's play, the camera, the set's and costumes colors in a very accurate way. In fact, he is a real film director with a very personal style of cinematic language.

The cast: A Jean-Claude Brialy bearded like a pirate plays a charming young diplomat and he delivers his lines with natural ease and a sensual chemistry between him and the beautiful Aurora Cornu (a Romanian poet, novelist, and actress). Unfortunately the Romanian actress doesn't seem at ease with those long lines in French, and, in my humble opinion, she overplays quite a bit.

Beatrice Romand, 18 years old at that time, in her first true part in a movie, plays the 16 yo Laura. She steals the show, the light and the camera, and in view of some mind-blowing shots, for example in the Jérome's room, she seems to have been an obvious delicacy to light up for the great master Néstor Almendros, in charge of the cinematography. When the movie was released in 1970, the French medias became suddenly obsessed for a while by this very young actress, her exotic beauty and riveting charm. The clever and fizzy Béatrice appeared everywhere in the magazines and on the 2 (not more than two in 1970!) channels of the French TV! Then the fame faded away. The industry of entertainment prefers the blonds... The Beatrice's fans (I am a Beatrice's fan!) love Rohmer's "Le Beau Marriage", "Conte d'Automne" and Claude Faraldo's "Themroc", a situationist weird movie.

Laurence de Monaghan, in contrast with the dark haired and milky skinned Beatrice Romand, plays Claire, a tanned blond of cold beauty, in fact a perfect arrogant and stuck-up chick with perfect body, legs and knee, the famous knee, object of Jérome's desire.

For the fans of Fabrice Luccini, his short part as the young Vincent pontificating about girls is a "collector", not to be missed! By the way, still for his fans, not to be missed too there is his hilarious (and sulfurous) part in Walerian Borowczyk's "Contes Immoraux" (Immoral Tales) 2 years later. Keep in mind that "Le Genou de Claire" forms a part of Rohmer's "Contes Moraux" (Moral Tales)...

Time has passed, "Le Genou de Claire" remains amongst the Rohmer's most sensuous movie, and Claire's knee keeps on fascinating.

'Claire's Knee' is arguably the most well-known of Rohmer's films, mainly for the attraction of the young girls in it. The title is a come-on and the heterosexual sheep of the sensation seekers follow. It is a clever ploy, but it is not only the girls that the camera lingers over. What of the young men, equally in a state of almost permanent tight swimsuits? When we first see a hand placed on Claire's knee, it is so filmed that we see a double-eroticism: the crotch of the beautiful Gerard Falconetti, as well as Claire. There is a bisexuality of image. And despite famous critics always talking of the girls and women in Rohmer's films, what of the young men in such films as 'Pauline at the Beach', 'The Aviator's wife' , 'My Girlfriend's Boyfriend', 'A Summer's Tale' and 'Full Moon in Paris' where one of his sexiest youths is pivotal to the ending of the film?

All are beautiful young men, and visual proof alone shows that Rohmer chose them as equally for their beauty as the women. As for showing more mature men as sexually attractive beings, they can be seen in many other of his films. I have said recently that Rohmer is my favourite director, and he rarely disappoints. But to return to 'Claire's Knee'. I read the film as a fiction within a fiction. A female author (excellent Aurora Cornu) uses in her way the ambiguous guest played well by Jean Claude-Brialy to find her a story. And once the story of various flirtations and semi-seductions is achieved the film draws to a close. She has her scenario, but Brialy in a scene near the end with a mountain storm breaking, attempts to destroy Claire's love for the young man played by Gerard Falconetti. This is the strongest scene for me in its Laclos-like 'perversity' in reducing her to tears so as to achieve his erotic goal. It is here that we wonder if the whole scenario has been built on questionable truths, and that what people say is certainly not what they are thinking. How much do we create fictions for others? Rohmer, with a light touch and with images bathed in natural beauty (this time by Lake Annecy) seduces us into questioning how much we are self-created fictions. A great film to be watched countless times.

This is one of the best movies of Rohmer's earlier series of moral tales. The movie wonderfully depicts the complicated relatioship between the hero and his desires, represented by Claire, and the reality of Claire's younger sister, who as masterfully played by Beatrice Romand. This is a wonderful comedy of manners, in which we can laugh at all the characters, how in their attempts to fool others, they only fool themselves. Rohmer has intricately plotted every action, I enjoyed every moment of the film.

Well, I came across this movie while reading Roger Ebert's Awake in the dark and thankfully was able to get a chance to get a hold of Éric Rohmer's masterpiece Claire's Knee. I hadn't read Ebert's review (usually I watch a movie before going through the reviews) so was not sure what was I going into - haven't watched any trailer as well so I was not sure what this would be about, but with my experience with foreign movies I was sure it would be good and I guessed by the name that it suggested something like Lolita or many other movies based on such abnormal (sometimes immoral) desires.

So, when you start with the movie you are somewhat aware where this is going - the expected storyline basis the title- but soon comes to these well-performed characters and while getting engrossed in the discussions between characters on love, choices, life, etc. you get more understanding on the way each of them sees the world - what they desire? what they like? and why they do so? The great part with such discussion was that first, it didn't go into a preachy tone- that x is right and y is not, each of them had their views which they justified by their past or by their behavior - it reminded me of the Before trilogy and, second, while listening to such great lines, one start thinking and contemplating of one's own stand on the topic of love, moral & desires.

There is a scene where the protagonist talks about a notion where he as a person do not have desires on the beauty aspect of women but because of a character his friends ask him to play, he started thinking like that character, and somewhere knowingly or unknowingly he too as a person starts to have those desires. The beauty of this notion is that this happens to the viewer as well, you don't look at claire's knee or her in that sense- but because the movie tells you that this is important - this is beautiful - and to be desired you look for it in that passionate way. You too, play the character in the movie.

one of the most beautiful movie by Rohmer. when I saw this film for the first time i was in Brasil (Saao Paulo) and the movie was whistled at the end of the performance by the assistance. In fact, I found the movie a little bit ridiculous and native. i reviewed this movie on TV, a few years later, in France, and was then enthusiastic. I've since become a fan of Rohmer and I've seen nearly all of his films.