Conto de Outono

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And he knows how to write dialogue that is revealing, engaging and realistic, no small feat; and it is perhaps this talent more than anything else that has made Eric Rohmer the great director that he is. Here uses France's Cotes du Rhone wine country as a backdrop and symbol to help him explore not only autumn love, but the enduring friendship of two very different women. Isabelle (Maire Revière) is an elegant, tall, fair haired, blue-eyed haute bourgeoisie and her friend Magali (Beatrice Romand) is a short, earthy, dark-haired petite winemaker originally from Tunisia. Isabelle is happily married; Magali is divorced. They are both forty-something.

Isabelle's daughter is to be married. But the focus of the film is not on the bride and groom, but on the older generation, on Isabelle and Magali. In this way Rohmer combines the warm and enchantment of the celebration of autumn life, when the grapes are ripe for harvest, when love has its last chance, when Dionysus has his festival, when the heat of summer is over and we are ready to reflect and realize what is really important before it's too late.

Isabelle feels this strongly and wants her friend to find happiness before another winter comes. But Magali, because of the vineyard, doesn't have much of an opportunity to meet men, although she allows that she would like to. She is at that delicate age when one can try again or shrug it off. Isabelle intervenes by going to a dating service and placing an ad. She meets Gerald (Alain Libolt) and they have lunch (she insists on lunch) two or three times and she evaluates him. He is modest, somewhat suave and amazingly diplomatic. They share a certain attraction.

Meanwhile, Rosine (Alexia Portal) who is dating Magali's son and who is very close to Magali, perhaps more so that she is to her son, also wants to find a mate for Magali. She proposes her philosophy professor, Etienne (Didier Sandre), who is in fact sweet on her. He is the kind of man who, as Magali observes, likes them younger as he grows older. But maybe she will be the exception. Maybe he will finally grow up. Both arrange for their choices to meet Magali at the wedding.

As usual Rohmer explores humanity and how we relate to one another, and finds both love and a kind of sweetness that is liable to bring us to tears.

The resolution of the film is followed by a most endearing anticlimax in which there is a dance of joy.

It is autumn in the Rhone valley and grapes are being harvested. Magali (Beatrice Romand), the owner of a small vineyard inherited from her parents, lives alone and attends to her vineyard with the same care she gives to her frizzy black hair. She tells her best friend Isabelle (Marie Riviére), a librarian, that she has no interest in meeting men. "At my age," she says, "it's easier to find buried treasure." Isabelle, however, has her own ideas on the subject and takes out an ad in the local paper to find a suitable partner for her friend. Winner of won the award for Best Screenplay at the Venice Film Festival, Eric Rohmer's An Autumn Tale, the final film in his Four Seasons series, is about matchmaking but this time it is about the need for companionship of older women with grown children.

Like many Rohmer films, a complex web of events and relationships arise from seemingly simple acts of friendship. Isabelle meets Gérald (Alain Libolt), a courteous and laid back salesman through her ad and goes to lunch with him a few times enjoying the idea that she can be still be seductive. After toying with the notion of keeping him for herself, she finally confesses that she is happily married and the whole seduction routine was simply a ploy to introduce him to her best friend Magali. The situation becomes further complicated by the desires of Rosine (Alexia Portal), her son Leo's (Stephane Damon) girlfriend, to set her up with her ex boyfriend Etienne (Diedier Sandre) a philosophy teacher with a penchant for younger women.

Unaware of the others matchmaking efforts, in a true Shakespearean twist, both Gerard and Etienne are invited to the wedding reception for Isabelle's daughter Emilia (Arelia Alcais) and the way it works itself out is delightful to observe. None of this of course unfolds according to plan but the beauty of the film is not the plot but the gradual development of complex three-dimensional characters through typically Rohmerian intelligent and witty dialogue. An Autumn Tale, though it contains some fanciful romantic intrigue, unfolds in a spirit of playful adventure, without guile or mean-spiritedness. Like the conclusion of Lindsay Anderson's O Lucky Man, we smile for no reason and Rohmer leaves us with a dance of joy and a final song: "If life is a journey, we hope your weather's fair, wild flowers are green and blue, travel safely, all of you".

Eric Rohmer is very well known all around the world; He was one of the directors who formed the French New Wave in the late 50's - early 60's, but after that he found his own path. The path he went through with more determination than anyone. Autumn Tale is the last film of his last series: The Tales of The Four Seasons. Before this series of four he made two series of six films; The Moral Tales and Comedies & Proverbs. Autumn Tale is a very beautiful film cinematographically as it is narratively, from the 78-year-old master.

Through his whole career, Eric Rohmer had the ability of making much from little ingredients. His films always had a low-budget, he often used the same cast & crew for his own production company Les Films du Losange. He never worked with mainstream actors/actresses and he used real filming locations with his own scripts.

Eric Rohmer always tried to reach to as realistic dialog as possible. He sometimes recorded his actresses' discussions on their free time, to get to know the way, that certain aged people talked in the time. Rohmer usually wrote the dialogs himself, but it many have told that much had been left on the level of improvisation.

Autumn Tale is about two women, who have been best friends for decades; Isabelle (Marie Rivière) and Magali (Béatrice Romand). Magali, a widow, has isolated in her countryside house where she works as a wine producer. She has given up hope in finding new love. Her friend Isabelle has been married for 25 years and wants to help Magali. This is the basic plot the film builds around, on misunderstandings and coincidences.

Because Rohmer wrote a lot of surveys, articles and books about the state of film, one shouldn't watch his films without paying attention to this. Autumn Tale is about wine harvest, this can easily be reflected to the plot. The characters live in a beautiful countryside town, which landscapes they adore. But all of them are aware and keep an eye on the modernization of it. This reflects to Magali's way of respecting the old ways of wine production.

Autumn Tale is a beautiful story of friendship, loneliness, searching and finding the love and joy in one's life. An interesting perspective on this story is to compare it with Rohmer's earlier films. As I mentioned earlier he often used the same actresses and the thing why one can compare these characters with others is because they are very much alike. Marie Riviere (Isabelle) plays similar roles in Eric Rohmer's The Aviator's Wife (1980) and The Green Ray (1986). Then Beatrice Roman (Magali) in Claire's Knee (1970) and Wonderful Marriage (1981). What makes these characters similar is that they all are looking for men. For something new in their lives.

Even that Eric Rohmer did some films in the 21st century it's quite interesting to watch Autumn Tale as a reflection of his career. Since it is his last film in the 20th century. Thank you for reading and I hope you'll enjoy Autumn Tale, a beautiful film about harvesting and finding something new.

Lovely, like all of Rohmer's seasonal films. I discovered them very recently, but I was living in France around this time and I think this film is such a fantastic representation of the end of the '90s in rural France, and it hasn't changed a lot as I still go back to the vineyard region, and this captures the whole spirit and the kind of people you meet there beautifully. I always think Rohmer's films feel extremely real, all the people in them are very authentic and I like the way that, as usual, he explores the places in between the very stark relationships portrayed by Hollywood. If anybody has ever captured real France, then it's in this film. And it's so refreshing to just enjoy a film that feels like a very natural vignette, I wouldn't have minded even less of a romantic plot, it's just nice to be with these characters for a few afternoons and evenings in the middle of nowhere.

This one filled me with so much joy, a fellow viewer asked me to stay still on my chair. Last time I felt like it, I was watching Rear window. Beside, you get to see France grape farm in fall and 45 year old actress who played in other Rohmer flicks as teens and young adults. Just as long-lost friends who are going through same life cycle as I, the viewer. Probably the last of elderly Rohmer flick. Last scene during end-titles feels like a farewell to his public. I'll miss your flicks Eric. Thanks for everything.