Oliver Cromwell, O Homem de Ferro, não pode mais tolerar as políticas do rei Charles e o interesse próprio da classe dominante e lidera uma guerra civil, para instalar o Parlamento como o go... Ler tudoOliver Cromwell, O Homem de Ferro, não pode mais tolerar as políticas do rei Charles e o interesse próprio da classe dominante e lidera uma guerra civil, para instalar o Parlamento como o governante supremo da Inglaterra.Oliver Cromwell, O Homem de Ferro, não pode mais tolerar as políticas do rei Charles e o interesse próprio da classe dominante e lidera uma guerra civil, para instalar o Parlamento como o governante supremo da Inglaterra.
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- Ganhou 1 Oscar
- 2 vitórias e 5 indicações no total
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The Civil War was not a conflict over religion, although it played it's part. It was about "the divine right of kings", against the governance of, by and for the people, i.e. Rex v Parliament. Divided loyalties and opinions were split right across the board.
The capital charges of treason brought against the king was, to my mind, not altogether trumped up, and had some validity. However it was of course a "show trial", and to bring it about the laws had to be changed rapidly. There was no edict at the time that allowed anyone to put a monarch on trial. Issac Dorislaus (a Dutch lawyer) came to the rescue of Parliament. He wrote an order that would enable it to set up the court. This order was based on an old Roman law which stated that a military body (in this case the Parliamentary forces) could legally overthrow a tyrant. Naturally Charles I did not agree, either to this law, or that he was a tyrant. He was still the King, still the Head of State, and as such, above the law. He could do as he wished, and was answerable only to God. For him it was an unfortunate way of looking at things.
The casting of this movie was extremely well thought out, but with one exception. Cromwell himself. I'm not criticising Richard Harris in any way. He played the role superbly, but I'm sure he didn't have an Irish accent. Also he had some extremely noticeable warts on his face which Richard Harris did not. Had the make-up artists gone on vacation? To his credit Richard overcame this miscasting, and acquitted the characterisation of the brusque, complex, and religiously enigmatic Oliver Cromwell with great fervour and passion, and I doubt if anyone else could have done it any better.
On the subject of accents, I wonder whether or not the Scottish accent adopted by Alec Guinness was apt. As Charles I left Scotland at the age of 4, and lived in England until his death, surely he would have cultivated an English one? True he had a Scottish tutor, but I'm still left to wonder. Perhaps someone could set me right.
(Just as a byline, I find it curious that Richard Harris, being an Irishman, accepted the part. In the greater part of Ireland the very name of Oliver Cromwell is loathed and reviled, and for good reason, so it says much for Harris's devotion to the acting profession that he actually did.) Being a musician, I was highly amused at seeing (and hearing) bugles played on horseback during a 17th century battle, reminiscent of the US 7th cavalry. Such instruments weren't developed to such an advanced stage until late into the following century (the 18th).
As another reviewer has noted, Cromwell was certainly not one of the "Five Members" who were to be removed from the House and arrested. These were: John Pym, John Hampden, Denzil Holles, Sir Arthur Haselrig and William Strode. A sixth man, Lord Mandeville (the future Earl of Manchester) was also to be taken.
There are quite a few more historical mistakes and omissions on which other reviewers have remarked, and I don't intend to repeat them. But in defence of the producers it must be said that "The English Civil War" was a momentous stage in British, perhaps even world history, and to illustrate it all in a couple of hours is impossible. Much as Shakespeare, when writing "Henry V", managed on a small stage to capture the flavour of Agincourt and events leading up to it, so this production coped well with a similar task on film. Therefore if certain liberties were taken, and artistic licence used, I think they can, in this case, be excused. Should it have encouraged one student to scuttle towards the history books (or now websites), to learn more about the whole period, then I would say it was a job well done.
Spectacular historical melodrama with magnificent acting , wonderful locations , glamorous gowns and attention to period detail . In the movie there are historic events , intense drama, and Richard Harris as well as Alec Guinness give excellent performances , though Harris as a coldly unsympathetic Briton is usually shouting and overacting . Great acting by secondary players : Frank Finlay , Patrick McGee ,Dorothy Tutin, Robert Morley , Geoffrey Keen, Timothy Dalton , Michael Jayston , Douglas Wilmer , Charles Gray , among others . The film is a bit boring for parliament speeches but in the battles (Naseby 1645) is more entertaining , being splendidly staged . The final version of Cromwell at one stage was 180 minutes long, but it was cut down to 141 minutes, deleting a number of featured roles in the process .
The film is appropriately atmospheric and based on real deeds . First-class production design and sets by John Stoll are outstanding , including Oscar winning costume design by Novarese . In fact , close to 5.000 costumes were made , and 17.0000 separate ítems or props found or realized . Heavy make-up was utilized ; in addtion , thousands of wigs from all around the world. Glowing cinematography in Panavision by Geoffrey Unsworth and evocative as well as rousing musical score by Frank Cordell . Good direction by Ken Hughes . The motion picture will appeal to history's buffs . Rating: 7,5/10 , above average .
However, putting that to one side, the film version of Cromwell's growing involvement in the War is marginally accurate and well done. Richard Harris, as Cromwell, makes a decent effort although I do feel he makes too much of a theatrical job with the role, with far too much posturing, self-smugness, and above all shouting....
I can understand his unhappiness at the Royalists encroachment of the Common People's liberties; and I can understand him fully remonstrating his feelings in the House of Commons, but Harris seems to shout in nearly every scene. So much so that by the end of the movie he is struggling for breath.
Conversely, Alec Guiness's Charles I is far more intelligently done. Underplayed yet convincing & too some extents we feel more sympathetic to his plight. After all he has a rather scheming Cathloic French Queen, the Catholic Church and a lot of other distractions to occupy his mind and usurp his powers.
The battle scenes are convincing but don't carry the same kind of savagery than the more prosaic Braveheart. But the supporting characters do a good job and add a more rounded feel from Harris' turgid performance.
The directing blows hot & cold, sometimes the story drifts & meanders before pulling back into sharp focus; while the choreography is sweeping & rich in content. The musical score, however, seems tacky & amateurish, lacking any depth in conjunction with what's going on in the film.
However, for all its faults and historical inaccuracies, we do get a slightly better insight into a rather grim & dark chapter in England's turbulent history.
Cromwell is a good film but should be taken with a large pinch of salt as far as retelling history is concerned.
***/*****
Such a career deserves a careful movie. CROMWELL is not that film. It does do well in showing King Charles I (Alec Guinness) as a untrustworthy individual (though one driven to such actions because of his need to maintain his rights as monarch). It does make one serious howler regarding Charles I and his trial for treason. Charles may have been a liar and betrayer at times - but Sir Edward Hyde (who was a leading supporter of his, and would be a statesman in his son's reign and the father-in-law of the future James II) did not testify at Charles's trial as a witness for the prosecution.
Such glaring errors are frequent in the movie (for example, Prince Rupert was not dismissed so callously by his uncle King Charles - Rupert was a very fine cavalry leader, and would remain a fixture in English society when Charles II was restored). The subtle acting of Guinness is not matched by Harris, who rants and raves throughout the film - even in the closing moments talking about his intentions to create better schools and laws. Charles and Cromwell are two fascinating characters, and both deserve a better film than this as the sole film about the English Civil Wars (except for Vincent Price's THE CONQUEROR WORM) to come out.
I also feel that for a film to be educational and informative it has to be accurate and unfortunately Cromwell is never going to win any awards in the 'what really happened' category.
Despite these inaccuracies, the film does give us a general idea of what went on in the England of the 1640's so it still has the power to be enjoyable.
Alec Guinness steals the entire film with the only accurate portrayal in the movie as Charles I. The stuttering Scot who believes in the divine right of Kings. A man who looks upon Parliament as a challenge to his authority over the people, and a head of a protestant state wrestling with his own strong catholic leanings and sympathies.
Richard Harris is outstanding and brilliant, but portrays Cromwell as someone he most certainly wasn't. As an Irishman, it amazes me what ever persuaded him to take on the role. With Cromwell being the most hated Englishman in Irish history, I was surprised he didn't portray him as an evil oppressor and murderer complete with handlebar moustache, top-hat and cape accompanied by Hammond organs and loud hissing sounds from the audience.
Instead Harris' Cromwell is so nice and decent, honourable and just that by movies end he would have been welcomed at any dining table in County Cork.
Cromwell's belief was that Parliament runs the country and the people run the Parliament (reminder for Tony Blair!!!) The system we have today. However during his time as head of a republic state, he seemed to have forgot this and went his own way on nearly everything despite what the people wanted (remind you of anyone Tony Blair!!!)
So again inaccuracies rain on what is on the whole a very good parade.
The battle scenes also fail to excite as they are not filmed on the dramatic scale needed to have done them justice. In fact sometimes they are reminisent of Monty Python's reenactment of the Battle of Pearl Harbour by the Batley Towns-women's Guild.
Watch this film and enjoy it as I did, but I beg of you, don't use it as a basis for a factual thesis in your History Degree...you will fail big time.
Você sabia?
- CuriosidadesWhen writer / director Ken Hughes said to Richard Harris that no self-respecting Irishman should ever play Oliver Cromwell, Harris laughed.
- Erros de gravaçãoCromwell was not one of the Members of Parliament named for arrest in the King's warrant. Cromwell was not present in Parliament at the time the King and his troops entered the House of Commons. The scene of he alluding that The King is a traitor actually happened with John Elliott some ten years prior.
- Citações
King Charles: I do swear that hold this England and its laws dearer to my heart than any here. But gentlemen, if you would reduce me to a figurehead - a puppet king, manipulated by parliament - how then would I serve my country? What manner of king would I be?
Oliver Cromwell: I am persuaded, Your Majesty, that England must move forward to a more enlightened form of government, based upon a true representation of a free people. Such an institution is known as... "democracy", sir.
King Charles: Democracy, Mister...
Oliver Cromwell: Cromwell, sir.
King Charles: Democracy, Mister Cromwell, was a Greek drollery based on the foolish notion that there are extraordinary possibilities in very ordinary people.
Oliver Cromwell: It is the ordinary people, my lord, who would most readily lay down their lives in defense of your realm. It is simply that "being ordinary", they would prefer to be asked - and not told.
- ConexõesFeatured in 52nd Annual Academy Awards (1980)
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- £ 3.750.000 (estimativa)
- Tempo de duração2 horas 19 minutos