Um Doido Genial

Paul Mazursky co-wrote and directed this self-indulgent, though rarely boring, chronicle of an emerging movie director's quest to find a relevant, honest subject for his second picture. With reality and fantasy intermingling (often with a heavy hand), Mazursky is able to try out different filmmaking styles and techniques--some bold and some pretentious. This approach turns the picture into a series of vignettes, not all of which hold together, however there are wonderful individual moments amongst the dross. Donald Sutherland has a magical chance meeting with Jeanne Moreau in front of a book store, and there's an elaborate, surreal scene of war on Hollywood Boulevard (as seen through the jaundiced eye of a movie camera). A prickly bit of overstated authority on the U.S./Mexico border (with Sutherland singled out possibly because of his long hair and beard) is still topical today, however the circus folk and hippie longueurs probably looked embarrassing and dated only a year or so after the movie was released. An excursion to Rome seems included only to get a Federico Fellini cameo in the movie (Mazursky emulates Fellini's "8½" throughout, however the director's bit part is a gambit that fails to pay off). Everyday scenes of family life (house hunting, grocery shopping, etc.) are handled far too lackadaisically, although the depiction of Hollywood, California circa 1970 (wherein the Old Regime has been replaced with the avant garde New Wave) has a pointed preciseness which makes "Alex in Wonderland" an occasionally bracing document of its era. ** from ****

This is definately not for everybody. I found this really interesting and since I started combining forces of cable TV with IMDB I discover really nice films. After all THERE ARE nice, different & interesting american films, even in the seventies!

Anyway, this movie is not for people who like one-dimentional films. This is both serious and funny, both tragic and amusing. Even if its not too slow, it won't appeal to those who like it fast.

Basicly it's about an intelligent director who is starting to lose it a bit. This is depicted in a most realistic way. I dont know what it has in common with Fellini's 8-IN-1, as I havent seen it. Anyway ALEX IN WONDERLAND implies a straight effect of 8-IN-1 on it.

The dialog is the strongest about this one and people on stupid action films or those who dont like a dialog based flick wont find anything in this one.

"Alex in Wonderland" is an absolutely different kind of film.It is one of those American films which talks about film making albeit in a very superficial manner.This is one of the few weak spots in the film as its narrative shifts quickly from one philosophical or ideological stance to another.This film can also be termed as Alex's adventures in wonderland as its eponymous protagonist film director Alex tries really hard to strike a fine balance between his professional and personal lives.Director Paul Mazursky is able to make his film appear a serious experience for a débutant film director by ensuring that there is absolutely no coherent link between two phases of a director's lives : personal life and professional life.Although Alex's journey in wonderland begins with a truly shocking scene which might be construed as somewhat scandalous by certain prudes,overall story gathers momentum once more pertinent characters are introduced.Paul Mazursky also plays a brief yet important role in this film to make us aware of the fact that not all filmmakers live in wonderland.His film suggests that most film directors live in ordinary surroundings where they try to deal with their strengths and weaknesses in equal measure in order to invigorate their artistic lives.It does not matter if not all viewers would be able to associate themselves with "Alex in Wonderland" and its hidden motives.One thing which can be said is that some serious fans will not be disappointed as they get to see great master of cinema Italian cinema maverick Fellini and French cinema diva Jeanne Moreau.

Made in the aftermath of the sixties - and not without a hint of LSD - this view on the life, times and troubles of a young movie director, is also a must-see commentary on the relations between art and industry, independent film-makers and big-time producers, American cinema and European cinema. Glorious appearances by Federico Fellini (a hard-working man, whom Alex disturbs in Cinecittá while he's editing a TV special) and Jeanne Moreau serve as extra features that will attract every real movie-buff. At the same time, the movie owes much of its intensity (and/or intimacy) to a close-knit cast, where even the director and his wife are listed. And for very good reasons. If you still think at cinema as an adventure in the making, you won't be disappointed by this one.

Alex in Wonderland (1970)

** (out of 4)

Paul Mazursky's second feature has pretty much been forgotten about. It centers on a film director (Donald Sutherland) who scores a hit with his first film and is now struggling to make a follow-up. He has several people pitching him ideas but the director is wanting to do something personal and a film that has something to say. ALEX IN WONDERLAND is pretty much a hippie version of 8 1/2 and I guess it should come as no shock that the highlight of this picture is a cameo by Federico Fellini who plays himself. I think it's pretty obvious that Mazursky was basing this film around his own life since he had just scored his first hit the previous year and I guess this was his attempt to tell people that he wanted to say something important. Self indulgent is something that films get called whenever they try to be smart or pretend they have something to say. Well, sometimes films do have things to say and they come across as a piece of art. When film's say dumb things they become self indulgent, which is exactly what this film is. There are just so many problems with this thing but the biggest one is that we really don't care about the director, his films or his vision of what his films should be about. Nothing that he says is all that interesting and especially when he constantly asks people if they were on an island what three foods would they want. Is that really your great vision? Sutherland gives a good performance in the lead but he really doesn't have to do very much. He pretty much just hides behind his long hair and talks about race or various movie stars. Ellen Burstyn plays his wife and does a nice job but the role doesn't give her too much to do. Besides the Fellini cameo we get another one with Jeanne Moreau, which is strange to say the least. ALEX IN WONDERLAND starts off somewhat entertaining but the more it tries to say something the more boring it gets.