Militares aliados encenam uma incursão ousada a um castelo alpino ocupado pelos alemães, onde esta preso um general americano - mas isto não é tudo o que realmente está a acontecer.Militares aliados encenam uma incursão ousada a um castelo alpino ocupado pelos alemães, onde esta preso um general americano - mas isto não é tudo o que realmente está a acontecer.Militares aliados encenam uma incursão ousada a um castelo alpino ocupado pelos alemães, onde esta preso um general americano - mas isto não é tudo o que realmente está a acontecer.
- Prêmios
- 1 vitória e 3 indicações no total
- German Soldier
- (não creditado)
Avaliações em destaque
It is interesting to see Richard Burton in a role that demands little or no dialogue, especially considering this is a man who has rendered dialogue most exquisitely beautiful by the particular lilt of his voice. In this role he is frank and only speaks when necessary, therefore, seeing as how most of this film is action, he says very little. Some purists would fault Burton for taking a role that seems devoid of the usual acting challenges he appeared to enjoy attacking early in his career, but I disagree. This film is a departure from the normal Burton "oeuvre" and yet he does pull of the role of Major Smith convincingly. One does not expect this man to be either audacious nor flamboyant and Burton, whose very presence suggests a call for histrionics, executes this role quietly.
Now it is well known that Burton was not seeking a challenge by taking on this project, his primary concern was revamping his potency in the box-office by staring in a blockbuster. And he got it. But we cannot fault him for that because he possessed the facility as an actor to pull it off. Burton could be both a dramatic performer and a daring sex symbol. Besides, standing alongside a veritable "tough-guy" like Eastwood, Burton needed to be able to hold his end up because the movie going audience had already identified Eastwood as the quintessential tough guy. Had Burton not been up to the task, this film would not have been a success.
The script is entertaining and has a few notable twists in it, a testament to the skill of screenwriter and adventure novelist Alistair MacClain. Character development is not of particular importance in this story and yet one does come away with a palpable sense of Major Smith, a fact that I again acknowledge is the handywork of Burton, whose presence is auspicious regardless of his role. Overall, this film appears to be able to balance the rhythmic quietude of action while interjecting enough personal flair to make the film memorable and not another futile exercise in on-screen action and viewer instant gratification/escapism. This movie is one of the best in its genre and is worth a good viewing.
We are literally dropped into the action, along with the British/American extraction team shortly after the opening credits. There is only one brief flashback to sketch out the mission details for us, so we gain more narrative information as the movie timeline progresses, just as Clint Eastwood's Lt Schaffer does. Speaking of Eastwood, this was one of 3 films released in 1968, he had major roles in, that really consolidated his accession to the Hollywood "A" list, after he'd made a name for himself in European films. Sharing the lead with Richard Burton was a successful marriage of convenience, as one can't quite imagine Clint pulling off the longish, but necessary expository scenes, such as that around the fire in the Nazi drawing room, quite as well as Burton's Major Smith. That sort of stuff was second nature to the Shakespearian - trained Burton, whilst Eastwood contentedly added to his taciturn, but quietly threatening onscreen persona.
The trademark MacLean twists come thick and fast in the second half of the film, as does the action which ramps up quite a deal, culminating in the extended escape episode from the Schloß Adler, a mountaintop fortress accessible only by cable car or helicopter. And the onscreen action and tensity is only enhanced by Ron Goodwin's well-known soundtrack.
Where Eagles Dare and his follow-up film Kelly's Heroes are the two war films for undoubtedly which director Hutton is most famous. Besides both involving a collaboration with Clint Eastwood, they are generally recognised as being popular modern classics of the genre. Though not necessarily artistically great, they have great entertainment value, which 50 years of time passing, hasn't affected in the least. Definitely worth a look!
Richard Burton charts out of his usual epic and sensitive roles and dons on the mantle of a tough Major. He is ably supported by Clint Eastwood who is impeccable in his little speaking role of of Lt. Schhaffer.
The cinematography and background score catapults the film to new heights. The title music is haunting and remains with you hours after you finishing watching the film.
I feel that maybe a little more deft editing would have enabled the film to be labled as a classic.
The snowy backdrop is perfectly captured. The action sequences (of which there are many) are brilliantly staged, especially the fight atop the cable car, and the bus chase at the end. Each character is well cast, with Burton, Eastwood, Ure and Hordern giving commanding performances. Best of all is the little-known Derren Nesbitt who oozes menace and charm as a nasty Nazi soldier.
I've seen this film countless times and it never tires me. It has so many twists and turns and well-execute sequences that it is gripping every time you watch it. There's really no other way to say it - you need to see this film and see it soon!
Você sabia?
- CuriosidadesRichard Burton's last successful movie at the U.S. box office.
- Erros de gravaçãoAlthough several stylish call signs are used in the radio transmissions ("Broadsword", "Danny Boy", "Father McCree"), most of the other operatives and Colonel Turner, as well as the team's location, are referred to by name in open transmission.
- Citações
[Smith and Schaffer are observing the Castle of Eagles fortress, and a nearby military base]
Lt. Morris Schaffer: If I'm not mistaken, that's an army barracks over there.
Major John Smith: No mistake, Lieutenant. This the headquarters of the Wehrmacht Alpenkorps.
Lt. Morris Schaffer: Oh, swell. Do you have any other surprises I should know about?
Major John Smith: I thought you knew, Lieutenant. Why do you think we were chosen for his mission as if not to make social contact?
Lt. Morris Schaffer: You mean we're gonna go down there? Mingle with the German Army?
Major John Smith: Of course. Why do you think we're not dressed as German sailors?
Lt. Morris Schaffer: We'll be recognized as strangers.
Major John Smith: Training troops come and go all the time. What are six new faces among 600 new faces?
Lt. Morris Schaffer: Look, Major, this is primarily a British operation. I'm an American. I don't even know why the hell I'm here.
Major John Smith: Lieutenant, you're here because you're an American.
- Versões alternativasThe original release running 158 minutes had an Intermission and Entre'acte that have been skipped from many video releases (including the DVD release from Warner), resulting in a 155 minute version. This has induced a fade-out and fade-in of the music in the scenes preceding and following. The intermission was originally placed after Lt. Schaeffer sets the explosives in the interrogation room.
- ConexõesEdited into The Loch Ness Horror (1982)
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Donde las águilas se atreven
- Locações de filme
- Burg Hohenwerfen, Burgstraße 2, 5450 Werfen, Áustria(Schloss Adler, the mountaintop fortress)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.700.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 7.100.000
- Faturamento bruto mundial
- US$ 7.100.435
- Tempo de duração2 horas 38 minutos
- Cor
- Proporção
- 2.35 : 1