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Wayne, discovering that the Union army is planning to cheat him on a horse-trading deal, decides instead to drive his herd down to Mexico to sell to the Emperor Maximilian; Hudson, meanwhile, is leading a wagon train of disgruntled Southerners to settle in Mexico at the Emperor's invitation. Their odysseys converge, and when their arrival in Mexico coincides with the Juarez revolt, they decide that the good old US of A provides better choices than these pesky foreigners after all.

Characteristically folksy Western, the Undefeated has a lively supporting cast, great camera work by William Clothier, and a very inspiring idea, exploring the relation between the former Union and Confederate post-civil war, and they realise they have something in common.

It's a good western, a bit slumbering in places, especially in the first half, then after that moves briskly. It's got a mix of action (horse stampede at the end is exciting), humour and drama, but it's the two stars The duke and Rock Hudson that carry the film. Both actors are like chalk and cheese, but they work well together. The romantic subplot can be a bit contrived, though.

There's a great one liner: "The conversation sorta dried up, ma'am" when a lady asks him why they stopped the conversation and shot the bandit.

Saw this film around 30 years ago. At that time I thought it just a fairly formulaic star vehicle, bringing together the grizzled, typical Wayne cowboy character with someone who was a newer and - at the time -a really big name in Rock Hudson. Seeing it anew in 2007, I realise my earlier estimate was too dismissive by far. It has a good plot with many original aspects, well described already on the web-site by earlier reviewers, especially the linkage of US civil war with events happening at the same time in Mexico. Not being a huge fan, ordinarily, of either of the main stars, it has to be said they both turn in good performances and are fully believable as leaders whom other men would naturally follow, and who inspire fierce loyalties. The dialogue has a few unexpectedly good lines and is generally above average standard. The stars play it light-heartedly, and this gives the film warmth, colour and humour. Some aspects of the film, admittedly, conform to the hackneyed Wayne cowboy film recipe, such as the free-for-all fist fight, but in general the film stands up well nearly 40 years after it was made, and it has held on to a much more modern feel than other Wayne westerns. The musical score just about carries enough grandeur to match the action and the occasionally majestic cinematography, especially the scenes involving the drive across country of a few thousand horses. Any film-lover who enjoys the more upmarket western should give this film a try. The nearly two hours pass quickly, and it's a film to make you think (about the nature of war against your fellow countrymen, about loyalty, friendship and heroism) and escapist enough to make you smile.

"The Undefeated" (1969) teams up John Wayne and Rock Hudson as ex-Union and Confederate officers after the Civil War in Mexico. Langdon (Hudson) wants to relocate his family & friends whereas Thomas (Wayne) wants to make money selling horses to Emperor Maximilian. The problem is that Benito Juarez and his followers are at war with Maximilian and this causes unforeseen problems for the Americans, who have no choice but to team-up.

The set-up of story is great and loosely based on Joseph Orville "Jo" Shelby and his Missouri raiders and their families who really did seek to relocate to Maximilian's Mexico, but had to return after the victory of Juarez' forces. The movie starts with a Civil War battle and the announcement that Lee has surrendered and the war is over, which segues into Langdon and Thomas and their people going to Mexico for completely different reasons; and then they meet. This is great, but the filmmakers add some goofiness, like an over-the-top, fun-spirited brawl between the Confederates and Federals at a 4th of July party in the wilderness. These types of scenes were fairly common in Wayne Westerns at the time and I always thought they detracted from these movies. There's a way to mix realistic comedy into a movie and a way not to and this isn't the way. Besides, how can a serious brouhaha be fun? When you punch people in the face in real life they get bloody noses and missing teeth; here they just laugh it off.

Another problem is NFL quarterback Roman Gabriel as a full-blooded Native American and adopted son of Thomas. No matter how you slice it, he looks like a white dude with a mop of black hair. To add insult to injury, Langdon's cute daughter (Melissa Newman) falls head-over-heals in love with him and the way it happens simply isn't realistic. Would a genuine Southern belle really swoon over a full-blooded Indian who visits their encampment? Would no one notice that the two have wandered off to make-out, in plain view of the others? Would Col. Langdon really not mind that his daughter is sucking face with a full-blooded Native? In our day and age it's no big deal and most people could care less, but it's still an issue in some circles; how much more so back then, particularly with a proud Southern Colonel and his people?

If you can overlook these flaws, however, this is a very worthwhile Western with quality drama, action, characters and locations (shot in Baton Rouge, Louisiana, and Durango, Mexico). The cast is also notable. Besides the two stars, you also get Lee Meriwether, Marian McCargo, Jan-Michael Vincent (in a too-small role), Merlin Olsen, Ben Johnson and various Wayne Western staples.

This is a likable Western because the people are so likable. For instance, the way one group is unselfishly willing to let go of something of great worth on behalf of another group blows the mind, but it reveals their nobility and the fact that they value human beings more than they do monetary gain, but only because they've found them worthy. It also reveals respect and the willingness to forgive & heal after the nation's most bloody war.

The film runs 119 minutes.

GRADE: B-

The Civil War is over and it's been pretty costly to both sides. John Wayne has lost nearly every man who volunteered to serve with him and is broke. Rock Hudson who was also a Colonel on the other side went broke financing a regiment of his own and the Yankee carpetbaggers are ready to take over his plantation.

Wayne leads the remainder of his men to capture and tame wild horses to sell. Hudson gets an offer from Emperor Maximilian of Mexico to bring his people and resettle there. He needs all the help he can get to prop up his unpopular government. Hudson is certainly bringing a better quality of Anglo than Burt Lancaster did in Vera Cruz.

When Wayne feels a rip off coming from some middlemen horsetraders, he settles it in the usual Duke fashion and heads to Mexico himself. There the parties of Wayne and Hudson meet and their stories are entwined from then on.

With Wayne and Hudson co-starring, The Undefeated was led by two men who between them were number one at the box office for about a dozen years combined. Wayne was coming off his Oscar winning performance in True Grit. This film was definitely guaranteed an audience.

The story is both men are decent fellows and born leaders. Each is trying to pick up the pieces of civilian life and each is the leader of a party looking to them for leadership. A healthy and mutual respect develops between them despite previous political differences.

Wayne gets a whole load of players who worked with him before for this part. As he grew older he liked to have familiar faces around him. He had the star clout to insure it as well. Ben Johnson, Bruce Cabot, Edward Faulkner, Harry Carey, Jr., are some of the Wayne film veterans here.

Dub Taylor in his only film with the Duke does a very entertaining job as McCartney the cook. Dub did so many westerns when he wasn't doing hillbillies it's amazing that his and Wayne's path crossed only once.

This was also an early film for Jan Michael Vincent who went on to a star career of his own. Two members of the Los Angeles Rams, Roman Gabriel and Merlin Olsen were in this as well. Gabriel played a surrogate son to Wayne and rival for the hand of Melissa Newman to Vincent. Merlin Olsen is also here as a Confederate aide to Hudson. Gabriel decided movies wasn't his thing, but Olsen certainly had a substantial career after football.

The Undefeated has a nice, easy and charming flow to it, just like The Comancheros. Wayne and Hudson work well together in their only joint outing. Less action than you normally have in a Wayne film, but it's mixed in well with some good comic moments.

As Duke said parodying one of his one lines from a previous hit film of his, "Let's Take 'Em to Mexico." You'll like the ride.

The Undefeated is directed by Andrew V. McLaglen and adapted for the screen by James Lee Barrett from a story by Stanley L. Hough. It stars John Wayne & Rock Hudson, features a musical score by Hugo Montenegro and William H. Clothier provides the South Western cinematography.

Much yee-hawing and lots of patriotic fervour, The Undefeated is a fun and undemanding way for the Western fan to spend a couple of hours. Plot basically revolves around some post Civil War rivalries between Union and Confederate leaders played by Wayne and Hudson respectively. Both men and the groups they have under their control, get mixed up in the Maximillian/Juarez revolution in Mexico. Cue moral quandaries, big decisions and life affirming human interests; as McLaglen (aided by Wayne apparently) directs unfussy without pushing the envelope of Western directing. True enough at times the tone is uneven, it's hard to tell if it's meant to be light hearted or serious during some passages (kind of why John Ford was a genre master since he could achieve it comfortably), and some casting decisions are rather baffling (hello Roman Gabriel); but it's all very spirited, especially Hudson, to round it out as a solid genre offering from the late 1960s. 6.5/10