Os Delicados

I don't know what movie the other reviewers were watching, or why they are so bitter. I agree completely with the contemporaneous reviews, which praised the movie highly. Two fine actors spend the entire movie, out of their normal characters, showing off to each other and producing a gem as a result. The contrast between Burton's prissy old woman and Harrison's aging swish -- that so embarrassed the Burton character -- was wonderfully portrayed. Yet they managed to demonstrate that querulous yet enduring relationship that often results between an aging couple that experience each other's foibles, constantly express annoyance at them, and yet have too much basic affection to part. This is a marvelous movie, and I regret that I can't find it on video to share with others.

Maybe it's that I'm not gay that allows me to appreciate the fine craft it exhibits, since it doesn't threaten me personally.

Apparently, this is the inspiration for the sitcom "Vicious" with Ian McKellen and Derrek Jacobi, (incidentally a great tongue-in-cheek piece of comedy.)

As a gay man, Myself. I would just like to ask aloud, who are all the negative reviews from? Are people offended on the gay folks' behalf? Or trying to correct a perceived wrong?!. Just a thought.

All I see is a couple that's been together too long exaggerated for comedy. We all know that couple. Good camp fun.

While the film in general, and actors Burton and Harrison in particular, were an embarrassment to all involved; it was based on the play by Charles Dyer which played in London's West End and on Broadway to great success. The stage version was about 180 degrees removed from the film version. The Broadway production of "Staircase" starred Eli Wallach and Milo O'Shea, and was directed by Barry Morse. Barry Morse said the following about the stage play: "It was one of the first productions to show truthful - but at the same moving and funny - portrayals of gay life. The film version was damaging to the text of the play, which was written in a very perceptive and sensitive way. It wasn't meant to be played as if it was some flagrantly exaggerated review sketch."

All this film does is insult the intelligence and lifestyle of adult gay men. The shock value of watching two famously heterosexual male actors primp and mince about as poofs is about all this mixed up mess has going for it. I don't recall (for some strange reason) much of the specific lines of dialog, but I do remember that much of that was just as bad as most of the acting and all of the direction. This film survives the years as a curio only. If the director wanted to make fun of gays, he should have made a film with Nazi punks beating up their fellow gay officers, or better yet killing them-or something.

BTW, the Burton character is not a hairdresser, he's actually a barber, cutting men's hair--not necessarily a gay profession. Sexy Rexy plays a down on his luck, never-was actor who helps his boyfriend around the shop. Talk about stereotypes--neither one dresses ladie's hair!

Burton and Harrison mince, preen, prance, and flounce about the screen in a horrendous display of bad acting. This movie would set gay rights back a century if it weren't so badly made and badly dated. One must wonder what made it a hit on Broadway at the time. The score is an especially abysmal atrocity by Dudley Moore. All those involved (especially Donen) should be ashamed.