Com o Terror na Alma

This was one of the films that really sucked me in and gave me a look at what life was like growing up black in the early part of the century. The setting for the film was splendid.

The Learning Tree is one of those milestone films that one wishes were much better than it is. Parks' genius for the image comes through time and again, particularly in the opening sequence of the tornado and the horseback riders silhouetted by the sun. The milieu--rural Kansas in the 1920s--is unusual for a film focusing on racial conflict in the U.S., and that alone makes for an interesting film concept. But Parks' lack of film directorial and writing experience mars what could have been a major production. The dialogue in particular is often stilted and forced; too often the characters read their lines as though they're afraid they'll forget something. As a result, there's little real warmth or connection between characters. The other big problem here seems to be flow; each brief episode seems encapsulated, with new characters popping up left and right and then disappearing and reappearing without much development. Case in point: the series of episodes after the arrest. Who exactly are all of these new characters? What is the relationship between the white and black families, and between individuals in both groups? They come, they go, they reappear, but we're lucky to have caught their names. All in all, a much stronger film would have resulted from a collaboration of different screenwriter, director, and cinematographer, rather than having Parks run the whole show. If any film deserves a remake, it's The Learning Tree.

I totally disagree with the previous review that says this movie has been white washed. Had he done his research he would know this was written and directed by a black man. He may need to take into account that this was filmed in 1969. This is how films from that time looked. The sets and costumes for films like Moses and Cleopatra weren't exactly realistic. I will agree that the acting isn't the greatest, but the story is good. There isn't any stereotyping in this movie, they have blacks and whites of different classes and backgrounds. Ever black isn't shiftless and and all of the whites aren't racist. I think it is a fair depiction of what blacks went through and the frustration they felt at that time. Its not the greatest movie I have seen, but it think it's worth watching.

I watched it now in the future present. I really enjoyed how they wrote it and how the cops and the people and the other people talked and communicated and I loved the whole process. But the best part was a very good transition between social castes and ideologies, it was all very good.

I saw this movie when it first came out and I was very impressed. Here was a film about black people that was very positive and the protagonist was a young black male. I was a young black male in Ninth grade and I could really identify with this film.

Now if you examine films that were released that year or 10 years before none of them featured a story about a young black male.

The photography was beautiful and memorable.

I walked out of this film feeling proud and out of all the genre of films made during the blaxploitation era this one and sounder are certainly the most universal.

This was something that could have been done by Disney if they had the vision then that they have now!

I highly recommend this film and book to students in secondary school and university and since I teach at both I do.