O Martelo das Bruxas

After the book Malleus Maleficarum that was publish on late 15th century in the Germany, all Europe afterwards suffering the evil power that start on Spain as the Spanish Inquisition spreading as fire, this picture was made under the old and authentic transcriptions between 1678 to 1695, describing the modus operandi over the citizen, starts to the poor's people, the next they were under torture nominate some wealthy mid class, until to reach in members of the clergy, that supposedly were against those inquires, no one dared faces such power, their properties and money was used to pay the high costs of those trial process, a fabulous picture from Czechoslovakia, a true piece of cinema, according some sources in a priceless documentary which l'd watched recently, something near of the sixty thousands people were killed in those darkest era, mostly by mental disorders, weird behaviors, hunchbacks, facial asymmetry among others abnormalities, indeed a black page of the mankind!!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 9

While the setting and the historical source of the movie is that of the late 17th century, don't be fooled, this is a movie about communism. More accurately, about the wretched logic the communist justice system has used to imprison and kill hundreds of people in the Czechoslovakian 50s. The forced confessions, self-accusal, torture and naming of innocent accomplices were all part of communist processes in which such as Milada Horáková perished.

There are plenty of analogies in the movie which I don't intend to spoil. The atmosphere is crafted masterfully, giving the film a bleak and dark look and amplifying the effects of its story. The performances are very good, however I don't know how well does the original czech translate into the subtitles. What keeps this from being a 10 out of 10 is the pacing. In a certain point of the movie, the end becomes obvious and the rest is just a hammer that drives the nail of absolute despair into your brain.

I've seen many movies about the persecution of witches in medieval times, but this one rightly stands on top of that pile, surpassing even peer masterpieces "Mark of the Devil" and "Witchfinder General". The cinematography is gorgeous, the writing is smart and sophisticated, the performances are excellent, and the story itself is gut-wrenching and brutal. Rarely do horror films haunt my mind like this Czech production did. With its roots based in historical fact, the true evils of mankind certainly are much more diabolical than any conjured up monster or serial killer. It is quite an experience to watch a movie that is simultaneously, strikingly, so beautiful and yet so harrowing.

I have just seen the movie and I liked it more than any other movie about catholic persecution of witches. The last one I saw (and I think last one made) was The Crucible - that one wasn't bad, but I could not feel as much despair, corruption and that fear to speak up your mind as in this one. Kladivo na Carodejnice - with all the brutality, torture and all that injustice is real and very hard to forget. It is very well played and made. "Kladivo na Carodejnice" is a movie, that definitely catches your attention even when it's nearly 40 years old (not as if it was a bad thing)...that pathetic way in which some movies were made in 60's (I think it is about the lightning in these black&white movies) makes it look so threatening, so dark and sad....and so beautiful.

WITCHHAMMER is a Czech horror film, based on the actual inquisition notes from the 17th Century, a time when superstition was rampant, The Church was ultra-powerful, and Christianity was seen as the only true religion.

When an old woman absconds with a single communion wafer, she is used as proof that The Devil is on the loose, creating his coven of witches. When the Inquisitor is brought in to investigate the situation, he soon finds just what he needs to get his convictions.

As others have pointed out, this movie is an excellent allegory for what was taking place in Czechoslovakia during the 1950s, under the boot of communism. Such "interrogations" were used, as in most cases, not to get to "the truth", but to break the will and destroy the mind.

One thing is made crystal clear in this film: If you hurt someone, anyone, enough, they will say whatever you want them to say, regardless of how absurd or untrue it may be. This has been common knowledge for thousands of years, and persists all over the world, even in this "enlightened" age.

WITCHHAMMER gets the point across like no other example of its subgenre: These women are in a no-win situation, and the men standing in judgement over them are sadists, interested only in confessions, no matter what agony must be inflicted to extract them. Anyone who seeks to help the condemned, no matter what position they hold, will face the same, grim fate.

A disturbing, brutal movie for its time, you won't soon forget it...