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IMDbPro

Não Importa que Morram

Título original: House of Cards
  • 1968
  • G
  • 1 h 45 min
AVALIAÇÃO DA IMDb
6,1/10
834
SUA AVALIAÇÃO
Não Importa que Morram (1968)
In 1960s Paris, an American boxer stumbles upon an international fascist conspiracy that aims to create a new world order.
Reproduzir trailer2:08
1 vídeo
10 fotos
CrimeDramaMysteryThriller

Na Paris dos anos 60, um boxeador americano se depara com uma conspiração fascista internacional que visa criar uma nova ordem mundial.Na Paris dos anos 60, um boxeador americano se depara com uma conspiração fascista internacional que visa criar uma nova ordem mundial.Na Paris dos anos 60, um boxeador americano se depara com uma conspiração fascista internacional que visa criar uma nova ordem mundial.

  • Direção
    • John Guillermin
  • Roteiristas
    • Irving Ravetch
    • Harriet Frank Jr.
    • Stanley Ellin
  • Artistas
    • George Peppard
    • Inger Stevens
    • Orson Welles
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    834
    SUA AVALIAÇÃO
    • Direção
      • John Guillermin
    • Roteiristas
      • Irving Ravetch
      • Harriet Frank Jr.
      • Stanley Ellin
    • Artistas
      • George Peppard
      • Inger Stevens
      • Orson Welles
    • 25Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 2:08
    Trailer

    Fotos10

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    Elenco principal28

    Editar
    George Peppard
    George Peppard
    • Reno
    Inger Stevens
    Inger Stevens
    • Anne
    Orson Welles
    Orson Welles
    • Leschenhaut
    Keith Michell
    Keith Michell
    • Morillon
    Ralph Michael
    Ralph Michael
    • Claude de Gonde
    Maxine Audley
    Maxine Audley
    • Matilde Vosier
    William Job
    • Bourdon
    Peter Bayliss
    Peter Bayliss
    • Edmond Vosier
    Patience Collier
    Patience Collier
    • Gabrielle
    Barnaby Shaw
    • Paul
    Ave Ninchi
    Ave Ninchi
    • Signora Braggi
    Renzo Palmer
    Renzo Palmer
    • Monk
    Francesco Mulè
    • Trevi Policeman
    • (as Francesco Mule)
    Rosemary Dexter
    Rosemary Dexter
    • Daniela
    Raoul Delfosse
    • Louis Le Buc
    Perrette Pradier
    Perrette Pradier
    • Jeanne-Marie
    Geneviève Cluny
    • Veronique
    • (as Genevieve Cluny)
    James Mishler
    • Jesse Hardee
    • Direção
      • John Guillermin
    • Roteiristas
      • Irving Ravetch
      • Harriet Frank Jr.
      • Stanley Ellin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários25

    6,1834
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    Avaliações em destaque

    6fubared1

    Not Bad

    This is one of those films I have fond memories of from my childhood. I remember I used to tune it in every time it appeared on TV. Yes, now being an old fart and having finally seen it again after it's long absence, I was somewhat disappointed, but not entirely. There are still some wonderful things about it. Primarily the score by Frances Lai, the beautiful photography and scenery (it made me want to go to Paris for a long time), Orson Welles as the villain, but mostly the wonderful Inger Stevens as the female protagonist. What hasn't survived the test of time are the silly plot and George Peppard. I used to like him in his TV show (Banacek, NOT the A-Team), but then I heard an interview with Pat Neal which told about what a bastard he was in real life, and I can't find myself liking any of his performances now, even though I may like the movie. Anyway, I do still enjoy the movie, and am glad I was finally able to find it again.
    SceneByScene

    Just a bit too slow . . . It needed a bit of 'zip' in the pacing

    There is little wrong with this movie. But then there's something just not right . . .

    Then as the film rolls on the flaw becomes clear: the movie is paced a tad too slow.

    It's well acted, well written and beautifully filmed. The incidental music works, the minor characters are played well, and the storyline is quite believable. If it had been a bit more sassy in pace & energy then the film would have worked better.

    George Peppard has a laid-back attitude to his character. Which would have worked excellently had the pace of the film been more upbeat: we would have sensed a man fighting his surroundings, yin against yang. That would have fit in nicely with the story. But as each - pace & protagonist - were so leisurely, this stance took the film almost to a frustratingly downbeat attitude. I believe relaxed was more Peppard's own style in life re his profession, as I gather he refuted being a star - despite the studios loving his being a 6 foot tall blonde hunk of a man. Instead he preferred to do things his own way. (So he missed his calling then: as he seems truly an actor suited to the '60s & '70s, rather than a box office screen idol of the decade he started acting, the '50s.)

    The best points are when the writer surprises us ((no spoilers here!)). At these points the film really starts to take off at last . . . Only to then lose that all-important tempo. Disappointing. As the rest of the film seems to offer little in unexpected moments, or any real excitement. And as the movie is meant to be a suspense story, with all the associated moments in a thriller of unforeseen turns, such 'zip' is what is lacking.

    Had it been less maudlin in feel, I could have rated it higher. Sadly, as a thriller it doesn't offer much in the way of thrills! Insipid it is, inspiring it (sadly) is not.
    5Uriah43

    An American Adventurer Stumbling Upon a Deadly Conspiracy

    This film begins in Paris with the body of a man floating in the river Seine with the rather obvious conclusion being that he was murdered. The scene then shifts to an American adventurer named "Reno Davis" (George Peppard) riding in his car with his good friend "Louis Le Buc" (Raoul Delfosse) when suddenly gunshots ring out and both of them are almost killed. Quickly abandoning the vehicle, Reno locates where the gunshots were coming from and catches up to the fleeing person only to realize that the shooter is only a young boy. He then discovers that the boy lives in a huge mansion nearby and after taking him there meets a beautiful woman named "Anne de Villemont" (Inger Stevens) who just happens to be the boy's mother. One thing leads to another and soon Anne offers Reno a job as the boy's tutor. Naturally, being quite short of money, Reno immediately accepts. But what he doesn't know is that Anne's family is not only extremely wealthy but that his presence in the house presents a danger to several of the family members who are harboring a deadly secret that they cannot allow to become public. Now, rather than reveal any more, I will just say that this film had all of the necessary ingredients for a good film with a fine leading man in George Peppard and an exquisite actress like Inger Stevens to keep things interesting. Unfortunately, the overall plot turned out to be too unrealistic and far-fetched to be taken seriously. That being said, while definitely not a bad movie by any means, there were some scenes that were simply too over-the-top for me and I have rated it accordingly. Average.
    10will_varner

    A classic from the time when talent had to act!

    From the first bit of footage you will know you are settling in to see a winner. Pierre Barouh's title song is enchanting and beguiling and the singer's voice sounds like an angel. George's acting in HOC rivals his performance in Breakfast at Tiffany's and The Blue Max. It's hard to believe his agent steered him to The A Team when he had proven he had real talent. Inger Stevens, who looks as fetching as you'll ever see her, was also at the top of her game in this movie.

    The direction felt like Hitch was behind the camera, it's that good. One of my very favorite actors, Orson Welles, also works his magic. If you like Orson, you will certainly enjoy another of his potentially lesser know performances in Long Hot Summer.

    What I will never understand is the production company, Universal Pictures, never released this on tape, laserdisc or DVD (if you have some influence with Universal, call in a favor to fix this). Talk about your missed opportunities! A loss for movie lovers the world over. Your only chance to see this is to obtain the CD-V version.
    8ducdebrabant

    Nifty, and they NEVER show it on TV

    I went to see this at age 15 because I enjoyed the Stanley Ellin book it's based on. The movie is imitation Hitchcock of a very high order. (The climax in the Colosseum is pure Hitchcock.) Peppard is supposed to be a washed up boxer, and he has just the beat-up, world-weary sexiness the part needs. Inger Stevens is very glamorous as the lady of the house with her problems and secrets. The Paris setting is very well used, and that's important because the movie has a unique premise. The villains are pied noir terrorists left over from the Algerian revolution, displaced from their colonial home, reactionary, and deeply opposed to the French government of that appeaser DeGaulle. It gives a certain reality to the mysterious goings on. I thought the film did full justice to the novel, except that they unavoidably dispensed with the novel's use of Tarot cards to organize the chapters thematically. The music is great too. There's a title song in French that I'd love to have a recording of. It's sad to see Stevens looking so lovely and giving such a good performance so close to her tragic real-life suicide. She was special, and there's great chemistry between her and Peppard.

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    • Curiosidades
      Oddly, the film leaves out the detail which explains the title - the all-important list of names which Reno gets hold of is, in the novel, in code, which is broken via a knowledge of Tarot cards. In the film, it's just a list of names, so the brief moment where Gabrielle is seen laying out Tarot cards has no resonance for the later scenes.
    • Conexões
      Referenced in Cena do Crime: O Assassino da Times Square: Murder on 42nd St. (2021)
    • Trilhas sonoras
      House of Cards
      (Château de Cartes)

      Music by Francis Lai

      Lyrics by Pierre Barouh

      Performed by Danielle Licari

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    Perguntas frequentes13

    • How long is House of Cards?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de setembro de 1969 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
      • Italiano
    • Também conhecido como
      • O Último Romano
    • Locações de filme
      • Cinecitta, Roma, Itália(Studio)
    • Empresas de produção
      • Universal Pictures
      • Westward Films
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 45 minutos
    • Proporção
      • 2.35 : 1

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