AVALIAÇÃO DA IMDb
6,4/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn intelligent graduate and working-class Army veteran has an affair and clashes with a 'nouveau riche' young woman who cares not for birth control or the use of any other precautions to avo... Ler tudoAn intelligent graduate and working-class Army veteran has an affair and clashes with a 'nouveau riche' young woman who cares not for birth control or the use of any other precautions to avoid pregnancy.An intelligent graduate and working-class Army veteran has an affair and clashes with a 'nouveau riche' young woman who cares not for birth control or the use of any other precautions to avoid pregnancy.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 4 vitórias e 9 indicações no total
Chris Schenkel
- Voice on Columbus Record
- (narração)
Jay Jostyn
- Voice on Columbus Record
- (narração)
Rey Baumel
- Uncle Harry
- (as Ray Baumel)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This was the introduction of Ali MacGraw to movie audiences. I can't think of anyone who could have played Brenda Patimkin more believably. She is perfectly cast, as the spoiled, self-involved, smart, gorgeous princess daughter of a wealthy Jewish family. No one plays spoiled, bright and beautiful better than Ali MacGraw.
I also love Richard Benjamin as her unmotivated, anything but ambitious suitor, Neil Klugman. He is the antithesis of everything Brenda and her family epitomize. The dichotomy is that while he espouses supposed disdain for all they represent -- he is more than willing to be seduced.
There is a classic scene where Neil is stuffing his pockets full of grapes and is caught by the younger sister. He tries to hide the fact that his pockets are gorged with luscious fruit. But she calls him out on what he is doing.
The romance is a departure for Brenda. Neil, though Jewish, is a forbidden fruit of sorts. He is not ambitious or destined to be successful husband material. Therefore he is a completely inappropriate choice of suitor for Brenda. This of course makes him all the more attractive -- at least temporarily for Brenda who is rebelling against her mother.
I also love Richard Benjamin as her unmotivated, anything but ambitious suitor, Neil Klugman. He is the antithesis of everything Brenda and her family epitomize. The dichotomy is that while he espouses supposed disdain for all they represent -- he is more than willing to be seduced.
There is a classic scene where Neil is stuffing his pockets full of grapes and is caught by the younger sister. He tries to hide the fact that his pockets are gorged with luscious fruit. But she calls him out on what he is doing.
The romance is a departure for Brenda. Neil, though Jewish, is a forbidden fruit of sorts. He is not ambitious or destined to be successful husband material. Therefore he is a completely inappropriate choice of suitor for Brenda. This of course makes him all the more attractive -- at least temporarily for Brenda who is rebelling against her mother.
This film oozes charm. There are some similarities to "The Graduate" but messages conveyed are less heavy-handed. There are so many memorable scenes: the kid in the library, introducing college grads to each other, the wedding, etc. The casting is excellent and the resemblance of the younger daughter to the father is uncanny. The character "Ron" steals the show in some respects (I love to shake hands as he does when I encounter snobs). This is probably Richard Benjamin's best role and finest performance. I first saw this film when I was about ten. I've seen it about four times in total. It's certainly not for everyone. If you loved "Top Gun", skip it. If you like to champion good films that have been overlooked, check it out.
I saw Goodbye, Columbus when it was released and found it almost as profound and moving as The Graduate. Why has this movie been so neglected and forgotten? Why is it not shown on network or cable? It's terrific and still timely. Anyone have any ideas?
I had only a vague recollection of this film, but remembered it being rather unique. I bought the DVD because the film rarely shows up on TV. I was not disappointed. After 35 years, it holds up remarkably well. Sure, many props are out of date (cars, wired telephones), as are some of the cinematic techniques (clumsy zoom shots, montages), but the issues of social class and ethnic stereotypes remain highly relevant.
The disenfranchised and disillusioned hero became a staple of late 1960s movies, and this film actually makes a fine companion piece to "The Graduate." However, the two films diverge widely in resolving their conflicts, making the comparison all the more interesting.
Much of the credit for the success of this film, which is never less than engrossing, goes to the performers. Ali MacGraw is a revelation. In the years since, she has proved to be less than a great actress. Here, she's sensational. She's practically on screen the whole time, giving charm and nuance to the central character she plays. Jack Klugman is entirely convincing as her benevolent and loving father. Richard Benjamin does outstanding work as well. Supporting players are vulgar stereotypes, but serve as shorthand in getting the major themes across.
The film is an expert blend of humor and drama, leaving the audience with much to think about after it's over. Highly recommended.
The disenfranchised and disillusioned hero became a staple of late 1960s movies, and this film actually makes a fine companion piece to "The Graduate." However, the two films diverge widely in resolving their conflicts, making the comparison all the more interesting.
Much of the credit for the success of this film, which is never less than engrossing, goes to the performers. Ali MacGraw is a revelation. In the years since, she has proved to be less than a great actress. Here, she's sensational. She's practically on screen the whole time, giving charm and nuance to the central character she plays. Jack Klugman is entirely convincing as her benevolent and loving father. Richard Benjamin does outstanding work as well. Supporting players are vulgar stereotypes, but serve as shorthand in getting the major themes across.
The film is an expert blend of humor and drama, leaving the audience with much to think about after it's over. Highly recommended.
This movie was meaninful to me because the characters represent real people. People who the main character, Neil, rejects (or at least cannot relate to) because of what they represent. For example, the hard-charging businessman played by Jack Klugman, who's portrayed in his plumbing-supply office screaming into the phone, making deals. The brother, played by Michael Myers (not the famous Mike Myers) is the ultimate very-dumb jock. And, of course, Ali McGraw, who's is actually torn between being the good Jewish American Princess and her attraction to Neil. Her father (Klugman) is dumbfounded when he learns that Neil doesn't really mind being a librarian. Finally, Richard Benjamin's Neil, is a kind of existential Jewish outsider who can't relate to the affluence displayed by the Patimkins. One of the more memorable scenes in the movie: Neil discovers a second refrigerator in the Patimkin's basement PACKED with food. Are these people real? They are. And even though the movie is 35 years old we can still relate to these characters. Thank you Phiip Roth.
Você sabia?
- CuriosidadesRichard Benjamin said of Ali MacGraw: "The camera looks into your soul, and it looked into Ali's. Men loved her, women loved her. She was a real movie star."
- Erros de gravaçãoAt the dinner table, Julie is told that it is earlier in Columbus, where Harriet is calling from, than where she lives in New York. In fact both cities are in the same Eastern Standard Time Zone. In the book, Harriet is calling from Milwaukee in the Central Time Zone, which is correct. However, when the screenplay changed her location to Columbus, the writer failed to realize this fact and change the dialogue or the city.
- Citações
Brenda Patimkin: Are you serious?
Neil Klugman: I'm way the hell past serious: I'm suicidal.
- ConexõesEdited into O Show Não Pode Parar (2002)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Goodbye, Columbus?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 22.939.805
- Tempo de duração1 hora 42 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Paixão de Primavera (1969) officially released in India in English?
Responda