Adicionar um enredo no seu idiomaA mysterious hypnotist is suspected by the police of being responsible for a wave of female mutilation victims.A mysterious hypnotist is suspected by the police of being responsible for a wave of female mutilation victims.A mysterious hypnotist is suspected by the police of being responsible for a wave of female mutilation victims.
- Direção
- Roteiristas
- Artistas
- King of the Beatniks
- (as Eric 'Big Daddy' Nord)
- Emergency Doctor
- (as James Lydon)
- Waiter serving Desmond and Marcia
- (não creditado)
- Audience Member
- (não creditado)
- Observer at Scene
- (não creditado)
- Audience Member
- (não creditado)
- Mrs. McNear
- (não creditado)
- Audience Member
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Cinematic excellence? Surely not. But it was offbeat enough to keep your attention. Even had a debunker who explained away a lot of the "magic" for the police (and the viewers).
The plot does have an interesting twist with the hypnotist's girlfriend. Sure it didn't win any academy awards but few movies do.
I give it a seven because it falls within the genre of movies that are so bad they are actually good.
Plot concerns a hypnotist (Desmond) who is having beautiful young women mutilate themselves. I won't give it away, but the suspense is good and the movie isn't gory even though the mutilation methods would lead you to believe so (washing hair in fire, washing face with sulfuric acid, brushing face with fan blades, etc).
Hayes plays the evil assistant to Desmond and you're really not sure why she and Desmond are evil until the Climax. Not to be missed!
A lot of what appears in the movie is fun, although "The Hypnotic Eye" is barely 70 minutes long, and a lot of this is padding, featuring several needlessly long looks at the "hypnosis" act, as well as a very tiresome sequence set in a beatnik bar where we have to watch the whole show of beatnik music and poetry. It's a shame, because these really slow down the action. Surely it would not have been to difficult to make the actual storyline events take up some more time.
The acting is ok, although a little hammy. The story actually has a really brutal side to it, as the methods the ladies use to self-harm are all pretty twisted. We don't witness many of them happening, but seeing somebody screaming with their hair fully ablaze is quite something for 1960 (even if it's not very realistic). Some of the "after" make up of the others victims is also pretty good.
If all the padding was stripped out, this would rattle along and be a lot more fun, but it would be over in less than an hour! The plot really is tiny and there is barely any quality time given to the climax, in fact events dash to the closing credits with far too much haste...a little time spent on a proper ending and explanation would have been nice. Still, it's pretty entertaining while it lasts.
Você sabia?
- CuriosidadesShot in 12 days.
- Erros de gravaçãoWhen Dodie is suspended in air, wires holding her body up can clearly be seen near Desmond's head. This is an unfortunate side effect of modern film restoration; things that were unseen in the original 35mm prints now become visible because of the increased sharpness.
- Citações
King of the Beatniks: [reading his poem at a nightclub] I have just written a poem... Confessions of a Movie Addict. Or, The Holy Barbarian Blues. - - "I was a teenaged movie monster. I cut my teeth on Clara Bow. I dug Rudolph Valentino. I was hooked on all the vampire movie queens. I rode with the posse, and cut 'em off at the pass. I was thrilled by The Thing from Outer Space. Man, I was a mess. And I was turned on by Shakespeare, Plato, Aristotle, Edgar Guest. I saw "Charley's Aunt" in the original, uncut version. Crazy, man, crazy. One day I wandered drunk, dazed, wild-eyed, into an art movie house - you know, loose smocks, with subtitles... Now I'm cool, man, cool. I've kicked the movie habit. I'm off to make the interstellar scene. Aloha, dosvedanya, au revoir, goodbye. Later, man, later."
- Cenas durante ou pós-créditosRather than listing the character he plays, one actor is listed in the main credits as "FRED DEMARA (THE GREAT IMPOSTER)" to emphasize that he was the real life subject of the popular movie "The Great Impostor" (1960) that was released the same year.
- ConexõesFeatured in It Came from Hollywood (1982)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El ojo diabólico
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 365.000 (estimativa)
- Tempo de duração
- 1 h 19 min(79 min)
- Cor
- Proporção
- 1.78 : 1