AVALIAÇÃO DA IMDb
6,1/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwentyish daughter Cassie of newly-deceased psychotic magician Duke Duquesne is his sole beneficiary and must stay in his isolated Los Angeles mansion for seven nights in order to inherit hi... Ler tudoTwentyish daughter Cassie of newly-deceased psychotic magician Duke Duquesne is his sole beneficiary and must stay in his isolated Los Angeles mansion for seven nights in order to inherit his $300,000 fortune.Twentyish daughter Cassie of newly-deceased psychotic magician Duke Duquesne is his sole beneficiary and must stay in his isolated Los Angeles mansion for seven nights in order to inherit his $300,000 fortune.
- Direção
- Roteiristas
- Artistas
Leon Alton
- Theatre Audience Member
- (não creditado)
Walter Bacon
- Carnival Patron
- (não creditado)
Dick Cherney
- Theatre Audience Member
- (não creditado)
Beulah Christian
- Theatre Audience Member
- (não creditado)
William Conrad
- Fat Man in Hall of Mirrors
- (não creditado)
Billy Curtis
- Big Mike
- (não creditado)
George DeNormand
- Theatre Audience Member
- (não creditado)
George & Teddy and the Condors
- Themselves-band in night club
- (não creditado)
Ayllene Gibbons
- Mourner at Funeral
- (não creditado)
Bobby Gilbert
- Mourner at Funeral
- (não creditado)
Jimmie Horan
- Mourner at Funeral
- (não creditado)
Avaliações em destaque
Like some others who've seen this film as children, I have fond memories of Two On a Guillotine when it played as a Friday night movie on network TV in the mid-1960s. The sight of a lifeless Cesar Romero being lowered into a grave in a glass coffin at the beginning sets the spooky tone for the rest of the story. His character, a famous magician, promised to one day perform his greatest feat of all by returning from the dead. His wife (identical to his daughter) died some years before when he botched the guillotine trick she was assisting with. Without giving anything away, a lot of the suspense is built on the anticipation of his re-materializing at any time, to the horror of his daughter. This is a movie which has many of the elements necessary for genuine horror. No spilled guts, no splatter. It works on a neater, more effective plane.
This is one of those films from 1965 that my friends and I went to in our small-town movie theater. I remember it as being full of those jump-out-at-you moments with people in the theater screaming. Connie Stevens is the heir to her father's estate but must stay in the old house for seven days. He is one of the great magicians of his time and has promised, upon his death, to return to the house. The house itself is great fun, full of remnants of his magic world. There is a cabinet that opens when a switch is flipped, allowing a skeleton on a wire to come face to face with the unwary victim. The guillotine in question is part of the act that killed the man's wife and assistant. Stevens then was farmed out and never saw her father again. She also never knew what happened to her mother. It's full of fun stuff with a plot that shouldn't be too closely evaluated. There are two characters that are left out of the will who become suspects. What they really know is always in doubt. Connie Stevens was a cute TV star at the time and well worth watching and makes a good victim. She is stubborn on the one hand and terrified on the other. She can also scream with the best of them. Dean Jones (a long time Disney staple) plays the love interest.
This was one of my favorite movies when I was growing up. They just don't make movies like this anymore. I have been trying to find this movie on VHS or DVD for years, apparently it is not available to buy, which doesn't make any sense considering there are a ton of stupid movies out there by the billions and none of this one - which is one of the greatest movies ever! I really hope that Two On A Guillitine comes out on video really really soon, this movie mesmerized me when I was very young, it would be nice to go back to it again! It wasn't a gory type of movie, I am surprised it's considered a thriller actually. I never thought of it as scary. But it definitely should get a lot more credit, A LOT MORE!!!!
Connie Stevens once again shows what a fine, natural actress she is, here playing a young lass from Wisconsin who must spend seven nights in her late father's house of horrors before she can receive her inheritance; Dean Jones plays a reporter who smells a story and befriends the easily-spooked girl. Terrific second-biller from Warner Bros., ostensibly aimed at kids ("Attention Guillotine-agers!") yet bolstered by a very strong script with nice attention to dialogue. The movie has good effects, a funny/spooky scenario and surprising chemistry between the two leads. Stevens is very good, especially in the prologue playing her own character's uptight mother. It all comes to a commendable ending, thanks to a very clever...EXECUTION! *** from ****
Connie Stevens was a huge favorite in the 60's due to her appearances on Warner Brothers great hit TV show "Hawaiian Eye" Connie was also cast in WB hit films such as Parrish and Susan Slade both with her friend and WB's big male star Troy Donahue. Troy was announced for this film but rebelled and was placed on suspension. Troy finally came to his senses and retuned to WB and starred in "My Blood Runs Cold". Troy hd everything going for him at WB with hits like Parrish, Rome Adventure, Palm Springs Weekend but asked for his early release from his 7 year contract. Troy claimed JL Warner blackballed him in the Industry.
This suspense movie was I think Max Steiner's last film at WB. Steiner made many movies better with his music! An Artist!
Troy was replaced in this film by the very able Dean Jones and together with Ms. Stevens were very effective. The film with top notch WB production values was directed by William Conrad. Connie after 5 years at WB got first billing on a picture. Connie was a star at WB. Natalie Wood was the Queen of the WB Lot, but Connie drew more fan mail.
This is what I would have called a "studio picture" made with contract players at the studio: some example: Diane McBain, in "Claudelle Inglish" , Clint Walker and Edd Byrnes om "Yellowsyone Kelly" Troy Donahue on "My Blood Runs Cold". Ty Hardin in "Wall Of Noise" Troy Donahue, Connie Stevens, Ty Hardin and Bob Conrad in "Palm Springs Weekend". Troy Donahue and Diane McBain in "A Distant Trumpet", Diane McBain in "Black Gold". Shirley Knight in "House of Women"
This suspense movie was I think Max Steiner's last film at WB. Steiner made many movies better with his music! An Artist!
Troy was replaced in this film by the very able Dean Jones and together with Ms. Stevens were very effective. The film with top notch WB production values was directed by William Conrad. Connie after 5 years at WB got first billing on a picture. Connie was a star at WB. Natalie Wood was the Queen of the WB Lot, but Connie drew more fan mail.
This is what I would have called a "studio picture" made with contract players at the studio: some example: Diane McBain, in "Claudelle Inglish" , Clint Walker and Edd Byrnes om "Yellowsyone Kelly" Troy Donahue on "My Blood Runs Cold". Ty Hardin in "Wall Of Noise" Troy Donahue, Connie Stevens, Ty Hardin and Bob Conrad in "Palm Springs Weekend". Troy Donahue and Diane McBain in "A Distant Trumpet", Diane McBain in "Black Gold". Shirley Knight in "House of Women"
Você sabia?
- CuriosidadesThe amusement park where Cassie and Val spend an afternoon was Pacific Ocean Park, elements of which still exist today as part of Southern California's Santa Monica Pier.
Pacific Ocean Park (P.O.P.) was on a pier about a mile south of the Santa Monica Pier (and Pacific Park), and they are often mistaken for each other. POP opened in 1958 to compete with Disneyland; it closed in 1967. During their long conversation, Cassie and Val are riding in a gondola 75 feet above the water; it traveled a half mile out and back.
- Erros de gravaçãoWhen Cassie Duquesne first enters her father's house, the shadow of the camera can be seen to her left on the wall.
- Citações
Val Henderson: [wearing a mask of Duke's face] Welcome to the Twilight Zone!
- Cenas durante ou pós-créditosThere is only a simple title card for the opening credits, and even that does not appear until almost six minutes into the film.
- ConexõesReferenced in Biografias: Cesar Romero: In a Class by Himself (2000)
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- How long is Two on a Guillotine?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sete Noites de Agonia
- Locações de filme
- Pacific Ocean Park, Santa Mônica, Califórnia, EUA(amusement park)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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