Notícias

Argentinian director Celina Murga’s new feature The Freshly Cut Grass (El aroma del pasto recién cortado) probably should have been called The Grass Is Greener, so much is it about adults desperately searching for happiness outside their married lives, only to realize they may have been better off staying home in bed and throwing on Netflix.

Following a pair of 40-something professors who teach at the same university, and who both start affairs with younger students that wind up blowing up in their faces, the film’s rather original structure tells two parallel stories that mirror each other without ever once intersecting. That novelty, as well as strong performances from a cast of six, help boost a movie that says nothing entirely new about adultery, marriage, or midlife crises, resulting in a relatively pedestrian if keenly observed ensemble drama.

Executive produced by Martin Scorsese, who held the same credit...

Prepare for a gripping episode of “Payback” with the upcoming Season 3 Episode 7 titled “The Grass is Greener,” airing at 10:00 Pm on Monday, June 3, 2024, exclusively on TV One. In this intense installment, viewers will be drawn into the investigation following the murder of Adan Katami, a case that delves deep into his entrepreneurial ties with Tikisha Upshaw.

As detectives delve into the complexities of Adan and Tikisha’s business relationship, they uncover a web of intrigue and suspicion. The episode promises to unravel the intricacies of their partnership, revealing recent tensions that may have contributed to Adan’s untimely demise.

With each revelation, viewers will be on the edge of their seats, eagerly piecing together clues and unraveling the mystery behind Adan’s murder. As the investigation unfolds, unexpected connections and shocking revelations come to light, keeping audiences captivated until the very end.

Don’t miss “Payback” Season 3 Episode 7 as...

As 2021 mercifully winds down, the Criterion Channel have a (November) lineup that marks one of their most diverse selections in some time—films by the new masters Ryusuke Hamaguchi and Garrett Bradley, Dan Sallitt’s Fourteen (one of 2020’s best films) couched in a fantastic retrospective, and Criterion editions of old favorites.

Fourteen is featured in “Between Us Girls: Bonds Between Women,” which also includes Céline and Julie, The Virgin Suicides, and Yvonne Rainer’s Privilege. Of equal note are Criterion editions for Ghost World, Night of the Hunter, and (just in time for del Toro’s spin) Nightmare Alley—all stacked releases in their own right.

See the full list of October titles below and more on the Criterion Channel.

300 Nassau, Marina Lameiro, 2015

5 Card Stud, Henry Hathaway, 1968

Alone, Garrett Bradley, 2017

Álvaro, Daniel Wilson, Elizabeth Warren, Alexandra Lazarowich, and Chloe Zimmerman, 2015

America, Garrett Bradley, 2019

Angel Face, Otto Preminger, 1953

Angels Wear White,...

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.

Ak vs Ak (Vikramaditya Motwane)

Over the 21st century, Bollywood cinema has entered into a completely different era of filmmaking and storytelling than was being made in the decades prior. Actors and directors who started their careers in the ‘80s and ‘90s have experienced such a drastic shift from their beginnings to what they are doing now that their older works seem almost archaic and unrecognizable. This has led, expectedly, to many of Bollywood’s artists making self-reflexive work that also reflects on the industry in general––Fan, Sanju, The Dirty Picture, Luck By Chance, and Shamitabh are just a few examples. Vikramaditya Motwane’s Ak vs Ak is...

To celebrate Variety’s 115th anniversary, we went to the archives to see how some of Hollywood’s biggest stars first landed in the pages of our magazine. Read more from the archives here.

In 1929, Variety hated the musical comedy “A Wonderful Night” at Broadway’s Majestic Theater (“remarkably dull … the outlook for this one is dreary”). However, there was praise for one of the stars, Archie Leach — who in a few years would change his name to Cary Grant and conquer Hollywood and the world. “Archie Leach makes a handsome leading man, but some of the lines of fearsome insipidity that he has to utter discounted most of his natural grace.”

Handsome, natural grace: Those words offer a hint of Leach/Grant’s appeal. Three years later, in 1932, Variety ran a two-sentence item: “Cary Grant, new leading man on the Paramount contract list, hails from vaudeville where his monicker was Archie Leach.

Closing out a year in which we’ve needed The Criterion Channel more than ever, they’ve now announced their impressive December lineup. Topping the highlights is a trio of Terrence Malick films––Badlands, Days of Heaven, and The New World––along with interviews featuring actors Richard Gere, Sissy Spacek, and Martin Sheen; production designer Jack Fisk; costume designer Jacqueline West; cinematographers Haskell Wexler and John Bailey; and more.

Also in the lineup is an Afrofuturism series, featuring an introduction by programmer Ashley Clark, with work by Lizzie Borden, Shirley Clarke, Souleymane Cissé, John Akomfrah, Terence Nance, and more. There’s also Mariano Llinás’s 14-hour epic La flor, Bill Morrison’s Dawson City: Frozen Time, Ken Loach’s Sorry We Missed You, Jennie Livingston’s Paris Is Burning, plus retrospectives dedicated to Mae West, Cary Grant, Barbra Streisand, and more.

Check out the lineup below and return every Friday for our weekly streaming picks.

By Lee Pfeiffer

Stanley Donen, the legendary director of musicals and romantic comedies, has died at age 94. He started as a choreographer and dance director before being elevated to director status at MGM, where he brought to the screen some of cinema's greatest musicals. Among his achievements: "On the Town", "Royal Wedding", "Singin' in the Rain", "Seven Brides for Seven Brothers", "Kismet", "Funny Face" and "Damn Yankees". As the traditional musical genre started to decline, Donen concentrated on comedies such as "Once More with Feeling", "The Grass is Greener", "Two for the Road" and "Bedazzled". One of his biggest hits was the 1963 comedy thriller "Charade" starring Cary Grant and Audrey Hepburn, which can be described as the best Hitchcock movie not directed by Hitchcock. A similarly-themed spy thriller, "Arabesque" starring Gregory Peck and Sophia Loren, was not as well received. Donen had other artistic misfires in the course of his...

Stanley Donen, director of acclaimed movie musicals like Singin’ In The Rain and On the Town, has died at the age of 94.

One of Donen’s sons confirmed the director’s death to Chicago Tribune film critic Michael Phillips. “Confirmed by one of his sons this morning: Director Stanley Donen has died at 94 … A huge, often neglected talent,” Phillips tweeted Saturday morning. Cause of death has not been revealed.

Donen is best known as the creative force behind some of the greatest movie musicals of the Fifties, including 1952’s Singin’ in the Rain,...

Thanks to "Sleepless in Seattle," everyone knows "An Affair to Remember" is the ultimate romantic tearjerker. Not only do Nora Ephron's female characters describe it as their favorite chick flick, but the ending atop the Empire State Building evokes the abortive reunion that Cary Grant and Deborah Kerr never get to enjoy. Many modern viewers also know that "Affair to Remember" (which opened in theaters 55 years ago, on July 11, 1957) was filmmaker Leo McCarey's remake of his own 1939 hit "Love Affair," with Charles Boyer and Irene Dunne as the lovers kept apart by fate and their own wounded pride. Still, there's a lot about "An Affair to Remember" that even its biggest fans may not know, including its uncanny echoes of Grant's own shipboard romance with his third wife, or how a not-yet-famous young visitor witnessed the veteran leading man's acting breakthrough, or Grant's off-camera therapeutic uses of hypnosis and LSD.

As The Girl With The Dragon Tattoo reminds us, a powerful title sequence can have a huge impact. Here’s Ryan’s celebration of a resurgent art form…

David Fincher’s version of The Girl With The Dragon Tattoo opens with a booming, teacup-rattling title sequence, in which hideous forms – some technological, others biological – ooze in and out of black oil and fire. Cut to the howls and thunderous riff of Trent Reznor and Karen O’s cover of The Immigrant Song by Led Zeppelin, it’s an aggressive statement of intent, as though Fincher’s violently stamping his authority on a property that was only adapted for the screen two years ago.

Fincher’s no stranger to opening his films with a dazzling display of sound and imagery. Images of pain and suffering are compiled by nimble, evil fingers to the music of Nine Inch Nails at the beginning of Seven.

Rt @Dennings_Daily: Kat Dennings' infinite experience http://ow.ly/183Fl source: Montreal Gazette http://ow.ly/183Fy # Rt @Dennings_Daily: Grit (and tax credits) draw film crews to Hamilton http://ow.ly/183Bf # The art of getting beat up in ‘Beat Down’ http://ow.ly/183z2 # The grass is greener on Danny’s side in ‘The Irishman’ http://ow.ly/183ov # Tweet This! Share this on Facebook Post this to MySpace Digg this! Share this on ...

British-born film star known for her roles in Great Expectations and Spartacus

Jean Simmons, who has died aged 80, had a bounteous moment, early in her career, when she seemed the likely casting for every exotic or magical female role. It passed, as she got out of her teens, but then for the best part of 15 years, in Britain and America, she was a valued actress whose generally proper, if not patrician, manner had an intriguing way of conflicting with her large, saucy eyes and a mouth that began to turn up at the corners as she imagined mischief – or more than her movies had in their scripts. Even in the age of Vivien Leigh and Elizabeth Taylor, she was an authentic beauty. And there were always hints that the lady might be very sexy. But nothing worked out smoothly, and it is somehow typical of Simmons that her most astonishing...

If you haven't guessed it from the title, tonight's Project Runway episode will bring our contestants to the countryside.  The grass is greener this time around.  That is, if you win this creative new challenge.

On "The Fashion Farm," this new batch of designers will be getting their hands dirty and work with an unusual material for tonight.  Since they're heading away from the Big Apple and away from Mood fabrics, what else would they be using?  Potato sacks.