Mensageiro Trapalhão

This movie is solid gags. No plot and JL is very open about that....only gags or what they used to call 'blackouts'. I have simply never laughed so hard as when I watched this movie. But as for the scene where he loses it by the elevators, you may or may not like it (French?) but it nearly caused me to have an early death. Tape it, rent it or buy it, but if you have come this far, watch it!

Directorial debut for writer-producer-star Jerry Lewis is a funny collection of skits centering around a put-upon bellhop at the Fontainebleau Hotel in Miami Beach. Having just completed "Cinderfella" for a mid-year release, Lewis suggested to Paramount Pictures they hold off showing that film until Christmas and gave them this one in its place (put together in near-record time). Short and relatively painless, the movie benefits from Haskell Boggs' sharp black-and-white cinematography, Walter Scharf's bright score and, of course, the snazzy locale. Lewis smoothly segues from one sight-gag to the next, his mugging relatively restrained. **1/2 from ****

Most viewers watching this today will be puzzled as to why this movie has received so much acclaim and was a success at the box office. True, Jerry doesn't do his "kid" character (he's mute until the end), but he does his spastic movements - and there's a flaw there. A little of this goes a long way, and Jerry keeps doing it until he beats it to death.

Most of the other gags in the movie don't seem creative today, or funny. The movie does kill time for its 72 minutes, but it really isn't funny. I've nothing against Lewis - he's been good before and after this movie - but he's not funny here.

Stanley (Jerry Lewis) is a bellhop at a posh Miami hotel. It is hard to see how he stays employed! When a manager tells him to empty the trunk of a guest's car, for example, the auto turns out to be a Volkswagen beetle. Confused, Stanley nevertheless takes out the car's engine and presents it to the guests. Another time, an overweight lady checks into the hotel in order to complete a diet program. She loses a great deal of pounds and looks great but Stanley decides to give her a box of chocolates, as a reward, and she reverts to her old habits and fatter self. In short, this film is a series of episodes in the life of a hotel bellboy, strung together nicely. Lewis' usual facial expressions, physical humor, and antics are here for the world to see. As a legendary comic, he does a nice job but, this is certainly not his most memorable film. One would have to say The Nutty Professor or even one of my favorites, Way Way Out, are better examples of his talent. With that in mind, however, fans of Lewis should definitely carve out a couple of hours to watch this movie. It is fun, if not totally successful, flick.

If you don't believe Jerry Lewis is a comic genius, you need to see this film. The humor. The cinematography. Everything is spot on. I know people have said there is no plot to this but watch it. There is. And it's sad and funny, as all good comedy truly is. Still one of my favorites. Watch the reactions of all the people around him. Watch how each scene is set up and framed. Jerry Lewis never saw the critical acclaim here in the US as he did in Europe but I believe he was way ahead of his time. Comedians like Adam Sandler, Eddie Murphy, and even Jim Carrey owe a debt of gratitude for Jerry Lewis paving the way. I wish the younger generation would discover Jerry Lewis' movies, including this one, because I believe they would appreciate his humor and artistry. Check out this movie, The Nutty Professor, Cinderfella and the Errand Boy.