O Terceiro Homem na Montanha

Third Man on the Mountain ranks among the very best live-action films ever produced by Walt Disney. Period mountain-climbing film works as both a white-knuckle adventure thriller and compelling coming-of-age story. Highlights include sensational location photography and stunt work, strong character performances, terrific period detail, and a fine screenplay by Eleanore Griffin. Film takes its time establishing its characters, before building towards unusually gripping second half, where the human drama becomes as suspenseful as the high-altitude acrobatics.

Current DVD uses badly-worn elements for its source, with swarms of dirt, scratches, and ugly grain. It might, in fact, be the exact same transfer used in the 90's for the laserdisc release. Modern DVD resolution and large-screen televisions make the result unacceptable, especially for a film of this caliber. Disney Home Video needs to revisit this title and give it the respect it deserves.

Trivia: The Matterhorn ride at California's Disneyland theme park is based on the killer mountain seen in this film.

This visually stunning film about the true story in the mid-19th century of a young man's need to conquer a mountain in the Swiss Alps that claimed the life of his father 16 years before is an exciting, gripping story that the entire family can enjoy. Young Rudi Matt (James MacArthur) is helped in his quest by famed British climber Captain John Winter, played by Michael Rennie, and their easy, warm chemistry also helps to make this a delightful film for all ages. If you are a fan of Michael Rennie, this film is a must-have for your collection, as his role is large and he gives a wonderful performance. If you are a fan of family adventure films, I recommend this film to you as one that your children will undoubtedly find entrancing, as will you. "Third Man on the Mountain" is a heartwarming, emotionally satisfying journey of a youth into a young man as well as an exciting story of mountain climbing in the 1800's.

A young hotel dishwasher dreams of conquering the mountain that claimed the life of his father.

This is a strong (and at times exciting) entry into the Disney catalogue of live-action movies that combines excellent production values with a very good central character arc.

'Third Man On The Mountain' has a simple character-driven plot about the realisation of young person's ambition through a perilous adventure and his struggle for acceptance.

As you should expect with Disney, the central characters are well defined, with Rudi having a clear goal from the opening scene. Underpinning this are some great themes about being true to yourself and following your dreams in the face of adversity. At the same time it makes a point of showing that ambitions can be sacrificed in the right circumstance and highlights the greater importance of human life. Rudi's arc and the decisions he makes towards the climax of the movie are the high point.

It showcases some truly great action-adventure scenes. My heart was in my mouth watching the climbers attempt certain feats and for me this is the other great aspect of the movie. Considering it was shot in 1959 these sequences easily stand the test of time. My 5 year old daughter, who is accustomed to the spectacle of modern filmmaking, was genuinely thrilled by scenes of climbers tackling vertical or overhanging rock faces, crevasses, pinnacles, caving and their frequent brushes with death. All this is set to a beautiful alpine backdrop.

Unfortunately it suffers from uneven pacing, as the village scenes at times kill the momentum created by the suspense and excitement of the mountaineering. I think if the exchanges of dialogue between the villagers were shorter (or better) it would work, as these characters are not as interesting as Rudi's adventure.

That being said the look and feel of Kurtal is very well done. Production values are high with great sets, props, costuming and a reasonably authentic sense of period.

Performances for me are a mixed bag. James McArthur looks and acts the part of the caged young alpine adventurer. It feels almost like he's playing a version of Fritz from 'Swiss Family Robinson' in the days before they left for New Guinea. Michael Rennie has a natural charm and certain awe about him as a famous mountaineer. Janet Munro, James Donald and Herbert Lom are all good but, along with the remaining cast play relatively contrived caricatures that exist for the sake of Rudi's emotional journey.

Until I rented it on disc I'd never heard of 'Third Man On The Mountain' - and what a lovely surprise it was.

What's not to like? The alpine location photography, abetted by select matte paintings which, for a 1959 film, hold their own against all such in Cameron's 'Titanic,' is simply gorgeous. The solid cast gives rock-solid performances, making 'Third Man On The Mountain' a splendid Disney coming-of-age adventure animated with believable, earnest characters. Through the story's onward and upward progress Ken Annakin's gives sure-handed and sure-footed direction: he has a story to tell, and he orchestrates his actors and camera to tell it.

And, oh, I second what my Canadian cousin, "oldyale6," from up there in BC, said in his IMDb review about this film's rock-solid values (we used to call them ideals): this is most definitely a film children ought to enjoy and profit from. 'Third Man On The Mountain' is timeless worthy fare for all.

I saw this film on the old Disney show back decades ago, and liked it very much, then sort of forgot about it. These days the Disney channel shows it periodically, and whenever it's on and I'm watching television, I can't help but stayed tuned to this one. For anyone who's ever climbed a mountain this movie is a treat.

The story is beyond simple: a young man in 19th century Switzerland whose father was killed trying to climb the Citadel (which is what the Matterhorn is called here) wants to become a mountaineer himself, and of course climb to the top of the Citadel, which no man has done. His mother strictly forbids it, and his uncle downright nasty to him whenever the subject comes up. Persistent fellow that he is, the boy hooks up with an English mountain climber, then coaxes his uncle to take him along on a climb, makes an ass of himself, then has a go at it again. The boy doesn't really have the maturity for the task, but persists, and in time he grows up, almost in spite of himself.

There's a larger than life quality to this movie, which was filmed on location. Director Ken Annakin, who never achieved his potential, shows himself a first-rate movie man here. The Swiss village and the looming mountains beyond convey an odd mood, as the place feels alternately dangerous, as if on the edge of the world, and beautiful, because of what one sees out the window every day. There's an intimacy between the clannish villagers, with their peculiar garb and gingerbread homes, that's caught to absolute perfection by Annakin and his crew. Everything seems real in this film; stylized as it sometimes is, it has an unmistakable ring of (admittedly Disneyfied) truth.

As to the climbing scenes, they are wonderfully photographed, with the camera seemingly in the right place at all times. One gets just close enough to experience at least some of the danger and excitement of mountain-climbing, with the camera pulling back periodically to show a larger view, invariably breathtaking. The actors are all competent. James MacArthur's non-charisma actually helps movie the picture along, as one is often more aware of who he's with than his character. He fades into the background somewhat, as young men often do, with the older, more experienced adults dominating. James Donald is brilliant as his uncle, creating a fully rounded portrait of a man who looks after his nephew, who for reasons never wholly explained, likes to belittle him. Michael Rennie is sturdy as the Englishman and Janet Munro makes a perky love interest. Herbert Lom almost steals the show as Saxo, the outsider from beyond, who also wants to climb the Citadel, and has a disagreeable disposition. He dresses differently from the others, and even wears a different sort of hat. Lom comes across as foreign, as we can see why people don't take to him in this little close-knit society.

There are few surprises in this film, but it tells its familiar and largely predictable story with great flair and feeling for the people it's about, showing once more that one can make an outstanding, maybe even great film, out of seemingly routine, even threadbare material, if one hunkers down really hard and gives it one's best shot, as clearly everyone connected with this movie did.