Facínoras Mascarados

This film, as much the story of the personal lives of the robbers as of the heist, features terrific performances, a highly original script for the genre, and exceptional visuals and direction. Each of the would-be bandits is emotionally damaged in some way and the film reveals their individual quirky weaknesses with raw style. In one such sequence, Gino (David Clarke) is shaving and becomes intensely disturbed and claustrophobic when his roommate and fellow member of the gang (Steve McQueen) unexpectedly closes the bathroom door, a scene which stylistically seems to anticipate "Psycho", released in the following year. The look of late 50's St. Louis, the bandits' clothes and hats, the cars they drive, all provide a fascinating edge to this true story of a bank robbery, and one of the last great Noir films.

Grim,essentially pessimistic,documentary like crime movie,based on real events,and shot on location in St Louis.The supporting cast seems to include a lot of local non-professionals.The film is most interested in dealing with the damaged psyches of the 4 hold up men,rather than their elementary plot to rob a bank.All the lead parts are exceptionally well played,especially by a young Steve McQueen(as an ex-college boy sliding off the rails),and Crahan Denton(as the embittered,rather deranged gang boss).There are also hints(quite daring for the 50's)of a homosexual relationship between 2 of the criminals.Very different to typical Hollywood product of the period,and well worth a look-and not just as an example of McQueen in his apprenticeship period.Great cars and jukebox music as well!

Let me begin by pointing out that IMDb makes a mistake when it lists Nell Roberts as "Woman in Bar Talking to George." The woman in the bar is George's girlfriend Ann, played by Molly McCarthy. Nell Roberts is the Salvation Army woman who appears in three places in the film but who speaks only at the end when she tells a cop, "Don't go in. They're robbing the bank." I speak from authority as the great-nephew of Nell Roberts, my grandmother's sister, who was active in community theater in St. Louis in the 1950s, and who also had a bit role (as an old woman who answers the door) in the film, "Hoodlum Priest" (starring Don Murray), which was also made in St. Louis. We always knew her as "Aunt Nelly," so I guess "Nell" was her stage name.

In any case, "The Great St. Louis Bank Robbery" is an interesting little movie -- though there really is nothing "great" about it. The noir approach fits the story line perfectly, but the execution strikes me as stiff and amateurish, especially in the acting and the editing. McQueen was doing what he could to be Brando, but Brando he wasn't. The three other members of the gang and the girlfriend have various small strengths as actors to commend them, but they wouldn't have been enough for professional survival today. The plethora of extras and bit players must have saved the producers some dinero, and they do give the film a certain documentary and amateur-theatrical charm, but their performances (including Aunt Nelly's) are of a type to make the viewer uncomfortable in the expectation of an embarrassing gaff. The homosexual subtext (mentioned by other reviewers) is certainly not imaginary. In fact, the things that make this movie most worth watching are, first, that homosexuality is included as a theme at all -- it was not necessary to the film's integrity unless the producers were aiming at some politically incorrect social commentary or had a personal ax to grind -- and, second, that the gay relationships had to be coded to make the finished work acceptable to the public in the late 1950s.

But I did enjoy the look of the cars and the streets of St. Louis (a la New York in "The Naked City") before the rapid urban disintegration that overtook it shortly afterwards, and from which it has still not recovered. The was the REAL "St. Louis Bank Robbery."

is a must to see. Before he became "one of the System's bad boys". He is refreshing and I would tell any true Steve McQueen fan to see this movie just on the strength of his performance.

The movie itself is a hoot! I mean with not so evasive homosexual references and shades of Noir...and in the early 50's!!....it is worth seeing. I liked it.

It is a story of the "Great St. Louis Bank Robbery" in the early 50's....great period piece for those of us who were alive then....and for those who were not to see what a section of Americana looked like....

Using the real people involved in the actual heist is great! Non-Actors who are reliving their dream or nightmare....depending.

See it. You won't be disappointed.

I tuned this in to catch a glimpse of early Steve McQueen. I stayed to watch it. The scenes of St. Louis were very interesting from a historic point of view. So much attention on the cars and the buildings -- this is an accidental snapshot in time. Steve McQueen grabs the attention as very angst ridden about his decisions, seemingly being drawn in a bad situation inch by inch. His girlfriend, although encouraging him to stay on the right path, also abets by funding the duo and not going to the police. Although not a well-known film, overall the acting and the dialog is quite natural. I can see why there is question of a homosexual relationship -- but in those days, hotels/motels were frequently not much more than a tiny bedroom with a double bed and a common bathroom down the hall. Kids frequently slept 2 or 3 to a bed and it wasn't uncommon for adults to share beds to save money.