Maldosamente Ingênua

My grandmother, Mary, was 15 years old when she first saw the first Gidget (1959) movie with Sandra Dee and James Darren, in The New Bell Theatre in Bellflower California. She and her best friend Eunice saw a movie about growing up, discovering boys, and learning lessons. Francie is a 16 year old girl, blonde and pretty, but very young in appearance. She is recruited by her female Francie to begin a "man-hunt" on the beach where they live in sunny California, and Francie reluctantly follows. As they sit on the beach, Francie's friends try to lure the muscular tanned college men over, while the guys are referring to them as jailbait, and Francie urges the girls to join her swimming. It is not that she has no interest in boys, but as Francie told her mother, "when they start smoothing and pawing, UH doesn't it make you sick too mama?!" Mama assures her that she just needs to find the right man. So the search begins.

As we watched the movie, my grandmother pointed out things she had thought as a young adolescent girl, and also things that she thought of now that had been difficult to put into words at a young age. "That blue of the ocean, oh, even as a young girl, from then on it meant sexuality to me," my grandma confides, as she looks to see that no one else heard her. As Francie breaks away from her friends, she begins to find her self more and more, in the middle of a group of about eight very attractive, muscular, and tanned men, all older than she is, teaching her how to ride those big blue waves. The guys call her Gidget, a cross between Girl and Midget, which is a barrier to Francie in the beginning, because it shows that the guys only see her as a little girl.

My grandmother explained as we watched this film together, that this movie was what "made me look at those things in a different way. I had more interest in boys at the end of the movie!" It was the first teenage love story she had ever seen, and she seemed to almost regress to a teenager as we watched the movie together. "Oh, James Darren is such a hunk!" and "I had such a crush on him..."and "what cute clothes she wears!" She commented that after this movie she made it a point to make her wardrobe similar to Sandra Dee's. "Those shirts with the hood like you wear today, they were popular back then too." She went on to say that when girls wanted to get clothes like Gidget's, they shopped at Judy's, and that it was "the absolute place! And I got to shop there!" I could hear her begin to revert to the phrases she used as a teenager as she got excited about the fashions of her childhood.

Before the movie began, my Grandma thought about what she remembered most clearly about the movie. "I remember the dress she wore, and what color it was. It sticks in my mind to this day." During the scene where Gidget gets dressed to go to the luau, my grandmother interrupts the movie to tell me something else. "There's the dress! I don't even like orange, in fact, I hate the color orange...but that's a very special dress to me."

This movie was filmed in vibrant color and shot on the beach in Malibu. This alone drew many young people to the film. It was about discovering sex and growing up, and teenagers of the fifties were very interested. This movie was memorable to my grandma and to her friends of the fifties because of a combination longing to be on a beach surfing with hunky surf bums and the excitement for the beginning of love stories made especially for teens. Sandra Dee was the perfect teenage girl in the eyes of the youth in the fifties, because she was pretty, sweet, innocent, and smart, yet she still had the sense of adventure, rebellion, and need for sex in which the kids of the fifties were becoming more and more interested.

What a time capsule! A film that hearkens back to a cultural era of innocence, "Gidget" screams 1950s, with clothes, lingo, attitudes, and characters that now seem quaint. Gidget (Sandra Dee), that "pint size" sixteen-year-old who lives in Southern California, scampers down to the beach and takes an instant liking to surfing. In the process, she meets a fraternity of youthful, shirtless beach bums. Surfing, fun, and romantic complications ensue.

All fluffy and frothy in the first half, the film's plot and characters reek of bubble-gum shallowness, with dialogue to match. But the plot turns more dramatic in the second half, and characters show at least some degree of depth. Gidget comes across as smart, determined and, given her age, dubiously skilled at psychology, with words that make a big impression on The Big Kahuna (Cliff Robertson), surfers' de facto leader. Ultimately, the film conveys the theme that events and people ... change.

Visuals feature bright, splashy colors and a photogenic cast. Rear-screen projection and cast doubles, for the surfing scenes, look hokey now, but were the norm in those days. Music trends romantic and lively. Naturalistic sound of ocean waves enhances a relaxed, carefree tone.

Although perhaps needed for story balance, plot sequences that involve Gidget's parents seem stodgy, and detract from the main focus on the relationship between Gidget and her beach pals.

Sandra Dee, despite her squeaky voice, gives a performance that was better than I had expected. James Darren and Cliff Robertson add competent support.

If ever there was a film that captures the carefree, innocent life of kids in the 1950s, this is surely it. Undeniably nostalgic to older viewers, and prehistoric to younger viewers, "Gidget" will continue to fascinate, emblematic of an era that will never return.

As someone who lived the dream of being a California surf bum, I was pleasantly reminiscing about those years while watching this movie. The Big Kahuna, played by Cliff Robertson, was easy to identify with. I've heard it said that "surfing makes you feel like a kid again." So there are therapeutic qualities surfing gives to someone who has experienced tragedy as Robertson's character has in the Korean War.

The Gidget character, played by Sandra Dee, is a delightful dichotomy as she seems at once a woman and a girl. This is a dilemma I'm sure many 16 and 17-year-old girls have dealt with. Gidget's friendships with the male characters make her "one of the guys" to them. In this regard, she is similar to the Mary character, played by Carmen Diaz, in "Something About Mary." While every man wants a romantic love partner, they are often happier with a woman who can be a friend. This revelation seems to be guiding Moondoggie as he pursues Gidget in the end.

I don't think you can get much further away from the stuff I usually watch like Cannibal Holocaust or Zombi 2 than Sandra Dee and Gidget. It's impossible not to enjoy Dee's performance. She's bubbly, spunky, and cute. What's not to like? Overall, Gidget is a sweet little movie that, for the most part, is entertaining. On the downside, far too often the sweetness turns into sappiness - something I cannot stomach.

Gidget is definitely a product of another time. Incidents that would automatically mean "sex" in a film made today are quite innocent and harmless in Gidget. A girl telling her mother that she wants to feel like a woman only means that she wants to fall in love and have a boyfriend. And watching with jaded 21st Century eyes, it's hard to imagine The Big Kahuna not being brought up on charges.

This was definitely Sandra Dee's signature movie, and as a teen-age boy growing up in the sixties I was really taken with her. (Of course, I was not an aberration.) I saw this movie for the first time in the summer of 1959. I liked the beautiful California beach scenery, and the Four Preps music, and I was reasonably impressed with the acting. The cast was well-chosen. The cuddlesome-looking Sandra Dee was drawing, but she did not receive as much acclaim, as an actress. as she deserved; she was not only a cute bumess, but that little girl was strong-willed and outspoken in this movie. James Darren was a sharp-looking actor and singer, but his character was disgusting, since he was a bitter teen-ager with a big chip on his shoulder. If Arthur O'Connell was supposed to be serious in this movie, he did not do a good job of it as he played the role of Gidget's laughable high-strung father. Mary LaRoche was a beautiful, appealing lady who was wonderful as Gidget's mother. Jo Morrow, beautiful California beach scenery herself, was drawing in her minor role. Tom Laughlin, here about a dozen years before his "Billy Jack" days, seemed to click well with Dee in what was here his minor role. The story was more than what it appeared to be initially on the surface. It was about a teen-age girl who was at a crucial age, namely 16, and thus was in an identity crisis, and it was also about a girl who was, again, strong-willed as well. This movie was also a character study: she was infatuated with Mahuna, (Robertson)- an ex-Korean War vet in his middle thirties who lived only to surf and stay on the beach in a small hut there-, but she also was very up-front when she intonated to him that that was no way for him, nor anyone else, to live, and she thus had a pressing effect on him. (Only recently when I saw the movie on a DVD did I really notice the more serious aspect of the story.) Again, Sandra Dee was as cute as cute could be, but the movie did have a serious side. For more than one reason is it worth the time to see it.