Gidget

Frances 'Gidget' Lawrence, was adorable young Sally Field (Forest Gump), the girl who was always going to the beach with a wind breaker. Her best friend was always all covered up except for her face, which was well shaded by the huge hat. She was allergic to the sun! I always wondered why they had to wear wind breakers to go to the beach. Later I lived in California and found that the water of the Pacific Ocean is very cold. The beaches were hilly. I don't remember where the series actually took place. The series was black and white. I watched it dubbed. I remember the show as a whole but not much detail. Gidget herself was a lot of fun. I have good memories of the series.

By the time ABC filmed the 1965-1966 television version of "Gidget," Frederick Kohner's 1957 novel of that name (based on the adventures of his daughter Kathy) had already provided the basis for three motion pictures. Unlike the Gidget films, however, the television series does not focus on Gidget's romantic involvements. We rarely see her boyfriend Jeff, who is a student at Princeton; and her romantic interests are primarily limited to ill-advised infatuations that do not last beyond a single episode. The television series devotes most of its attention to Gidget's relations with her family, her peers, and her teachers. As with the movies, surfing is an underlying theme, but much of the action takes place away from the beach, and deals with such mundane subjects as school work, dating, getting a job, and learning to drive, as well as more unusual ones such as escaping from a "haunted" house, or evading a witch's "curse." In coping with life, Frances Lawrence, whose diminutive stature earned her the nickname "Gidget" (a contraction of "Girl" and "Midget"), gets advice, sought and unsought, from her father Russ (Don Porter), a UCLA English professor, her sister Anne (Betty Conner), her brother-in-law John (Pete Duel), and her best friend Larue (Lynette Winter). "Gidget" captures the different dynamic that exists in a one-parent, one-child, family--Gidget and her father are especially close. Anne is a somewhat conventional meddling older sister who is trying to make Gidget into a lady. John is an aspiring psychologist who attributes nearly everything to subliminal motives. Gidget customarily ignores their suggestions. Larue is a rather eccentric figure, who visits the beach clad in clothing that conceals everything but her face (and sometimes that as well) because she is allergic to sunlight. Gidget often gets together with Larue to consume exotic sandwiches and discuss whatever problem she is facing. Despite her eccentricities, Larue's judgment is often better than Gidget's, but she sometimes gets drawn into Gidget's misadventures against her will.

Sally Field landed the role of Gidget through a summer workshop screen test. She had participated in secondary school dramatic productions, but she had had no on-screen experience apart from being a supernumerary in the forgettable 1962 film, "Moon Pilot." Although 19 when the program was filmed, Field is entirely credible as the 15-year-old Gidget. And, in mastering this role, she gave early evidence of the acting talent that was to win her many parts (from the Flying Nun to Mary Todd Lincoln) and awards. Her attitude toward the filming of "Gidget" was "absolute total glee," and her performances reflect this. Don Porter served as her mentor; and there was good chemistry between them, both on and off camera. Similarly, Field described Lynette Winter as her "best friend" in real life as well as in the show. Winter brought to her role a veritable arsenal of facial expressions, and a talent for physical comedy perhaps even greater than Field's. It is hard to imagine "Gidget" without these three. Conner and Duel successfully portray an annoying sister and brother-in-law; and Duel displays surprising aptitude for slapstick when he accidentally disconnects the water supply hose to the washing machine, drenching Anne, Gidget, and himself (we are left to wonder what the soaked cat, watching from a corner, thought of this human folly).

"Gidget" is a conglomeration of 1960s artifacts--cars, clothes, hair styles, dances, record players, dial telephones, VHF/UHF television sets, and manual typewriters. In terms of its cast, subject matter and attitudes, it is also a product of its times. Occasionally, there are explicit, if not emphatic, references to sex, and to Gidget's physique. And the cast includes African-Americans playing minor, but respectable, characters. But the women are definitely not liberated. One of Gidget's male acquaintances commands her, "Go fetch food, woman!" Her father tells one of her male classmates what to do "when a woman clamors for complete equality with men," and implies that women really do not want such equality. Gidget receives a spanking in one episode, as does a visiting Swedish female student in another. (No male characters suffer this indignity.) As Gidget concludes in one postscript, "I'd set back women's rights a hundred years--exactly where they belonged." Today, some of this may grate on the nerves, even of those not sensitized to gender issues. On the other hand, in several episodes, Gidget attempts to improve the behavior of her male associates, and, more generally, her participation in surfing involved breaking into what had been a male preserve.

An episode of "Gidget" typically ends with sage advice from Russ, or--better--a humorous epigram from Gidget herself, such as: "You're only young once; but if you work it right, once is enough." Or: "It's too bad you can't be born with maturity, then lose it when you don't need it anymore."

Long before shows like "Saved By the Bell" and "Moesha" we had Gidget. This was a pretty interesting look at kids in the mid-1960's and how teen-agers were looked at in those days. It was an okay show for its times, even though it did seem kind of corny. You never would have guessed that this would be the launching point for one of the finest actresses in her era in the person of Sally Field. She gives a good performance of everyone's favorite surfer girl and is probably her third most famous character behind "Norma Rae" and Sister Bertrille. Perhaps the funniest, as well as the most annoying, part of this series were her sister and brother in law. Anne was pretty much a control freak and along with her wannabe Freud husband John were the prototype yuppies before the term was even invented. This was definitely a product of its time.

I have to say, in the summertime, it is easy to get latched onto a television show, think about it, American Idol would've never caught on otherwise. I religiously watched Gidget everyday on TV Land at 11:00 pm during the summer. I was spellbound. First of all, Sally Field is so freakishly young, she looks like some wacky apparition or something, like the ghost of careers past. Not to mention its so wonderfully cast (with the exception of Gidget's sister Anne, who just makes me REALLY tired.) And so begins my love affair with Pete Duel (R.I.P.). Overall, Gidget is really a delightful television program. ONE SEASON? ONE SEASON? What was that network thinking?!

Sally Field as a TV-version of Frances Lawrence, aka 'Gidget', that feisty teenager from a Los Angeles suburb in the 1960s, protesting injustices, standing up for the underdog, surfing on the weekends, and meddling in everyone's lives. This half-hour filmed sitcom with laugh-track only lasted one season before ABC unwisely gave it the heave-ho (due to low ratings, though they suddenly picked up during the '66 rerun season). Still, "Gidget" lives on due to canny, clever writing, rich photo stock (with colors that just POP!), a fun supporting cast, a hummable theme song (warbled by Johnny Tillotson), and of course Field, the quintessential little sister/best friend/project manager. Field was an inexperienced young actress who somehow knew the magical trick of connecting honestly with the TV viewing audience (whether addressing the camera directly or not). Her abilities were part instinct and part God's gift. She's indefatigable but never exhausting, and she makes everyone on-screen her pal as well. As widower father Professor Russell Lawrence, Don Porter (carried over from 1963's theatrical "Gidget Goes to Rome") is attractively bemused and never embarrassed, while Lynette Winter is the perfect embodiment of the misfit best friend (doggedly devoted, sometimes against her will). As Gidget's married sister and brother-in-law, Betty Conner and Peter Deuel seldom get their share of bright lines or stories, though Deuel's starchy skepticism is nearly funny on its own. Despite the product plugs, Gidget's rather under-populated high school, and a few slapstick detours, not a bad way to spend an afternoon. It's nostalgic and upbeat, and Field looks great on a surfboard.