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One of the many things that made Hitchcock such a great director is that he did not just stick to the same formula time after time; all of his best movies have their own unique feel and characteristics. "Vertigo" is particularly distinctive, both as a complex story filled with suspense, and as a fascinating study in psychological tension. While it lacks the humor of some of Hitchcock's other masterpieces, and sometimes moves rather slowly, it is unforgettable, and a great achievement by the director and his cast.

If you have never seen it, you will enjoy it more if you do not know too much about the plot, although the actual story is somewhat secondary to the ways that the characters are tested and their weaknesses exposed by the various events. Hitchcock uses a complicated story, interesting characters, lavish visual detail, and deliberate pacing, plus a fine musical score by the incomparable Bernard Hermann, to produce a mysterious, almost unearthly, atmosphere. The tension rarely lets up, and the viewer is caught up completely in it, at times almost to the point of discomfort. It's the kind of film that repays careful attention, as almost every moment is filled with significant detail.

There are also some great acting performances. Jimmy Stewart is outstanding in a role far different from his usual screen persona. He enables the viewer to sympathize completely with him, even as we cringe at many of his character's actions and decisions. Kim Novak is completely convincing in a difficult dual role, and the movie would not have been as compelling without her fine performance. The rest of the cast all have much smaller roles, but are all quite good too, especially Barbara Bel Geddes as Scottie's (Stewart's) old friend, who provides important insight into Scottie's character.

"Vertigo" is a classic by any standard. It's a must-see that remains just as impressive with each viewing.

Alfred Hitchcock directed this mesmerizing film that stars Jimmy Stewart as John 'Scottie' Ferguson, a retired San Francisco policeman who is approached by old college friend Gavin Elster(played by Tom Helmore) who wants him to follow his wife Madeline(played by Kim Novak) who has been acting strangely. Scottie does follow her, and becomes obsessed by her beauty and behavior, eventually falling in love with her, with devastating consequences. Though that is only the start of the mystery... Barbara Bel Geddes costars as Scottie's friend Midge, still in love with him, despite jilting him years before. Superbly directed and acted film has an ingenious story and stunning imagery, making this an unforgettable romantic mystery, with a stunning ending...though if you have the DVD, watch the extra feature on the lost extended ending, which is fascinating, and changes the tone of the film as a result!

I get a bit tongue-tied talking about Hitchcock's greatest movies because they are just so remarkable, so astonishing, so entertaining, so multi-levelled, that it's very difficult to put into words what makes them great. Hitchcock made some of the greatest movies ever made, and 'Vertigo', though by no means his most accessible film, is quite possibly his crowning achievement. It is without any doubt a masterpiece, and I cannot fault it in any way. Every time I watch it I am knocked out, and every time I see something new, some nuance or moment that I appreciate more than I did the previous viewing. Jimmy Stewart, one of the most popular movie star in Hollywood history, gives a remarkable performance throughout, one of the best in his career. Stewart had worked with Hitchcock before, and had always been superb, especially in the much copied suspense classic 'Rear Window' a few years prior to this, but he plays against type in 'Vertigo' and is jaw-droppingly good. It's difficult to remember now that 'Vertigo' is regarded as a movie milestone, that it received many bad reviews when it was originally released, and was a relative failure for Hitchcock. A lot of this had to do with Stewart's intense performance I think, and also the difficult subject matter. 'Vertigo' is essentially a tale of sexual obsession, something most people were probably not expecting at the time! Almost as good as Stewart is Kim Novak ('The Man With The Golden Arm') in a role that she will always be remembered for. 'Vertigo' is a virtuoso piece from Hitchcock, and a movie that will no doubt continue to inspire other film makers over the years to come. However the most important thing about it is that it is still wonderful viewing, and a movie experience that you will never forget. In my mind it is one of the three of four greatest American movies. Simply astonishing.

Not very popular with critics or audiences when it first came out, probably not what they were expecting form the master director. Certainly a very different movie not in the usual Hitchcock formula. The movie probably needs more than one viewing. I can understand why some people don't like it much, but if you can get into the mood and atmosphere it's a surreal masterpiece. The movie is really about creating a surreal dreamlike world to enter. Set in San Francisco in 1958 it is like nothing before or since. Unforgettable and mesmerizing it is full of great locations, strange characters and stories. We go on a strange uneasy journey with Jimmy Stewart where there is no return and end up somewhere between sanity and insanity. Everything about this movie goes together to create another world which you feel like you have entered, the music, the 1950s grainy film, the dull colours, the incredibly shot locations, the changing light. It is certainly a strange movie hard to put into a box. It is from another time. Amazing. Like a dream... A classic film from the golden age of Hollywood. A Hollywood which doesn't exist anymore. There is just something about this movie, which you can't put your finger on. It's full of secrets.

An interesting psychological piece that richly displays Hitchcock's talents. It is unfair to compare this film to the suspense thrillers of today which are subjected to more realism in sex and violence. Hitchcock had to be more subtle in 1958, where I'm sure a work like this, that seems tame by today's standards, appeared bizarre and risqué. Also the acting here seems histrionic; not that people actually spoke like that in the 50s but the audiences liked such dictionally refined dialogue back then as opposed to the lines of modern-day scripts that more accurately portray the way individuals speak.

James Stewart and Kim Novak are appealing on numerous levels, the former mainly because he doesn't wander far from the amiable joe we have come to expect (even though he does weird-out near the conclusion) and the latter because she maintains a veneer of vulnerability that we can relate to.

This is not a film I especially like (I couldn't watch it again and again) but I respect for its strong filmmaking.