The Small World of Sammy Lee

This is a big screen version of a BBC TV play. Anthony Newley, whose string of Top 20 pop hits had just come to an end, puts in a surprisingly good performance as Sammy Lee, a strip club compère whose gambling debts land him in trouble with gangsters. Newley was a quirky actor and takes some getting used to. Always nice to see Julia Foster who plays a doting innocent, and there are memorable cameos from Warren Mitchell and Miriam Karlin as his brother and his sister-in-law. Set before strip clubs and gambling were entirely lawful, the film is in black-and-white which enhances the period atmosphere. Jazz fans may care to note that the original music is composed by tenor saxist Kenny Graham.

This is definitely worth a look if it comes your way. Tony Newly is gives an uncharacteristicly understated but perfectly judged performance in this evocation of 60s Soho low life. The cast is littered with top quality British acting talent in all the minor roles. A sleazy Robert Stephens as clubbowner; Warren Mitchell and Miriam Karlin a jewish deli owner and his wife give what might seem charicature jewish performances in 21stC but no less endearing for that. Plus Wilfred Bramble, Alfred Burke and Roy Kinnear and a host of others including a very young and delicate Julia Foster If you knew Soho in the 60s there's a huge amount of gorgeous b&w location photography to bring a smile. Spot the landmarks including the famous '2 I's' coffee bar! The acting great and pretty authentic for the period. The plot - seedy entertainer owes gambling debts and needs to raise cash to pay off hoods - is low key and the violence gentle by modern standards but the device keep the momentum going nicely Don't miss it

Made and released in 1963, this film gave Newley a real meaty role instead of the light comedy, musical roles he was usually cast in. The original BBC play was a one man, one scene event, but the full Soho, London locations gave the film a more murky, underworld feel and you really felt for Sammy Lee, although you realised he was his own worst enemy! Beautifully photographed in black and white, atmospheric and with Newley at his acting best. Well worth a viewing. Excellent support from Wilfred Brambell (Steptoe) as Newley/Sammy's dresser, and Julia Foster putting in a suitable innocent performance as the love interest who has fallen for Sammy's charms (lies).

Anthony Newley is at the top of his game here as the eponymous nightclub host who is way past his best. His lame one-liners have long since stopped engaging his dwindling number of punters who now only show up for a cheap drink and a eyeful. His on stage failures are not his only worries. He couldn't pick a winner in an one-horse race and is in hock to his bookie for money he can never hope to raise, and they are not about to let him off. He is also in love - but even that's complicated with "Patsy" (Julia Foster) being embroiled in the business he shares with the odious and sleazy "Gerry" (Robert Stephens). There's a who's who of solid supporting British characters here that help depict a Soho, now long gone, that did deserve it's nickname as a square mile of vice and depravity. Wilfred Brambles, Warren Mitchell and Roy Kinnear all add a gritty richness to the poignant adaptation of his BBC play by auteur Ken Hughes and it's clear from early on that an happy ending - for anyone - is most unlikely. Hughes conveys the seediness and the ghastliness cleverly. There's virtually nothing graphic, or even especially violent - here. That's all left to our imagination and to the gradually increasing sense that "Sammy Lee" has seen his finest hour. He just has to hope it's not soon to be his last. I didn't always like the Newley brand of Londoner, but in this he delivers engagingly and I almost felt sorry for him at times!

I recently watched this movie in a newly made print with German subtitles during an Austrian film festival which showed a retrospective of the work of Wolf Suschitzky, the D.O.P. of this movie. Though 95 years old, he was present and I asked him afterward about the superb quality of the picture with "the blacks as real blacks and the whites glaringly white". It was probably shot with English Ilford stock of low sensitivity. Suschitzky pointed out that the most important thing is the quality of the print material and how experienced labs can handle this. I recommend this movie for anyone seriously interested in black and white film work and for getting moody, well-lit images in a real naturalistic location. Suschitzky tried to avoid bare grays so the grain won't show and even under night conditions there are parts overexposed and therefore white. Overall this movie has a great speed made-up of daring images, a superb jazz soundtrack and fast editing. Fortunately, it doesn't have a hand-held look, every image is carefully lit and composed. It is an enjoyable journey into the live of a very nervous and hasty man who doesn't seem to get anything right and instead is digging into trouble deeper and deeper. Unfortunately, it doesn't seem to be available on DVD right now so watch out for the cinema experience.