A Delícia de um Dilema

"Rally 'Round the Flag, Boys!" may be a movie that you never get to see. As far as I know, it's not available on video or DVD; I saw it on TV one night. But anyway, here's the story: Harry Bannerman (Paul Newman) and Grace Oglethorpe (Joanne Woodward) are a typical (or not so typical) suburban couple in an idealistic 1950's small town in Connecticut. Then, when the army announces plans to build a secretive base near the town, Harry is hired to promote it, while Grace does everything possible to oppose it. In the process of everything, the townspeople begin to see things that they've never seen before - namely, when Grace catches Harry...well, I won't spoil it for you (don't worry, it's not (particularly) dirty). The whole thing ends in one wacky climax.

Anyway, this is one of those interesting movies from the late '50s starring A-list stars, that for some reason doesn't seem to be very well remembered today. Good support comes from Tuesday Weld and Dwayne Hickman as local teenagers.

A couple of reviewers noted that they felt sorry for Paul Newman's character in "Rally 'Round the Flag, Boys." I had the same sense at times. Newman's Harry Bannerman is a picture of sympathy much of the time. One can imagine Rock Hudson, Fred MacMurray or Cary Grant in that role. None of them would be likely to garner our sympathy. And they shouldn't. They would have us laughing at the predicament they were in and how they handled it. Sure, they would be just as innocent as Newman is. But they would have played the role for the comedy, where Newman's character can't seem to do that. But it may not be all his failing. I suspect it was a combination miscue involving screen writing, acting and directing.

I think Newman is capable of comedy – he later shows a knack for some simple and sophisticated humor ("The Sting," "Slap Shot," and in the Western crime and biopic, "Butch Cassidy and the Sundance Kid"). But – as at least one other reviewer noted, he's not suited for the farcical. For that matter, neither is Joanne Woodward. A couple others said they didn't like her character. I think it would have been fine -- if she had made it funny. Woodward was an excellent dramatic actress. She won an Oscar for "The Three Faces of Eve," and received three more nominations. But her comedic abilities were limited to the witty and wry dialog type – nothing with mayhem and farce. Other reviewers talked about the humor in the novel by Max Shulman that this movie is based on, and the absence of so many good and witty lines in the film.

Jack Carson helped pick the film up some as an incompetent Army officer, Captain Hoxie. Carson was a first-rate supporting actor who often had considerable roles in movies. His film persona reminds me of Bud Abbott – a straight man who always seems serious, and whom others can play off with such great humor. Carson was an intelligent actor who knew he wasn't going to get male leads. He played his characters to the hilt. Carson died of cancer at age 52. Had he lived longer, he might have garnered an Oscar – for a comedy or dramatic supporting role. Other fine supporting actors earned greater recognition for their talents in their later years. Examples are Hume Cronyn and Harry Morgan.

This film has a couple of very funny scenes, but nothing more. Others have noted the silliness of the plot toward the end. I don't have a problem with that – comedy is comedy, of whatever degree of foolishness, farce, fantasy and silliness. But, it really should be funny. Regrettably, "Rally 'Round the Flag, Boys" doesn't have what it takes. Newman and Woodward were at the peak of their careers and popularity at the time, so the studio (20th Century Fox) probably thought they could do no wrong. Maybe fan appeal would be enough.

The film had a considerable budget for 1958, at nearly $1.9 million. It made money but it didn't set the world on fire back then either. The box office take was reported at $3.4 million.

I read the reviews before watching it again after many years. Shocked, I was, to see that they weren't good. My plan was to see the movie and mount a spirited defense of it on this very site.

I can't. I like romantic comedies. I like comedies from this era. I even like bad movies if they are sincere. This movie just makes me uncomfortable.

Paul Newman, never one of my favorites, but a pretty decent actor, has no real range or depth in this role. I watched, expecting him to suddenly step forward and take charge of the movie, but he disappointed me...

Joanne Woodward vacillates between stern wife and mother/retarded blonde. I think she was trying to be sexy, but came off as possibly addicted to Valium...

Joan Collins was the one bright spot in this movie. She was sexy and vivacious...even funny from time to time...

Gale Gordon (Mr. Mooney from the old Lucy Show) did okay with what he had.

What they managed to do with some pretty talented actors was to create a movie where not only did I not care about the lives of any of the characters, I don't think I would've cared if any of them had been tortured to death, either.

This movie was pretty funny and entertaining in spots, but in other spots it wasn't all that interesting. What saved it was Paul Newman, Joanne Woodward, Joan Collins, Gale Gordon, Jack Carson, Tuesday Weld and Dwayne Hickman. I kept watching because of them, otherwise I probably wouldn't have.

Had this not been a comedy, I'm sure Paul and Joan's characters would have given in to their attraction (which he fought, and she pursued) as they were both feeling neglected by their spouses and with good reason. His wife (Joanne) was kept occupied with one committee or another and one charity too many, while her husband (Murvyn Vye) was away on one business trip after another. In this case, it's played for laughs, which includes a drunk Paul swinging from a chandelier, and one heck of a misunderstanding when Joan decides to surprise him while he's in Washington!

The whole suburbanites vs. The army thing got to be a bit silly, but the pageant was hilarious, though today it would be deemed politically incorrect where native Americans are concerned. Oh, well.

Watch it, but don't expect too much.

In other of Paul Newman's movie years, this one might have fared better, but alongside the Southern masterpieces Cat on a Hot Tin Roof and The Long Hot Summer, and the flawed but interesting Billy The Kid take The Left-Handed Gun, this sometimes amusing fluff just can't hold up. Good to see him paired with Woodward and taking a stab at screen comedy for the first time, but he never truly excelled at it until later in his career. Still, some nice bits and decent work survive. It's just impossible to see and compare these days, rarely if ever broadcast and unreleased to video to this day.