Adicionar um enredo no seu idiomaWest Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members... Ler tudoWest Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later se... Ler tudoWest Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later sells them to French competition. However, when scandal errupts, Rosemarie would find that s... Ler tudo
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 5 indicações no total
- Oelsen
- (as Tilo v. Berlepsch)
- von Killenschiff
- (as Erik v. Loewis)
- Kleye
- (as Hubert v. Meyerinck)
Avaliações em destaque
movies I thought of Pretty Woman with a lot less emotion and entertainment
value. Since I was not very into the plot and action taking place on the screen I was very focused on the camera movements and angles. I am not a historian, but I felt like the car scenes were probably innovative. Especially during Rosemarie and Hartog's trip to the club for lunch when it went up and over he car.
My final comments on this movie, would be to go see, but don't expect to be
moved by the acting of engaged by the plot. See this movie to pick up on the camera techniques and angles.
caught up in the big money world of capitalism in the 50's. The title character is a resourceful, intelligent beauty who attempts to outwit morally corrupt
businessmen, and fails, losing her life. From the opening sequence which finds Rosemarie dancing below a hotel, "Das Mådchen" is full of vibrancy and life, containing an almost lyrical quality to the film. Singing is prevalent throughout the film, with Rosemarie's lowly
aquaintances providing social commentary with an accordion throughout the
movie. Along with this poetic quality, the film also finds strength through its stylish camera work. Full of extreme zooms and close-ups, the camera adds
real drama and a sense of urgency to the story. Nadja Tiller, as the call-girl Rosemarie, is electrifying, dominating the screen in every scene. Beautiful and resourceful, you never doubt her ability to outwit the West German
businessmen. The supporting cast is also very strong. As for weaknesses of the movie, the story does tend to drag along a bit, despite the music which is prevalent throughout. The main problem however,
is its hit you over the head method of displaying its message. The audience is constantly bombarded with messages of the ills of capitalism , most commonly displayed through the songs of Rosemaries friends , which are not-so-subtle
jabs at capitalism. While the merits of capitalism are certainly valid film topics, the constant barrage detracts from the movie. The story works on its own, and does not need the constant anti-capitalist messages. Stylistically, "Das Mådchen has echos of Hitchcock, with its dizzying camera work and morbid end. Despite this one major flaw, "Das Mådchen" is a colorful and enjoyable movie, complete with a tragic ending which lends an air of seriousness to the movie.
Rosemarie, who wants to move up in the world. She begins circulating with
important capitalist business clients. Then a french client gets her to become a spy for him, and she begins to feel like she has a lot more power and influence then she really does, and becomes a threat to all of the men. In the meanwhile, all she really wants from the situation is to be an upperclass member like all of them. It's sad because, being a prostitute, she can never really be like a rich man's wife, or a member of elite society.
One unique thing they did with it was to have two musicians (the two men with whom Rosemarie initially lives and works with) sing songs throughout the movie that have to do with what Rosemarie is currently doing. Their songs reflect on the current situation and foreshadow things to come. It is sort of similar to the two male singers in "There's Something about Mary," only this movie, unlike that one, is not moronic.
The fim's being in black and white gives it another interesting effect. It does not have much background music, and reminds one of an Alfred Hitchcock movie in
that respect. It focuses on interesting (and altered/distorted to sound stranger) background noises like the whooshing sound of revolving doors, or the sound of an elevator going up. It also does interesting camera shots such as looking at the carpet (and the shadows of revolving doors) instead of the doors
themselves. It reminded me of how, in Psycho, Alfred Hitchcock chose to focus on the running water, and shadows, in the famous shower/murder scene,
instead of actually depicting the violence.
I really liked this movie, and thought it was very well done, and something
different. Aside from the technical aspects of it, the general story-line was really good in itself, and had a strong message about capitalist germany and how the business and capitalist were taking over everything, and became more
important than the personal lives of less cold-hearted, business-minded people such as Rosemarie. Even though she was a prostitute, she was sort of innocent at the same time, because she could not comprehend how hopeless it was for
her to wish to be a member of the upper class, and how most people were only
using her. She was just a luxury to them, and one more thing they could afford to buy for themselves to make their lives more interesting. They did not want for her to hold any real sway over them, or affect their lives in any way. She did not realize how dangerous it would be for her when she attempted to become a real person.
introduction to the capitalist society in which big companies and money
dominate. I found the film to be very interesting. I thought that the camera angles were very unique...especially in initial bar scene. I thought that moving the camera around the bar, without cutting, was a very unique way of viewing the room and all of the people in it. I think that the characters were acted out very well. Hartog was completely
stone cold. He rarely ever showed emotion on his face, other than deep
thought. Even in the end, when Rosemarie was attempting to get him to leave
his wife for her, he showed very little emotion. This was one aspect of the film that stood out to me. I particularly enjoyed the two young men who used their musical talents to help Rosemarie and later Rebecca on their way into the "big time." Although these two were essentially gold-digging scumbags, they introduced a fair amount of
humor and unique songs to the film. A perfect example of this humor was when they "tried out" various girls to see which would be the best to take Rosemarie's spot in their trio of sorts. In the middle of the movie, I thought the plot was a little shaky, but in the end it all came together perfectly. All in all, I thoroughly enjoyed the film and thought it portrayed capitalism wonderfully.
Você sabia?
- ConexõesReferenced in Rosemaries Tochter (1976)
Principais escolhas
Detalhes
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1