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Ídolo do Pecado

Título original: Das Mädchen Rosemarie
  • 1958
  • 1 h 45 min
AVALIAÇÃO DA IMDb
6,7/10
537
SUA AVALIAÇÃO
Ídolo do Pecado (1958)
Drama

Adicionar um enredo no seu idiomaWest Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members... Ler tudoWest Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later se... Ler tudoWest Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later sells them to French competition. However, when scandal errupts, Rosemarie would find that s... Ler tudo

  • Direção
    • Rolf Thiele
  • Roteiristas
    • Erich Kuby
    • Rolf Thiele
    • Rolf Ulrich
  • Artistas
    • Nadja Tiller
    • Peter van Eyck
    • Carl Raddatz
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    537
    SUA AVALIAÇÃO
    • Direção
      • Rolf Thiele
    • Roteiristas
      • Erich Kuby
      • Rolf Thiele
      • Rolf Ulrich
    • Artistas
      • Nadja Tiller
      • Peter van Eyck
      • Carl Raddatz
    • 14Avaliações de usuários
    • 5Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 vitórias e 5 indicações no total

    Fotos32

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    Elenco principal19

    Editar
    Nadja Tiller
    Nadja Tiller
    • Rosemarie Nitribitt
    Peter van Eyck
    Peter van Eyck
    • Alfons Fribert
    Carl Raddatz
    Carl Raddatz
    • Konrad Hartog
    Gert Fröbe
    Gert Fröbe
    • Generaldirektor Willy Bruster
    Hanne Wieder
    Hanne Wieder
    • Marga Hartog
    Helen Vita
    Helen Vita
    • Sängerin Eveline
    Werner Peters
    Werner Peters
    • Franz Josef Nakonski
    Tilo von Berlepsch
    • Oelsen
    • (as Tilo v. Berlepsch)
    Erik von Loewis
    • von Killenschiff
    • (as Erik v. Loewis)
    Karin Baal
    Karin Baal
    • Tänzerin Do
    Hubert von Meyerinck
    Hubert von Meyerinck
    • Kleye
    • (as Hubert v. Meyerinck)
    Jo Herbst
    • Walter
    Ruth Hausmeister
    • Frau Hartog
    Arno Paulsen
    • Schmidt
    Florentine von Castell
      Mario Adorf
      Mario Adorf
      • Horst
      Horst Frank
      Horst Frank
      • Student Michael Runge
      Ursula Diestel
        • Direção
          • Rolf Thiele
        • Roteiristas
          • Erich Kuby
          • Rolf Thiele
          • Rolf Ulrich
        • Elenco e equipe completos
        • Produção, bilheteria e muito mais no IMDbPro

        Avaliações de usuários14

        6,7537
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        Avaliações em destaque

        placroix-1

        Weak story line but the direction was terrific.

        In Das Mädchen Rosemarie, I felt very unsatisfied from the story line. I had a difficult time getting into the time of the movie to let go of reality. The acting was very cut and dry. No one really showed any type of real emotional and powerful acting. My favorite part in the movie was at the dinner party when the wives and then everyone started jumping in the pool for money. Thinking about recent

        movies I thought of Pretty Woman with a lot less emotion and entertainment

        value. Since I was not very into the plot and action taking place on the screen I was very focused on the camera movements and angles. I am not a historian, but I felt like the car scenes were probably innovative. Especially during Rosemarie and Hartog's trip to the club for lunch when it went up and over he car.

        My final comments on this movie, would be to go see, but don't expect to be

        moved by the acting of engaged by the plot. See this movie to pick up on the camera techniques and angles.
        mschuell

        A unique and stylish blend of music and Cold War capitalist commentary.

        "Das Mädchen Rosemarie" offers a compelling tale of a West German call girl

        caught up in the big money world of capitalism in the 50's. The title character is a resourceful, intelligent beauty who attempts to outwit morally corrupt

        businessmen, and fails, losing her life. From the opening sequence which finds Rosemarie dancing below a hotel, "Das Mådchen" is full of vibrancy and life, containing an almost lyrical quality to the film. Singing is prevalent throughout the film, with Rosemarie's lowly

        aquaintances providing social commentary with an accordion throughout the

        movie. Along with this poetic quality, the film also finds strength through its stylish camera work. Full of extreme zooms and close-ups, the camera adds

        real drama and a sense of urgency to the story. Nadja Tiller, as the call-girl Rosemarie, is electrifying, dominating the screen in every scene. Beautiful and resourceful, you never doubt her ability to outwit the West German

        businessmen. The supporting cast is also very strong. As for weaknesses of the movie, the story does tend to drag along a bit, despite the music which is prevalent throughout. The main problem however,

        is its hit you over the head method of displaying its message. The audience is constantly bombarded with messages of the ills of capitalism , most commonly displayed through the songs of Rosemaries friends , which are not-so-subtle

        jabs at capitalism. While the merits of capitalism are certainly valid film topics, the constant barrage detracts from the movie. The story works on its own, and does not need the constant anti-capitalist messages. Stylistically, "Das Mådchen has echos of Hitchcock, with its dizzying camera work and morbid end. Despite this one major flaw, "Das Mådchen" is a colorful and enjoyable movie, complete with a tragic ending which lends an air of seriousness to the movie.
        $TEVE McD

        An unknown masterpiece!

        A real art film,with bizarre music (especially the recurring music from the film's opening),great camera movements,and a film making technique that was truly ahead of it's time-you'll grin knowingly when you see the final scene.Unfortunately,the remake adopted none of the film's weird and bizarre stylings,instead only going for a straightforward reworking of the story.
        jorilind

        a good movie with cool technique

        Das Maedchen Rosemarie was a very well-done film. It is about a call-girl,

        Rosemarie, who wants to move up in the world. She begins circulating with

        important capitalist business clients. Then a french client gets her to become a spy for him, and she begins to feel like she has a lot more power and influence then she really does, and becomes a threat to all of the men. In the meanwhile, all she really wants from the situation is to be an upperclass member like all of them. It's sad because, being a prostitute, she can never really be like a rich man's wife, or a member of elite society.

        One unique thing they did with it was to have two musicians (the two men with whom Rosemarie initially lives and works with) sing songs throughout the movie that have to do with what Rosemarie is currently doing. Their songs reflect on the current situation and foreshadow things to come. It is sort of similar to the two male singers in "There's Something about Mary," only this movie, unlike that one, is not moronic.

        The fim's being in black and white gives it another interesting effect. It does not have much background music, and reminds one of an Alfred Hitchcock movie in

        that respect. It focuses on interesting (and altered/distorted to sound stranger) background noises like the whooshing sound of revolving doors, or the sound of an elevator going up. It also does interesting camera shots such as looking at the carpet (and the shadows of revolving doors) instead of the doors

        themselves. It reminded me of how, in Psycho, Alfred Hitchcock chose to focus on the running water, and shadows, in the famous shower/murder scene,

        instead of actually depicting the violence.

        I really liked this movie, and thought it was very well done, and something

        different. Aside from the technical aspects of it, the general story-line was really good in itself, and had a strong message about capitalist germany and how the business and capitalist were taking over everything, and became more

        important than the personal lives of less cold-hearted, business-minded people such as Rosemarie. Even though she was a prostitute, she was sort of innocent at the same time, because she could not comprehend how hopeless it was for

        her to wish to be a member of the upper class, and how most people were only

        using her. She was just a luxury to them, and one more thing they could afford to buy for themselves to make their lives more interesting. They did not want for her to hold any real sway over them, or affect their lives in any way. She did not realize how dangerous it would be for her when she attempted to become a real person.
        burgs

        Stone cold

        "Das Mådchen Rosemarie" portrays an interesting view of a West German girl's

        introduction to the capitalist society in which big companies and money

        dominate. I found the film to be very interesting. I thought that the camera angles were very unique...especially in initial bar scene. I thought that moving the camera around the bar, without cutting, was a very unique way of viewing the room and all of the people in it. I think that the characters were acted out very well. Hartog was completely

        stone cold. He rarely ever showed emotion on his face, other than deep

        thought. Even in the end, when Rosemarie was attempting to get him to leave

        his wife for her, he showed very little emotion. This was one aspect of the film that stood out to me. I particularly enjoyed the two young men who used their musical talents to help Rosemarie and later Rebecca on their way into the "big time." Although these two were essentially gold-digging scumbags, they introduced a fair amount of

        humor and unique songs to the film. A perfect example of this humor was when they "tried out" various girls to see which would be the best to take Rosemarie's spot in their trio of sorts. In the middle of the movie, I thought the plot was a little shaky, but in the end it all came together perfectly. All in all, I thoroughly enjoyed the film and thought it portrayed capitalism wonderfully.

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        Enredo

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        Editar
        • Conexões
          Referenced in Rosemaries Tochter (1976)

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        Detalhes

        Editar
        • Data de lançamento
          • 28 de junho de 1958 (Alemanha Ocidental)
        • País de origem
          • Alemanha Ocidental
        • Idiomas
          • Alemão
          • Francês
          • Inglês
        • Também conhecido como
          • Rosemary
        • Locações de filme
          • Frankfurt am Main, Hesse, Alemanha
        • Empresa de produção
          • Roxy Film
        • Consulte mais créditos da empresa na IMDbPro

        Especificações técnicas

        Editar
        • Tempo de duração
          1 hora 45 minutos
        • Cor
          • Black and White
        • Mixagem de som
          • Mono
        • Proporção
          • 1.33 : 1

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