Adicionar um enredo no seu idiomaA sample of an advanced new metal is stolen and made into a cigarette case in Brussels ready for smuggling to the East. An American jewel thief accidentally finds it in his possession and be... Ler tudoA sample of an advanced new metal is stolen and made into a cigarette case in Brussels ready for smuggling to the East. An American jewel thief accidentally finds it in his possession and becomes the focus of unwanted attention.A sample of an advanced new metal is stolen and made into a cigarette case in Brussels ready for smuggling to the East. An American jewel thief accidentally finds it in his possession and becomes the focus of unwanted attention.
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I rather lost the rather complicated plot on this one.Maybe it was the unusual sight of Anton Differing playing a good cop.however the first scene rather set my teeth on edge.A scientist is shot in the chest from about 10 feet,the killer places the gun in his hand,and for some strange reason the police assume that he committed suicide.This undermined the whole film for me.From then on the film had so many twists i reminded me of a coiled python.However at no time did it show any sign of life.Lots of location shooting but to no real effect.A really poor effort,and rather a waste of time.The title is rather misleading.
This has a surprisingly decent cast for a cheap and cheerful cold war espionage thriller. A special metal that could change the whole future of warfare is crafted into a cigarette case that accidentally falls into the hands of American jewel thief "Martin" (Sheldon Lawrence). Needless to say, those sinister folks want it back and what ensues over the next hour is a rather feebly constructed drama that rather joins the dots before an ending that offers little by way of suspense or jeopardy. It's quite dialogue heavy too, with little chemistry between Lawrence and the unremarkable Julia Arnell ("Petra") and though it passes the time effortlessly enough, it's all quite forgettable.
There not being enough maguffins in the world, a Belgian scientist has invented a new one. He is promptly killed, and the maguffin turned into a silver cigarette case. In that form, it simply drops in the hands of Sheldon Lawrence, a perfectly innocent jewel thief who is vacationing in Belgium to offer samples of his handiwork to his fence, who is promptly murdered because he turned the maguffin into the cigarette case.
Lawrence is a good-looking guy who is handy with his fists and promptly wins the heart of Julia Arnall, the fiancee of Eric Pohlmann, who wants the maguffin. Other people who want it are Anton Diffring, apparently the only homicide detective in Belgium, and Bernard Rebel. They run around and make deals with Lawrence, who has already stolen Pohlmann's jewel collection by this point, and take potshots at various people because the maguffin is worth, in the immortal words of Dr. Evil, "One million dollars!" in Berlin.
This being a second feature from Butcher's and directed by the indefatigable Maclean Rogers, it will kill an hour if you're not expecting anything brilliant.
Lawrence is a good-looking guy who is handy with his fists and promptly wins the heart of Julia Arnall, the fiancee of Eric Pohlmann, who wants the maguffin. Other people who want it are Anton Diffring, apparently the only homicide detective in Belgium, and Bernard Rebel. They run around and make deals with Lawrence, who has already stolen Pohlmann's jewel collection by this point, and take potshots at various people because the maguffin is worth, in the immortal words of Dr. Evil, "One million dollars!" in Berlin.
This being a second feature from Butcher's and directed by the indefatigable Maclean Rogers, it will kill an hour if you're not expecting anything brilliant.
Is this enjoyably unbelievable Cold War thriller for real? At least some of the humour seems intentional as the cast teams with broadly played sinister foreign caricatures (including foxy top-billed Julia Arnall) pursuing a metal that provides protection from radioactivity.
Wilfred Burns' score when not being parodically 'French' (actually Belgian) is as usual noisily intrusive. The producers actually sent sent a crew to Belgium and as photographed by veteran Geoffrey Faithfull it all looks good.
It's also nice to see Anton Diffring and Roger Delgado working for the law for a change.
Wilfred Burns' score when not being parodically 'French' (actually Belgian) is as usual noisily intrusive. The producers actually sent sent a crew to Belgium and as photographed by veteran Geoffrey Faithfull it all looks good.
It's also nice to see Anton Diffring and Roger Delgado working for the law for a change.
All manner of interesting detail, if you study it well
Classic cars, like the Ford Zodiac, with whitewall tyres, and the Citroen Traction Avant
The planes and airline scenes are well worth studying too
The plot might be thin by today's standards, but the Brussells street views more than make up for it
I found it thoroughly entertaining, and worth watching
Classic cars, like the Ford Zodiac, with whitewall tyres, and the Citroen Traction Avant
The planes and airline scenes are well worth studying too
The plot might be thin by today's standards, but the Brussells street views more than make up for it
I found it thoroughly entertaining, and worth watching
Você sabia?
- Erros de gravaçãoThe man is supposed to board a helicopter that has its rotors going and has skirts around its wheels and a registration number 4, but when the man boards, it has no skirts and the registration letter H. It takes off with skirts and letter M. When he lands, the registration letter is D.
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- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Handlanger des Teufels
- Locações de filme
- Walton Studios, Walton-on-Thames, Surrey, Inglaterra, Reino Unido(studio: produced at Walton Studios)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 4 minutos
- Cor
- Proporção
- 1.37 : 1
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