Conflito Íntimo

Título original: The Man Inside

1958
Approved
1 h 37 min

AVALIAÇÃO DA IMDb

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Anita Ekberg and Jack Palance in Conflito Íntimo (1958)

Adicionar um enredo no seu idiomaA jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him t... Ler tudoA jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him too, suggesting a deeper mystery.A jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him too, suggesting a deeper mystery.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

5,9/10

389

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Veja as informações de produção no IMDbPro

Fotos49

+ 42

Avaliações de usuários17

5,9389

Avaliações em destaque

6JuguAbraham

Worth your time but nothing exceptional

Anita Ekberg is eye candy in a strange British thriller about a diamond heist. Jack Palance from USA, Ekberg from Sweden, Donald Pleasence from UK, Anthony Newly from UK playing a Spaniard make up the some of the cast. Sequences of quality is jewel thief Nigel Patrick playing magic tricks for kids in Lisbon and the train only to be outsmarted by them . The character Ekberg plays is intriguing..

Vincentiu

not the best but...

a crime film. far to be memorable, it is not bad. only version of an old recipes, with clear characters, with wise used actors in key roles. the expectations are far to be high. but the film remains decent and the story, unrealistic in essence, seems be more than nice. because if you ignore the details, nothing is too strange. Jack Palance does a good job using his simple presence. same situation - Anita Ekberg who is only the beautiful seducer with few moral fights but nothing complicated or bizarre. a film from a genre who reflects the expectations from a period. so, nothing special. but a decent crime who, far to be Hitchcock, is useful for memory. and for a kind of nostalgic entertainment.

searchanddestroy-1

John Gilling was not only a horror film maker

John Gilling was, for the British film industry, a director who gave us thrillers, adventure movies and also horror ones, as also did Terence Fisher, Roy Ward Baker, Freddie Francis. But for each of those directors, we always remind the horror features. For John Gilling, we remind THE REPTILE, SHADOW OF THE CAT, PLAGUE OF THE ZOMBIES, MUMMY'S SHROUD but never his thrillers: PICK UP ALLEY, MAN INSIDE, IT TAKES A THIEF - THE CHALLENGE. I don't even speak of this colonial adventure films speaking of pirates or British Army in India or Afghanistan - BRIGAND OF KANDAHAR, BANDIT OF ZHOBE. For all those films, non horror I mean, Gilling brought his trade mark in the script, directing. Here, he meets Anita Ekberg with whom he also made PICK UP ALLEY, a good thriller where the villain Nigel Patrick nearly steals the show for his performance.

9tabone

Very Enjoyable Thriller

Just finished watching this on Talking Pictures and was very entertained. The film cracks along at a decent pace and the cast are supported by a decent, and often humorous, script. The first-call British actors all turn in their usual good performances (no Sam Kydd though, most have been an oversight) although Sid James's American accent leaves a lot to be desired. As well as a good storyline, one of the delights is seeing European capital cities in the late 1950s. A lot of the film is on location, and as such, for British audiences, this must have seemed impossibly exotic and romantic. The train sequence at the end has echoes of 'From Russia With Love' which was made five or six years later. Finally, a word for Anita Ekberg's corsetry, which deserved an Oscar all of its own. Recommended.

8musical-2

Superb British answer to The Third Man?

This is a modest British adventure thriller which was hoped would hit the world market at a time when this kind of picture was in vogue. A jewellers book keeper steals a priceless diamond and is trailed by various factions half across Europe. Interesting vehicle for Anthony Newley who was given a more meatier role than his usual light musical comedy roles as taxi driver Ernesto. The all star cast includes the very British Nigel Patrick, Sid James (before his Carry On days), and a guest appearance by Donald Pleasence. Palance and Ekberg gave this British movie the American market interest. Richard Bennett's brilliant theme is akin to The Harry Lime Theme from The Third Man. Written by John Gilling (later of Hammer film fame). A rare movie, not released on video nor seen on TV for many years. Paul Goodhead - President Anthony Newley Society Worldwide.

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Extorsão

Curiosidades
This was Bonar Colleano's final film before he was killed in a car accident on August 18, 1958 at the age of 34, three weeks before the film was released.

Erros de gravação
When Sam Carter takes delivery of his forged Spanish passport he runs through the attributes it lists - eye colour blue, hair colour fair, height 5 feet 11 and a half inches and so on. However, Spain adopted the metric system in 1849, so his height would have been given in metres/centimetres.

Citações
Robert Stone: Without any warning at all, the door closed on me. I shouted and finally...
Milo March: You say you've known him for a long time?
Robert Stone: Yes, he's been doing our books for fifteen years at least. The quietest, nicest fellow you could meet. He came here about once in two weeks. Carter and I used to look at the stone together. We used to stand here, just looking.
Franklin: Hand in hand?
Robert Stone: Mr. March, you know anything about diamonds?
Milo March: Yeah, I know I can't afford them.
Robert Stone: Then let me ask you; have you ever seen something that became an obsession, something you simply had to possess?
Milo March: Aha. But she ran away with a Texas oil man.
Robert Stone: Well, Carter in a sense, eloped with the diamond. I don't condone him stealing it, mind you. But I can understand why he did it. He took it because he fell in love with it.
Franklin: It's like stealing another man's wife.
Milo March: Oh, come on now. What can a diamond do for you on a cold night?
Robert Stone: If you're lucky enough to find The Tyrahna Blue, you'll know what I mean. You see, Mr. March, every man is actually two men: the one the world sees, the other the man inside.
Milo March: You think that I'll steal it?
Robert Stone: [chuckles] No, course not, Mr March. But the idea may cross your mind. A diamond like The Tyrahna Blue is like a beautiful woman - irresistible. A fire with passion.